LIST OF ILLUSTRATIONS

PAGE
Page from Blake’s “Songs of Experience”[5]
Page from Blake’s “Songs of Innocence”[6]
Wood engravings by Edward Calvert[7], [8]
Illustrations to Tennyson:
The Ballad of Oriana, by Holman Hunt[9]
The Palace of Art, by D. G. Rossetti[10]
The Bride (from “The Talking Oak”), by Sir J. E. Millais[11]
Manoli, by Frederick Sandys[13]
Royal College of Art, Students’ Designs:
Figure Composition, Frederigo Barbarossa, by Lancelot Crane[37]
Time Studies, by H. Parr[38], [39]
Time Studies of Figures in Action[41]
Design and Plan of a Domed Church, by A. E. Martin[42]
Design for Tapestry, by E. W. Tristram[43]
Design for Embroidery, by Miss E. M. Dunkley[45]
Museum Studies in Embroidery, by Miss E. M. Dunkley[46]
Sheet of Heraldic Studies, by Miss C. M. Lacey[47]
Studies in Counterchange, by W. G. Spooner[49]
Studies of Scroll Forms, by W. G. Spooner[51]
Studies of Plant Forms, by W. G. Spooner[53]
Pen Drawings, by H. A. Rigby[55], [57]
Cabinet, designed and decorated in Gesso, by J. R. Shea[59]
Group of Pottery, designed and executed by the Students[60]
Wood Carving, by J. R. Shea[61]
Stained Glass Panel, designed and executed by A. Kidd.[62]
Frieze, by James A. Stevenson.[63]
Page of Text, written by J. P. Bland[65]
Panel by Vincent Hill[67]
Wentworth Street, Whitechapel[79]
Egyptian Hieroglyphics as a Wall Decoration (Temple of Seti, Abydos)[89]
Greek Cylix (Peleus and Thetis)[105]
Sketch for Collective Dwelling, by Lionel F. Crane[116]
Plan of Collective Dwelling, by Lionel F. Crane[116]
Frescoes by Ford Madox Brown in the Town Hall, Manchester[118], [119]
View in Bournville[123]
Cottages at Bournville, designed by Alex. W. Harvey[123]
Interior, 1a, Holland Park, designed by Philip Webb[131]
Ranworth Rood Screen, Norfolk (from Drawings by W. T. Cleobury)[133], [134], [135],
[137], [138], [139],
[141], [143]
Lucas van Leyden, “The Annunciation”[145]
Carpaccio, “The Dream of St. Ursula”[147]
Cottage in the Garden City, Letchworth, Herts, designed by Lionel F. Crane[149], [150], [151]
Stoneywell Cottage, designed by Ernest W. Gimson[153], [155]
Old English Farmhouse Interior (from a Sketch by Walter Crane)[157]
Combe Bank, Sevenoaks, the Saloon, decorated by Walter Crane[159]
Printed Cretonne Hangings, designed by Walter Crane[160], [161]
Wall-papers, designed by Walter Crane[163], [164], [165],
[167], [168], [169]
Greek Drapery (Temple of Nike Apteros, Athens)[173]
Types of Artistic Dress[177]
Types of Children’s Dress[179]
Types of Working Dress[181]
Hungarian Peasant Costumes[182], [183]
A Contrast. Modern and Mediaeval Simplicity[187]
Decoration of Westminster Bridge, by the Students of the Royal College of Art (from a Coloured Drawing by G. E. Kruger)[195]
Suggestion for a Temporary Gatehouse at Temple Bar, by Walter Crane[197]
Temporary Street Decoration[199], [201]
Royal Mantle from the Treasury of Bamberg[205]
Chasuble from the Cathedral of Anagni[206]
Sicilian Silk Patterns (XIVth century)[207], [208], [209],
[210], [211], [212],
[213], [214]
Embroidered Tabard in the Archaeological Museum at Ghent[215]
Details from the Embroidered Tabard[216], [217], [218]
Robe of Richard II (from the picture at Wilton House)[219]
The Lions of England, designed by Walter Crane[220]
Heraldic Lion, designed by Walter Crane[221]
The Lions of England (from the Tomb of William de Valence, Earl of Pembroke, Westminster Abbey)[222]
Equestrian Figure with Heraldic Trappings (from the Tomb of Edmund Crouchback, Earl of Lancaster, Westminster Abbey)[223]
Binding in black morocco, with Medallions and Coat of Arms, by Thomas Berthelet[227]
Binding in black morocco, with Arms of Edward VI, by Thomas Berthelet[229]
Binding in stamped calf, with emblematical designs[231]
Binding of oak boards covered with stamped calf, by John Reynes[233]
Binding in brown calf, inlaid, by the Wotton Binder[235]
Appartamenti Borgia, Vatican, showing Pinturicchio’s “Salutation,” etc.[238]
Detail from Pinturicchio’s “Salutation,” with enrichments in Gesso[239]
Palermo, Cappella Reale (from a Water-colour Sketch by Walter Crane)[241]
The Double Cube Room, Wilton House[243], [245]
Method of Working with the Brush in Gesso[249]
Filling for Picture Frame in Gesso Duro, designed by Walter Crane[250]
Design for a Bell-pull, modelled in Gesso, by Walter Crane[251]
Gesso Panel, design for the Art Workers’ Guild, by Walter Crane[253]
The Dance (Frieze Panel in Gesso), designed by Walter Crane[254]
Picture Frame in Oak with Gesso filling, designed by Walter Crane[255]
Treatment of Form in Gesso Decoration, by Walter Crane[256]
System of Modelling with the Brush in Gesso[257]
Gesso Decoration at 1a, Holland Park, by Walter Crane, the woodwork by Philip Webb[258], [259], [260],
[261]
Panel in Gesso, tinted with lacquers and lustre paint, designed by Walter Crane[262]
Panel in Gesso, tinted with lacquer, designed by Walter Crane[263]
Pictorial Decoration (Ducal Palace, Venice)[271]
“Love and Death,” by G. F. Watts, R.A.[275]
“Sir Galahad,” by G. F. Watts, R.A.[277]
“Hope,” by G. F. Watts, R.A.[279]