IV. PEACH-BLOSSOM AND WINE
[73] Those searchings of mind brought from time to time cruel starts from sleep, a sudden shudder at any wide outlook over life and its issues, draughts of mental east-wind across the hot mornings, into which the voices of his companions called him, to lose again in long rambles every thought save that of his own firm, abounding youth. These rambles were but the last, sweet, wastefully-spent remnants of a happy season. The letter for Monsieur Michel de Montaigne was to hand, with preparations for the distant journey which must presently break up their comradeship. Nevertheless, its actual termination overtook them at the last as if by surprise: on a sudden that careless interval of time was over.
The carelessness of "the three" at all events had been entire. Secure, on the low, warm, level surface of things, they talked, they, rode, they ate and drank, with no misgivings, mental or moral, no too curious questions as to the essential nature of their so palpable well-being, [74] or the rival standards thereof, of origins and issues. And yet, with all their gaiety, as its last triumphant note in truth, they were ready to trifle with death, welcoming, by way of a foil to the easy character of their days, a certain luxurious sense of danger—the night-alarm, the arquebuse peeping from some quiet farm-building across their way, the rumoured presence in their neighbourhood of this or that great military leader—delightful premonitions of the adventurous life soon to be their own in Paris. What surmises they had of any vaguer sort of danger, took effect, in that age of wizardry, as a quaintly practical superstition, the expectation of cadaverous "churchyard things" and the like, intruding themselves where they should not be, to be dissipated in turn by counter-devices of the dark craft which had evoked them. Gaston, then, as in after years, though he saw no ghosts, could not bear to trifle with such matters: to his companions it was a delight, as they supped, to note the indication of nameless terrors, if it were only in the starts and crackings of the timbers of the old place. To the turbid spirits of that generation the midnight heaven itself was by no means a restful companion; and many were the hours wasted by those young astrophiles in puzzling out the threats, or the enigmatic promises, of a starry sky.
The fact that armed persons were still abroad, thieves or assassins, lurking under many disguises, [75] might explain what happened on the last evening of their time together, when they sat late at the open windows as the night increased, serene but covered summer night, aromatic, velvet-footed. What coolness it had was pleasant after the wine; and they strolled out, fantastically muffled in certain old heraldic dresses of parade, caught up in the hall as they passed through, Gaston alone remaining to attend on his grandfather. In about an hour's time they returned, not a little disconcerted, to tell a story of which Gaston was reminded (seeing them again in thought as if only half real, amid the bloomy night, with blood upon their boyish flowers) as they crossed his path afterwards at three intervals. Listening for the night-hawk, pushing aside the hedge-row to catch the evening breath of the honeysuckle, they had sauntered on, scarcely looking in advance, along the causeway. Soft sounds came out of the distance, but footsteps on the hard road they had not heard, when three others fronted them face to face—Jasmin, Amadée, and Camille—their very selves, visible in the light of the lantern carried by Camille: they might have felt the breath upon their cheeks: real, close, definite, cap for cap, plume for plume, flower for flower, a light like their own flashed up counter-wise, but with blood, all three of them, fresh upon the bosom, or in the mouth. It was well to draw the sword, be one's enemy carnal or spiritual; even devils, [76] as wise men know, taking flight at its white glitter through the air. Out flashed the brave youths' swords, still with mimic counter-motion, upon nothing—upon the empty darkness before them.
Curdled at heart for an hour by that strange encounter, they went on their way next morning no different. There was something in the mere belief that peace was come at last. For a moment Huguenots were, or pretended to be, satisfied with a large concession of liberty; to be almost light of soul. The French, who can always pause in the very midst of civil bloodshed to eulogise the reign of universal kindness, were determined to treat a mere armistice as nothing less than realised Utopia. To bear offensive weapons became a crime; and the sense of security at home was attested by vague schemes of glory to be won abroad, under the leadership of "The Admiral," the great Huguenot Coligni, anxious to atone for his share in the unhappiness of France by helping her to foreign conquests. Philip of Spain had been watching for the moment when Charles and Catherine should call the Duke of Alva into France to continue his devout work there. Instead, the poetic mind of Charles was dazzled for a moment by the dream of wrestling the misused Netherlands from Spanish rule altogether.
Under such genial conditions, then, Gaston set out towards those south-west regions he had [77] always yearned to, as popular imagination just now set thither also, in a vision of French ships going forth from the mouths of the Loire and the Gironde, from Nantes, Bordeaux, and La Rochelle, to the Indies, in rivalry of Spanish adventure. The spasmodic gaiety of the time blent with that of the season of the year, of his own privileged time of life, and allowed the opulent country through which he was to pass all its advantages. Ever afterwards that low ring of blue hills beyond La Beauce meant more for him, not less, than of old. After the reign of his native apple-blossom and corn, it was that of peach-blossom and wine. Southwards to Orleans and the Loire then, with the course of the sunny river, to Blois, to Amboise, to Tours, he traversed a region of unquestioned natural charm, heightened greatly by the mental atmosphere through which it reached him. Black Angers, white Saumur, with its double in the calm broad water below, the melancholy seigneurial woods of Blois, ranged themselves in his memory as so many distinct types of what was dignified or pleasant in human habitations. Frequently, along the great historic stream, as along some vast street, contemporary genius was visible (a little prematurely as time would show) in a novel and seductive architecture, which, by its engrafting of exotic grace on homely native forms, spoke of a certain restless aspiration to be what one was not but might become—the old [78] Gaulish desire to be refined, to be mentally enfranchised by the sprightlier genius of Italy. With their terraced gardens, their airy galleries, their triumphal chimney-pieces, their spacious stairways, their conscious provision for the elegant enjoyment of all seasons in turn, here surely were the new abodes for the new humanity of this new, poetic, picturesque age. What but flawless bodies, duly appointed to typically developed souls, could move on the daily business of life through these dreamy apartments into which he entered from time to time, finding their very garniture like a personal presence in them? Was there light here in the earth itself? It was a landscape, certainly, which did not merely accept the sun, but flashed it back gratefully from the white, gracious, carven houses, that were like a natural part of it. As he passed below, fancy would sometimes credit the outlook from their lofty gables with felicities of combination beyond possibility. What prospects of mountain and sea-shore from those aerial window- seats!
And still, as in some sumptuous tapestry, the architecture, the landscape, were but a setting for the human figures: these palatial abodes, never out of sight, high on the river bank, challenged continual speculation as to their inhabitants—how they moved, read poetry and romance, or wrote the memoirs which were like romance, passed through all the hourly changes of their all- [79] accomplished, intimate life. The Loire was the river pre-eminently of the monarchy, of the court; and the fleeting human interests, fact or fancy, which gave its utmost value to the liveliness of the natural scene, found a centre in the movements of Catherine and her sons, still roving, after the eccentric habit inherited from Francis the First, from one "house of pleasure" to another, in the pursuit at once of amusement and of that political intrigue which was the serious business of their lives. Like some fantastic company of strolling players amid the hushed excitement of a little town, the royal family, with all its own small rivalries, would be housed for the night under the same roof with some of its greater enemies—Henri de Guise, Condé, "The Admiral," all alike taken by surprise—but courteously, and therefore ineffectively. And Gaston, come thus by chance so close to them, had the sense not so much of nearness to the springs of great events, as of the likeness of the whole matter to a stage-play with its ingeniously contrived encounters, or the assortments of a game of chance.
And in a while the dominant course of the river itself, the animation of its steady, downward flow, even amid the sand-shoals and whispering islets of the dry season, bore his thoughts beyond it, in a sudden irresistible appetite for the sea; and he determined, varying slightly from the prescribed route, to reach his destination by way [80] of the coast. From Nantes he descended imperceptibly along tall hedge-rows of acacia, till on a sudden, with a novel freshness in the air, through a low archway of laden fruit-trees it was visible—sand, sea, and sky, in three quiet spaces, line upon line. The features of the landscape changed again, and the gardens, the rich orchards, gave way to bare, grassy undulations: only, the open sandy spaces presented their own native flora, for the fine silex seemed to have crept into the tall, wiry stalks of the ixias, like grasses the seeds of which had expanded, by solar magic, into veritable flowers, crimson, green, or yellow patched with black.
It was pleasant to sleep as if in the sea's arms, amid the low murmurs, the salt odour mingled with the wild garden scents of a little inn or farm, forlorn in the wide enclosure of an ancient manor, deserted as the sea encroached—long ago, for the fig-trees in the riven walls were tough and old. Next morning he must turn his back betimes, with the freshness of the outlook still undimmed, all colours turning to white on the shell-beach, the wrecks, the children at play on it, the boat with its gay streamers dancing in the foam. Bright as the scene of his journey had been, it had had from time to time its grisly touches; a forbidden fortress with its steel-clad inmates thrust itself upon the way; the village church had been ruined too recently to count as picturesque; and at last, at the meeting-point of [81] five long causeways across a wide expanse of marshland, where the wholesome sea turned stagnant, La Rochelle itself scowled through the heavy air, the dark ramparts still rising higher around its dark townsfolk:—La Rochelle, the "Bastion of the Gospel" according to John Calvin, the conceded capital of the Huguenots. They were there, and would not leave it, even to share the festivities of the marriage of King Charles to his little Austrian Elizabeth about this time—the armed chiefs of Protestantism, dreaming of a "dictator" after the Roman manner, who should set up a religious republic. Serried closely together on land, they had a strange mixed following on the sea. Lair of heretics, or shelter of martyrs, La Rochelle was ready to protect the outlaw. The corsair, of course, would be a Protestant, actually armed perhaps by sour old Jeanne of Navarre—the ship he fell across, of course, Spanish. A real Spanish ship of war, gay, magnificent, was gliding even then, stealthily, through the distant haze; and nearer lay what there was of a French navy. Did the enigmatic "Admiral," the coming dictator, Coligni, really wish to turn it to foreign adventure, in rivalry of Spain, as the proper patriotic outcome of this period, or breathing-space, of peace and national unity?
Undoubtedly they were still there, even in this halcyon weather, those causes of disquiet, like the volcanic forces beneath the massive [82] chestnut-woods, spread so calmly through the breathless air, on the ledges and levels of the red heights of the Limousin, under which Gaston now passed on his way southwards. On his right hand a broad, lightly diversified expanse of vineyard, of towns and towers innumerable, rolled its burden of fat things down the slope of the Gironde towards the more perfect level beyond. In the heady afternoon an indescribable softness laid hold on him, from the objects, the atmosphere, the lazy business, of the scene around. And was that the quarter whence the dry daylight, the intellectual iron, the chalybeate influence, was to come?—those coquettish, well-kept, vine-wreathed towers, smiling over a little irregular old village, itself half-hidden in gadding vine, pointed out by the gardeners (all labourers here were gardeners) as the end of his long, pleasant journey, as the abode of Monsieur Michel de Montaigne, the singular but not unpopular gentleman living there among his books, of whom Gaston hears so much over-night at the inn where he rests, before delivering the great poet's letter, entering his room at last in a flutter of curiosity.
In those earlier days of the Renaissance, a whole generation had been exactly in the position in which Gaston now found himself. An older ideal moral and religious, certain theories of man and nature actually in possession, still haunted humanity, at the very moment when it was [83] called, through a full knowledge of the past, to enjoy the present with an unrestricted expansion of its own capacities.—Might one enjoy? Might one eat of all the trees?—Some had already eaten, and needed, retrospectively, a theoretic justification, a sanction of their actual liberties, in some new reading of human nature itself and its relation to the world around it.—Explain to us the propriety, on the full view of things, of this bold course we have taken, or know we shall take!
Ex post facto, at all events, that justification was furnished by the Essays of Montaigne. The spirit of the essays doubtless had been felt already in many a mind, as, by a universal law of reaction, the intellect does supply the due theoretic equivalent to an inevitable course of conduct. But it was Montaigne certainly who turned that emancipating ethic into current coin. To Pascal, looking back upon the sixteenth century as a whole, Montaigne was to figure as the impersonation of its intellectual licence; while Shakespeare, who represents the free spirit of the Renaissance moulding the drama, hints, by his well-known preoccupation with Montaigne's writings, that just there was the philosophic counterpart to the fulness and impartiality of his own artistic reception of the experience of life.
Those essays, as happens with epoch-marking books, were themselves a life, the power which [84] makes them what they are having been accumulated in them imperceptibly by a thousand repeated modifications, like character in a person: at the moment when Gaston presented himself, to go along with the great "egotist" for a season, that life had just begun. Born here, at the place whose name he took, Montaigne—the acclivity—of Saint Michael, just thirty-six years before, brought up simply, earthily, at nurse in one of the neighbouring villages, to him it was doubled strength to return thither, when, disgusted with the legal business which had filled his days hitherto, seeing that "France had more laws than all the rest of the world," and was what one saw, he began the true work of his life, a continual journey in thought, "a continual observation of new and unknown things," his bodily self remaining, for the most part, with seeming indolence at home.
It was Montaigne's boast that throughout those invasive times his house had lain open to all comers, that his frankness had been rewarded by immunity from all outrages of war, of the crime war shelters: and openness—that all was wide open, searched through by light and warmth and air from the soil—was the impression it made on Gaston, as he passed from farmyard to garden, from garden to court, to hall, up the wide winding stair, to the uppermost chamber of the great round tower; in which sun-baked place the studious man still lingered over a late [85] breakfast, telling, like all around, of a certain homely epicureanism, a rare mixture of luxury with a preference for the luxuries that after all were home-grown and savoured of his native earth.
Sociable, of sociable intellect, and still inclining instinctively, as became his fresh and agreeable person, from the midway of life, towards its youthful side, he was ever on the alert for a likely interlocutor to take part in the conversation, which (pleasantest, truly! of all modes of human commerce) was also of ulterior service as stimulating that endless inward converse from which the essays were a kind of abstract. For him, as for Plato, for Socrates whom he cites so often, the essential dialogue was that of the mind with itself; but this dialogue throve best with, often actually needed, outward stimulus—physical motion, some text shot from a book, the queries and objections of a living voice.—"My thoughts sleep, if I sit still." Neither "thoughts," nor "dialogues," exclusively, but thoughts still partly implicate in the dialogues which had evoked them, and therefore not without many seemingly arbitrary transitions, many links of connexion to be supposed by the reader, constituting their characteristic difficulty, the Essays owed their actual publication at last to none of the usual literary motives—desire for fame, to instruct, to amuse, to sell—but to the sociable desire for a still wider range of conversation with others. [86] He wrote for companionship, "if but one sincere man would make his acquaintance"; speaking on paper, as he "did to the first person he met."—"If there be any person, any knot of good company, in France or elsewhere, who can like my humour, and whose humours I can like, let them but whistle, and I will run!"
Notes of expressive facts, of words also worthy of note (for he was a lover of style), collected in the first instance for the help of an irregular memory, were becoming, in the quaintly labelled drawers, with labels of wise old maxim or device, the primary, rude stuff, or "protoplasm," of his intended work, and already gave token of its scope and variety. "All motion discovers us"; if to others, so also to ourselves. Movement, rapid movement of some kind, a ride, the hasty survey of a shelf of books, best of all a conversation like this morning's with a visitor for the first time,—amid the felicitous chances of that, at some random turn by the way, he would become aware of shaping purpose: the beam of light or heat would strike down, to illuminate, to fuse and organise the coldly accumulated matter, of reason, of experience. Surely, some providence over thought and speech led one finely through those haphazard journeys! But thus dependent to so great a degree on external converse for the best fruit of his own thought, he was also an efficient evocator of the thought of another—himself an original spirit more than tolerating [87] the originality of others,—which brought it into play. Here was one who (through natural predilection, reinforced by theory) would welcome one's very self, undistressed by, while fully observant of, its difference from his own—one's errors, vanities, perhaps fatuities. Naturally eloquent, expressive, with a mind like a rich collection of the choice things of all times and countries, he was at his best, his happiest, amid the magnetic contacts of an easy conversation. When Gaston years afterwards came to read the famous Essays, he found many a delightful actual conversation re-set, and had the key we lack to their surprises, their capricious turns and lapses.—Well! Montaigne had opened the letter, had forthwith passed his genial criticism on the writer, and then, characteristically, forgetting all about it, turned to the bearer as if he had been intimate with him from childhood. And the feeling was mutual. Gaston in half an hour seemed to have known his entertainer all his life.
In unimpeded talk with sincere persons of what quality soever—there, rather than in shadowy converse with even the best books—the flower, the fruit, of mind was still in life-giving contact with its root. With books, as indeed with persons, his intercourse was apt to be desultory. Books!—He was by way of asserting his independence of them, was their very candid friend:—they were far from being [88] an unmixed good. He would observe (the fact was its own scornful comment) that there were more books upon books than upon any other subject. Yet books, more than a thousand volumes, a handsome library for that day, nicely representative not only of literature but of the owner's taste therein, lay all around; and turning now to this, now to that, he handled their pages with nothing less than tenderness: it was the first of many inconsistencies which yet had about them a singularly taking air, of reason, of equity. Plutarch and Seneca were soon in the foreground: they would "still be at his elbow to test and be tested": masters of the autumnal wisdom that was coming to be his own, ripe and placid—from the autumn of old Rome, of life, of the world, the very genius of second thoughts, of exquisite tact and discretion, of judgment upon knowledge.
But the books dropped from his hands in the very midst of enthusiastic quotation; and the guest was mounting a little turret staircase, was on the leaden roof of the old tower, amid the fat, noonday Gascon scenery. He saw, in bird's-eye view, the country he was soon to become closely acquainted with, a country (like its people) of passion and capacity, though at that moment emphatically lazy. Towards the end of life some conscientious pangs seem to have touched Montaigne's singularly humane and sensitive spirit, when he looked back on the [89] long intellectual entertainment he had had, in following, as an inactive spectator, "the ruin of his country," through a series of chapters, every one of which had told emphatically in his own immediate neighbourhood. With its old and new battlefields, its business, its fierce changes, and the old perennial sameness of men's ways beneath them all, it had been certainly matter of more assiduous reading than even those choice, incommensurable, books, of ancient Greek and Roman experience. The variableness, the complexity, the miraculous surprises of man, concurrent with the variety, the complexity, the surprises of nature, making all true knowledge of either wholly relative and provisional; a like insecurity in one's self, if one turned thither for some ray of clear and certain evidence; this, with an equally strong sense all the time of the interest, the power and charm, alike of man and nature and of the individual mind;—such was the sense of this open book, of all books and things. That was what this quietly enthusiastic reader was ready to assert as the sum of his studies; disturbingly, as Gaston found, reflecting on his long unsuspicious sojourn there, and detaching from the habits, the random traits of character, his concessions and hints and sudden emphatic statements, the soul and potency of the man.
How imperceptibly had darkness crept over them, effacing everything but the interior of [90] the great circular chamber, its book-shelves and enigmatic mottoes and the tapestry on the wall,—Circe and her sorceries, in many parts—to draw over the windows in winter. Supper over, the young wife entered at last. Always on the lookout for the sincerities of human nature (sincerity counting for life-giving form, whatever the matter might be) as he delighted in watching children, Montaigne loved also to watch grown people when they were most like children; at their games, therefore, and in the mechanical and customary parts of their existence, as discovering the real soul in them. Abstaining from the dice himself, since for him such "play was not play enough, but too grave and serious a diversion," and remarking that "the play of children is not performed in play, but to be judged as their most serious action," he set Gaston and the amiable, unpedantic, lady to play together, where he might observe them closely; the game turning still, irresistibly, to conversation, the last and sweetest if somewhat drowsy relics of this long day's recreations.—Was Circe's castle here? If Circe could turn men into swine, could she also release them again? It was frailty, certainly, that Gaston remained here week after week, scarce knowing why; the conversation begun that morning lasting for nine months, over books, meals, in free rambles chiefly on horseback, as if in the waking intervals of a long day-sleep.