H
habañera, [76].
Habets, Alfred, account of Borodin and Liszt, [316].
Hadley, Henry, [329].
Hadow, W.H., [72], [81], [92], [96];
Studies in Modern Music, [184], [198], [207], [238];
essay on Dvořák, [321];
article on Scryabin, [326].
Hale, Philip, comments on Saint-Saëns, [256];
comments on Lalo, [256];
essay on Mozart, [112];
comments on Scheherazade, [317]-[318].
halling, [76].
Handel, fugue from the Messiah, [41];
Harpsichord Lessons, [74];
Air in Sarabande rhythm, [77];
Harmonious Blacksmith, [86];
Overture to Messiah, [119].
Harmonic Series, [51].
Harold in Italy Symphony, analysis of, [214]-[215].
Haydn, [21], [81], [87];
ancestry, [101];
features of style, [101]-[105];
his freedom of rhythm, [102];
development of the String-Quartet and the Orchestra, [102]-[103];
Sonata in E-Flat major, [105]-[106];
Surprise Symphony, [106]-[108];
comment on Minuet, [144];
Prelude to the Creation, [152].
Hazlitt, comment on Mozart, [111].
Hebrides Overture of Mendelssohn, [185].
Heilman, William C., [329].
Heine, texts for songs of Schubert and Schumann, [176];
comment on Berlioz's music, [205].
Helmholtz, [193], [291].
Henderson, W.J., Preludes and Studies, [184].
Henschel, vocal canon, [37];
conversation with Brahms, [233].
Heroic Symphony, analysis of, [132]-[140].
Hérold, [255].
Hill, Edward Burlingame, Stevensoniana, [80];
comments on Saint-Saëns, [256];
essay on d'Indy, [281], [329].
Hinton, Arthur, [329].
Hoffman, E.T.A., Essay on Fifth Symphony, [151].
Holberg Suite, [80].
Holbrook, [329].
Holmès, Augusta, [280].
homophonic, [10].
hornpipe, [75].
Hull, Eaglefield, Biography of Scryabin, [326].
Huneker, Life of Chopin, [198];
on the playing of Chopin, [199];
comment on Chopin's Scherzo, [201];
Life of Liszt, [217];
comment on Liszt's Songs, [220];
essay on Brahms, [238];
essay on Tchaikowsky, [306].
Hungarian folk-song, [30], [328].
Hungarian Rhapsodies, [227].
Hungarian rhythms in Schubert, Liszt and Brahms, [30];
in Schubert's Symphonies, [166];
in Brahms's First Symphony, [244].