F
F major Sonata of Mozart, analysis of, [113]-[115].
Fairchild, Blair, [329].
Fantastic Symphony, analysis of, [207]-[211];
quotation from, [207]-[209].
Farwell, Arthur, on folk-music, [33].
Fauré, Gabriel, account of style, [297]-[298].
Faust Symphony, analysis of, [223]-[226].
Fay, Amy, account of Liszt, [217].
feminine ending, [57].
Fibich, [321].
Finck, H.T., Songs and Song Writers, [265];
Chopin and Other Essays, [198];
comments on Program Music, [226];
biography of Grieg, [324].
Fitzwilliam Virginal Book, [79], [152].
five-bar rhythm, [63]-[64].
Flonzaley Quartet, [105].
folk-songs, principle of restatement in, [16];
origin and importance of, [19]-[33].
Foote, Arthur, fugal Finale to Suite, [41], [329].
Forsyth, Cecil, eulogy of Mendelssohn, [185].
Francesca da Rimini, [154].
Franck, Symphony, [8], [15];
polyphonic structure, [13];
canonic style, [36];
canon in Symphony, [37];
in Violin Sonata, [37];
Fugue in B minor for Pianoforte, [41];
comparison of his scoring with that of Schumann, [181];
limitations of his pianoforte style, [190];
his fusion of movements compared with that of Brahms, [251];
biography, [256]-[257];
features of style, [257]-[258];
analysis of D minor Symphony, [259]-[268];
of Sonata for Violin, [268]-[274];
use of generative themes, [268];
Symphonic Variations, [274]-[280];
comparison of his style with that of Bach and Beethoven, [274];
his group of pupils, [280].
French folk-song, [29].
French Overture, [119].
Frescobaldi, [34].
Friedländer, Max, apropos of Chabrier, [281].
fugue, [11];
definition of, [39].
Fuller-Maitland, life of Brahms, [238].
furiant, [75], [321].