3. ADOLESCENCE
Of the purely Malay ceremonies performed at Adolescence, the most important are the “filing of the teeth” (bĕrasah gigi),[37] and the cutting of the first locks of hair, in cases where this latter operation has been postponed till the child’s marriage by a vow of its parents.
The following is a description of the rite of tonsure (bĕrchukor), at which I was present in person:—
“Some time ago (in 1897) I received, through one of my local Malay headmen, an invitation to attend a tonsure ceremony.
“When I arrived (about two P.M.), in company of the headman referred to, the usual dancing and Korān-chanting was proceeding in the outer chamber or verandah, which was decked out for the occasion with the usual brilliantly coloured ceiling-cloth and striped wall-tapestry. After a short interval we were invited to enter an inner room, where a number of Malays of both sexes were awaiting the performance of the rite. The first thing, however, that caught the eye was a gracefully-draped figure standing with shrouded head, and with its back to the company, upon the lowest step of the dais (g’rei), which had been erected with a view to the prospective wedding ceremony. This was the bride. A dark-coloured veil, thrown over her head and shoulders, allowed seven luxuriant tresses of her wonderful raven-black hair to escape and roll down below her waist, a ring of precious metal being attached to the end of each tress. Close to the bride, and ready to support her, should she require it, in her motherly arms, stood the (on such occasions) familiar figure of the Duenna (Mak Inang), whose duty, however, in the present instance was confined to taking the left hand of the bride between her own, and supporting it in a horizontal position whilst each of the seven Representatives (orang waris)[38] in turn was sprinkling it with the ‘Neutralising Rice-paste’ (tĕpong tawar) by means of the usual bunch or brush of leaves. A little in front of this pair stood a youth supporting in his hands an unhusked cocoa-nut shell. The crown of this cocoa-nut had been removed, and the edges at the top cut in such a way as to form a chevroned or ‘dog-tooth’ border. Upon the indentations of this rim was deposited a necklace, and a large pair of scissors about the size of a tailor’s shears were stuck point downwards in the rim. The cocoa-nut itself was perhaps half-filled with its ‘milk.’ Close to this youth stood another, supporting one of the usual circular brass trays (with high sides) containing all the ordinary accessories of the tĕpong tawar ceremony, i.e. a bowl of rice-paste, a brush of leaves, parched rice, washed saffron-stained rice, and benzoin or incense.
“I was now requested to open the proceedings, but at my express desire the Pĕnghulu (Malay headman) did so for me, first scattering several handfuls (of the different sorts of rice) over the bride, and then sprinkling the rice-paste upon the palm of her left hand, which was held out to receive it as described above. The sprinkling over, he took the scissors and with great deliberation severed the end of the first lock, which was made to fall with a little splash, and with the ring attached to it, into the cocoa-nut with the ‘dog-tooth’ border.
“Five other waris (Representatives) and myself followed suit, the seven tresses with the rings attached to them being all received in the cocoa-nut as described.
“A child of the age of about two or three years underwent the tonsure at the same time, each of the Representatives, after severing the bride’s lock, snipping off a portion of the child’s hair. The child was in arms and was not veiled, but wore a shoulder-cloth (bidak) thrown over his shoulder. At the conclusion of the ceremony we left the room, and the Korān-chanting was resumed and continued until the arrival of the bridegroom in procession (at about five P.M.), when the bride and bridegroom went through the ceremony of being ‘seated side by side’ (bĕrsanding), and the business of the day was concluded.
“The cocoa-nut containing the severed tresses and rings is carried to the foot of a barren fruit-tree (e.g. a pomegranate-tree), when the rings are extracted and the water (with the severed locks) poured out at the tree’s foot, the belief being that this proceeding will make the tree as luxuriant as the hair of the person shorn, a very clear example of ‘sympathetic magic.’ If the parents are poor, the cocoa-nut is generally turned upside down and left there; but if they are well-to-do, the locks are usually sent to Mecca in charge of a pilgrim, who casts them on his arrival into the well Zemzem.”
I will now describe the ceremony of filing or “sharpening” the teeth, from notes taken by myself during the actual ceremony (20th March, 1897).
The youth whose teeth I saw filed must have been quite fifteen or sixteen years of age, and had not long before undergone the rite of circumcision. When I arrived I found the house newly swept and clean, and all the accessories of the ceremony already prepared. These latter consisted of a round tray (dulang) containing the usual bowl of rice-paste (tĕpong tawar), with the brush of leaves,[39] three cups (containing different sorts of rice), an egg,[40] three rings of precious metals (gold, silver, and amalgam), a couple of limes, and two small files (to which a small tooth-saw and two small whetstones should be added).[41]
The ceremony now commences: the tooth-filer (Pawang gigi) first scatters the three sorts of rice and sprinkles the tĕpong tawar upon his instruments, etc., repeating the proper charm[42] at the same time; the patient meanwhile, and throughout the operation, reclining upon his back on the floor with his head resting on a pillow. Next the Pawang, sitting beside the patient, “touches” the patient’s teeth, first with each of the three rings of precious metal and then with the egg, throwing each of these objects away as he does so, and repeating each time a charm (Hu, kata Allah, d. s. b.), which is given in the Appendix. Next he props open (di-sĕngkang) the patient’s mouth by means of a dried areca-nut, and repeats another charm (Hei, Bismi) in order to destroy the “venom” of the steel, laying the file upon the teeth,[43] and drawing it thrice across them at the end of the charm. He then cuts off (di-k’rat) the crowns of the teeth (with one of the files), smooths their edges (di-papar) with one of the whetstones, and polishes them (mĕlechek). During the whole of this part of the performance, which is a trying ordeal to witness, although it is borne with the utmost fortitude on the part of the sufferer, the latter holds a small mirror in front of his mouth in order to be assured that the operation is progressing to his satisfaction. When the actual filing is over, the areca-nut is extracted, and a piece of cocoa-nut husk or small block of pulai wood inserted in its stead, in order to facilitate the proper polishing of the now mutilated teeth. This latter part of the operation is accomplished by means of the file, a small piece of folded white cloth protecting the lips from injury.
Considerable interest attaches to the filing of the first tooth, on account of the omens which are taken from the position in which the crown happens to lie when it falls. If, when the tooth is filed through, the crown adheres to the file, it is taken as a sign that the patient will die at home; if it flies off and lies with its edge turned upwards, this means, on the contrary, that he will die abroad.
At the conclusion of the operation a species of poultice (ubat tasak), consisting mainly of cooked ginger (halia bara di-pahis-ki), which is intended to “deaden (the feeling of) the gums” (matikan daging gusi) is duly charmed[44] and applied to the gums of the jaw which happens to be under treatment. The Pawang now lays one hand (the left) on the top of the patient’s head and the other upon the teeth of the upper jaw, and presses them together with a show of considerable force, making believe, as it were, that he is pressing the patient’s upper teeth firmly into their sockets. Finally, a portion of betel-leaf is charmed (with the charm Hong sarangin, etc.) and given to the patient to chew, after which, it is asserted, all pain immediately ceases. The Pawang then washes his hands, resharpens his tools, and those present sit down to a meal of saffron-stained pulut rice. This concludes the ceremony for the day, the lower jaw being similarly treated upon a subsequent occasion.
In the course of three such operations (the Pawang informed me) the teeth can be filed down even with the gums, in which case they are, I believe, in some instances somewhat roughly plated or cased with gold. Sometimes, however, they are merely filed into points, so that they resemble the teeth of a shark.[45] Very frequently, too, they blacken them with a mixture of the empyreumatic oil of the cocoa-nut shell (baja or g’rang) and kamunting (Kl. karamunting) wood,[46] which is also used for blackening the eyebrows. These customs, however, are already dying out in the more civilised Malay States.
Whenever I made inquiries as to the reason of this strange custom, I was invariably told that it not only beautified but preserved the teeth from the action of decay, which the Malays believe to be set up by the presence of a minute maggot or worm (ulat), their most usual way of expressing the fact that they are suffering from toothache being to say that the tooth in question is being “eaten by a maggot” (di-makan ulat).
The “Batak” Malays (a Mid-Sumatran tribe, many of whom have settled in Kuala Langat) are said to chip the teeth of their children into the desired shape by the use of a small chisel, the operation causing such exquisite agony that the sufferer will not unfrequently leap to his feet with a shriek.
Even when the file is used, the work of an unskilful performer (who does not know how to destroy the “venom” of his instruments) will cause the sufferer’s face to be completely swollen up (bakup) for a long period subsequent to the operation. Yet young people of both sexes cheerfully submit to the risk of this discomfort, and the only remark made by the youth whom I saw undergoing it was that it “made his mouth feel uncomfortable” (jĕlejeh rasa mulut-nya).
The ear-boring ceremony (bĕrtindek) appears to have already lost much of its ceremonial character in Selangor, where I was told that it is now usually performed when the child is quite small, i.e. at the earliest, when the child is some five or seven months old, and when it is about a year old at the latest, whereas in Sumatra (according to Marsden) it is not performed until the child is eight or nine.[47] Still, however, a special kind of round ear-ring, which is of filagree-work, and is called subang, is as much the emblem of virginity in the western States as it ever was. The “discarding” of these ear-rings (tanggal subang), which should take place about seven days after the conclusion of the marriage rites, is ceremonial in character, and it is even the custom when a widow (janda) is married for the second time, to provide her with a pair of subang (which should, however, it is said, be tied on to her ears instead of being inserted in the ear-holes, as in the case of a girl who has never been married).
The rite of circumcision is of course common to Muhammadans all over the world. Some analogous practices, however, have also been noticed among the non-Muhammadan Malayan races of the Eastern Archipelago, and it is at least doubtful whether circumcision as now practised by Malays is a purely Muhummadan rite. Among Malays it is performed by a functionary called the “Mudim,”[48] with a slip of bamboo, at any age (in the case of boys) from about six or seven up to about sixteen years, the wound being often dressed (at least in town districts) with fine clay mixed with soot and the yolk of eggs, but when possible, the clay is mixed with cocoa-nut fibre (rabok niyor), sĕlumur paku uban, and the young shoots of the k’lat plantain (puchok pisang k’lat), the compound being called in either case ubat tasak. The ceremony is associated with the common purificatory rite called tĕpong tawar, and with ayer tolak bala (lit. evil-dispelling water). Lights are kept burning in the house for several days (“until the wound has healed”), and the performance of the ceremony is always made the occasion for a banquet, together with music and dancing of the kind in which Malays take so much delight. The cause of these rejoicings is dressed for the occasion “like a bridegroom” (pĕngantin), and is said to be sometimes carried in procession.