R
Rabelais, his humor compared with Beethoven's, [150], [157].
Rameau, acoustical reforms of, [23], [70], [74], [81], [85];
descriptive pieces, [152], [255].
Ravel, Daphnis and Chloe, [68];
his Pavane, [79];
Mother Goose Suite, [81];
works and account of style, [299]-[300].
recapitulation (or résumé), [98]-[99].
Reinecke, Canonic Vocal Trios, [37].
Remenyi, Brahms's tour with, [232].
repetition, importance of, [12], [13];
types of, [14]-[18].
Rheinberger, Canonic Pieces, [87];
Tarantelle for Pianoforte, [79].
rhythmic variety (five and seven beats a measure), [66]-[68].
Richter, Jean Paul, influence on Schumann, [172].
Riemann, [93].
rigaudon, [75];
examples of, from Grieg, Rameau and MacDowell, [79], [81].
Rimsky-Korsakoff, works and features of style, [317].
Roi d'Ys, Le, [256].
Rolland, Romain, account of Beethoven in Jean Christophe, [125];
Life of Beethoven, [159];
essay on Berlioz, [207].
Romanticism and Romantic School, account of, [160]-[165].
Romeo and Juliet Symphony, comments on, [215]-[216].
rondo, account of, [81]-[85].
rondo-sonata form, [144].
Ropartz, [257];
characterization of a theme in Franck's Symphony, [266].
Rossetti, Blessed Damozel, set by Debussy, [288].
Rossini, "crescendo" in Overtures, [62];
eulogy of Mozart, [121].
Rouet d'Omphale, Le, [256].
round, [11];
Old English Rounds, [12].
rubato (tempo), definition of, [199].
Rubinstein, movements in Ocean Symphony, [95];
estimate of Mozart, [111];
characterization of the damper pedal, [191].
Runciman, quotation apropos of Weber from Old Scores and New Readings, [169]-[170].
Russian folk-songs, [30]-[33].
Russian music, general tendencies of, [314]-[315].