P
Paderewski, [77];
Minuet of, [78];
playing of Mendelssohn's pieces, [185].
Paganini, connection with Berlioz, [214].
Paine, J.K., Fuga Giocosa, [46], [49];
tribute to Beethoven, [129], [329].
Palestrina, [34].
Parker, H.W., fugue from Hora Novissima, [41], [329].
Parry, Evolution of the Art of Music, [9], [16], [21], [69], [70];
choral works, [328].
Passacaglia, [86];
of Brahms, [86];
of Bach for organ, [87].
passepied, [75].
Pater, Walter, remark on Romanticism, [161].
pavane, [75];
example from Ravel, [79].
pedals of the pianoforte, the damper and the una corda, [192]-[195].
Peer Gynt Suite, [80].
period, definition of, [50].
Pérotin, [34].
Perry, Baxter, [90].
Phaëton, [256].
Philidor, [255].
Phrygian cadence, [24]-[25].
Phrygian mode, [23];
Brahms's use of, [239].
pianoforte, the, account of its characteristics, [189]-[195].
plagal cadence, [55].
polka, [75], [321].
polonaise, [75].
polyphonic, [10].
polyphonic music, complete account of, [33]-[49].
Poirée, Elié, Life of Chopin, [198].
Pope, apropos of the jig, [80].
Pougin, Arthur, comments on Moussorgsky, [318]-[319].
Powell, John, [329].
Pratt, History of Music, [10], [93], [159], [161].
prelude (to Sonata-form), [99].
Prix de Rome, won by Berlioz, [205];
by Debussy, [288].
Prout, [85].
Puccini, fugal prelude to Madama Butterfly, [41].
Purcell, [70];
his Jig, [71].
Pushkin, [314].