M
MacCunn, Hamish, Scottish Melodies, [28].
MacDowell, Rigaudon, [79];
Indian Suite, [80], [329].
madrigal, [69].
Maeterlinck, compared with Franck, [257];
comment on the theatre, [294];
influence on Loeffler, [330].
Magic Flute Overture, analysis of, [119]-[121].
Mahler, comments on his style, [231].
malagueña, [76].
Mallarmé, [293].
Malipiero, [328].
Manfred Overture, [177]-[179].
Mannheim Orchestra, [102].
Manuel, Roland, life of Ravel, [299].
march, [75].
Marriage of Figaro, [111].
masculine ending, [57].
Mason, D.G., [7], [9];
essay on Haydn, [102];
on Mozart, [112];
comment on Chopin's style, [196];
essay on Berlioz, [211];
on Saint-Saëns, [256];
on d'Indy, [281];
comments on Istar, [283];
essay on Debussy, [295];
on Tchaikowsky, [306];
on Dvořák, [322];
as composer, [329].
mazurka, [75].
mediant relationship, [52], [96].
Méhul, [255].
Melpomene Overture, [154].
Melusine Overture of Mendelssohn, [185].
Mendelssohn, [89];
biography and features of style, [184]-[186];
Violin Concerto, comments on, [185]-[186].
Merkel, canon for organ, [36].
Midsummer Night's Dream Overture, analysis of, [186]-[187].
Milton, quotation from Paradise Lost, [49].
minuet, [75];
account of, and examples, [78].
Mixolydian mode, [24].
modal, chart of modes, [23]-[24].
modulation, [51]-[52].
Moments Musicaux of Schubert, [165]-[166].
Montagu-Nathan, History of Russian Music, [314], [326].
Monteverde, [119].
Morales, [327].
Moor, [328].
Mother Goose Suite, [81].
Moussorgsky, works and features of style, [318]-[320].
Mozart, Magic Flute Overture, [40];
Finale of Jupiter Symphony, [40], [81];
biography, [108]-[110];
features of style, [110]-[112];
Mozart and Haydn, reactive influence, [110]-[111];
polyphonic skill, [110], [112];
dramatic power, [111];
examples from works, [113]-[121].
Mundy, John, descriptive pianoforte piece, [152].
musette, [78].
Mystic Trumpeter, [154].