DEATH TO THY CLIENT OR MINE.

Go, wander, free from fear of tyrant’s rage,
Removed from the torments and the hell,
Wherewith he may excruciate thy soul.
I Tamburlaine, iii, 3.

Go cross the seas,
And live with Richmond from the reach of hell.
Go, hie thee, hie thee, from this slaughter house
Lest thou increase the number of the dead.
Richard III, iv, 1.

Although the jury had decided against Bame, their verdict had not swayed his counsel, Eliot, in his opinion that the prisoner was innocent and that there was still an avenue of escape. But this avenue must be opened. The key would undoubtedly be found in newly discovered evidence. None could be produced except that of the mysterious man who was in the chantry with Bame. It might be that he had lost his life amid the flames of the church, but Eliot was hopeful of the contrary.

As narrated, the barrister had sought this absent witness before the trial, but without avail. Now, having procured a stay of the execution of the sentence, pending proceedings for a new trial, he began an exhaustive search. The sexton of the church stated that the door to the burial plot had been locked on the night of the fire, and so had the front entrance on the Old Jewry. There had been no other outer doors. The windows had been too high for entrance and most difficult for exit. Had there been any other passage way? The sexton knew of none. A search was instituted for the body of the missing man. None was discovered in the chantry, whose marble floor still remained intact. Here the matter rested for a short time. What the searching party failed to discover, a blundering workman brought to light. In clearing the ruins, he broke, with a blow of his pick, a marble slab into a hundred pieces. This was in the chancel and was the slab covering the passage to the Prince’s wardrobe. Eliot was at once informed of the discovery, and he succeeded in keeping the matter quiet while he placed a sleepless watcher at the further end of the passage. The report was soon made to Eliot that some stranger inhabited with Tamworth the apartments wherein the passageway terminated. The reason of this stranger’s seclusion was not apparent; but Eliot became fixed in his idea that the witness for Bame was within reach. He laid his plans accordingly, and one evening he entered the Red Lion ordinary on Cattes street, where he had been informed that Tamworth was eating a late supper. Presuming upon a slight acquaintance, Eliot accosted him and accepted his invitation to sit and drink. Two men, who had closely followed him in, seated themselves at a table at some distance directly behind him.

The barristers had been talking for some time on town and state topics, and Tamworth had nearly finished his repast, when Eliot suddenly dropped their discussion over a late rigorous enactment of Parliament, and said:

“Who is the man who lives with you in the Prince’s Wardrobe?”

If a cocked pistol had been presented at the head of Tamworth by this man who sat opposite him across the narrow table, it would have created in his mind little, if any, more commotion. He lost his grasp on his knife and fork and gazed fixedly at his fellow barrister. The latter’s frame was joggled by a low explosion of satisfaction which sounded like “Huh!”

He returned Tamworth’s gaze, and asked: “Well?”

“Pardon me,” said Tamworth, “I failed to hear your remark or question. I just noticed the Duke of Essex drive by in his imported carriage. Hark the cries you now hear are from workingmen cursing the patronage of foreign manufacturers.”

“Are you sure it was not my question that disconcerted you?” asked Eliot, with a smile.

“You are amusing,” returned Tamworth. “Do you not notice the open door behind you? Look, and you will see the link lights borne above the passing carriage.”

“That is of no importance,” responded Eliot. “There is little need to ask again who is with thee at the wardrobe, for thy face shows that the subject is of much concern.”

“There is no one with me there except on occasions when friends drop in,” answered Tamworth, who had not recovered from the effect of Eliot’s startling question. Then he asked with composure:

“Why do you ask?”

“Have you ever heard of Richard Bame?” returned Eliot.

“Yes,” answered Tamworth, feeling as though the table were sinking under his elbows, “as I have heard of his late trial in the Old Bailey. In what way is that name connected with the subject of our conversation?”

“I am his counsel,” answered Eliot.

“And!—” ejaculated Tamworth.

“As such I am looking for the sole witness who can testify to his innocence.”

“From the report of the trial,” said Tamworth, “I suppose that the man you seek is the one who was within the lighted chantry, as seen by the boy witness. Is it not more than probable that he did not escape from the burning church?”

“He did escape,” interrupted Eliot, and with a face upon which a knowing expression was displayed, he continued looking at Tamworth.

“Then why did the police not capture him?” inquired Tamworth, as though the question were a poser.

“He did not pass out by the front entrance,” said Eliot.

“Ah, by a window, then? Or by the door into the church-yard.”

“Nay,” said Eliot, “his escape could possibly have been by such means of exit, but there was another avenue for flight and he used it.”

“So,” exclaimed Tamworth, “this is interesting; go on!”

“Not as interesting as the recital would be to the ignorant,” said Eliot, with voice which did not, like his expanded nostrils, give evidence of his superior position in the discussion.

“What do you mean?” demanded Tamworth, indignantly.

“I have already gone too far,” answered Eliot. “May I accompany you to your lodgings?”

Excellent actor though he was, Tamworth could not prevent his face displaying the disconcertion of his mind. A pallid hue spread over his forehead and cheeks. It was evident to him that either the keepers of the building, of which he was a tenant, had been gossiping concerning their suspicions that he was not alone in the chamber of the king, or the workmen amid the ruins of the leveled church had discovered the secret passage. In either case, was Eliot talking upon actual knowledge that Marlowe was within the Prince’s Wardrobe, or was he seeking for such knowledge? There was no doubt that Eliot had well founded suspicions. In this state of mind, Tamworth answered:

“You say you have proceeded too far. If you mean in talk, it is idle to dispute such assertion, for there is nothing yet to talk about; if, on the contrary, you refer to the distance that you have come from your home to this ordinary, there is still no answer necessary, for in the latter case you speak truth.”

Eliot returned no answer, but looking over his shoulder, motioned to the two men who had followed him in and were seated at a distant table. They seemed on the alert for this signal, for they immediately arose and came toward him. They were attired in the garb of the police, or watchmen, only upon this occasion they wore short swords instead of carrying halberds, and a heavy pistol was strapped to the waist of each. Tamworth saw them approach, and attempting a smile, he asked Eliot:

“What does this mean?”

“Oh, not for thee, most assuredly,” answered Eliot. “I asked if I might go with you to your quarters. The purpose is to find the man who was with Bame in the church of St. Olave. The secret passageway was discovered a few days ago, and it has been explored to the heavy door which closes it, and which I have ascertained is directly below your windows. I also know that a man answering to Bame’s description of his companion on that eventful night is one of the occupants of the king’s ancient chamber. We have fair information as to just how the corridors run and the rooms are located, and could proceed without thee. You will come with us, will you not?”

During this recital Tamworth’s face became the picture of despair, and at the close he exclaimed, decidedly, “Not one step!”

“Then we go alone, and shall use force if necessary.”

“At your peril,” responded Tamworth, “I do not propose to have my home ransacked on such frivolous pretext. And, again, you have no warrant for such proposed outrage.”

“Here is the search warrant,” said one of the officers, displaying the writ.

At this exhibition, Tamworth was taken aback. “So,” he said, losing his repellent front, and speaking lower, “You have armed yourselves, have you? Well, we will go.”

There was still a chance that the search would not reveal the presence of Marlowe. The clock marked the hour of eleven. It was more than probable that his friend would be securely shut in the oratory, the existence of which was surely not yet suspected. In any case there was but one course to avert suspicion, and Tamworth arose and passed out of the ordinary with the three men. The distance between the Red Lion and the Prince’s Wardrobe was soon covered. A few moments after, they had traversed the long upper corridor of the ancient building, and were standing at the closed entrance to the king’s chamber. A round autumn moon was riding through the heavens, and its bright light poured through the near window of the corridor.

Tamworth unlocked the door and threw it open. The brass lamp under the dragon’s head shed its radiance into every corner of the inviting room. The three strangers gazed in amazement at the unexpected display of richness and splendor. Tamworth threw his open hands forcibly against his head and shut his eyes with their palms, to hide a vision that filled him with direct apprehension of evil. Peele, Shakespere and Marlowe were seated under the great lamp and about the massive center table!

The disturbed occupants of the apartment had arisen at sight of the strangers, and gazed in astonishment at Tamworth, who now entered in advance of the others. He said calmly, but distinctly enough for every one to hear: “These men have forced themselves upon me and into this room for the purpose of learning if the man is here who entered the church of St. Olave on the night of its destruction.”

“And there he is,” exclaimed Eliot, pointing at Marlowe.

Several voices gave utterance to conflicting statements, so that it was impossible to distinguish their substance or force; and then Marlowe asked: “And what is wanted of me, if I am the man?”

Tamworth turned about, and, reaching the door, slammed it shut. Eliot regarded this movement with suspicion, and noticing it, Tamworth said: “This disturbance should be confined to closed walls.”

“There is to be none,” responded Eliot.

“And so I pray,” answered Tamworth; “for is not the purpose of thy entrance accomplished?”

“Not fully,” answered Eliot, and then addressing Marlowe: “I must have thy written and sworn statement of the events of the night you stood with Bame in the chantry of the church.”

“For what purpose?” demanded Marlowe.

“To save an innocent man from the gallows.”

“Of whom dost thou speak?”

“Of Bame,” answered Eliot.

“Never!” came the response of several voices.

“Nay, nay!” exclaimed Marlowe, “if one unjustly accused may be saved by such simple means, I will give it. Is this all?”

“For the present,” answered Eliot. “Thy affidavit is sufficient for my immediate purpose; but later thou must appear as a witness upon a new trial of Bame, if the same shall be granted.”

“And for what has he been tried?” asked Marlowe.

“For the burglary of the church.”

“A false accusation,” exclaimed Marlowe.

“Good!” responded Eliot.

“And who here has authority to take the oath which must be affixed to the statement of thy proposed witness?” inquired Tamworth.

“That is a matter easily attended to,” answered Eliot. “A justice is not far distant. We can attend before him; or if you prefer, send one of your friends for him. Here is the statement.”

Throwing back his heavy cloak with these words, the barrister drew from his pocket a white roll. He then thrust his gloves under his belt, and spread out the paper upon the table.

“Have you a quill and ink here?” he asked.

“I have,” answered Tamworth, “but what is the character of this written statement?”

“See for thyself; and you,” he continued, directing his eyes upon Peele, “can you not go to the justice at the corner of this street and the Poultry, and bring him here, or if he refuses to stir abroad at this late hour, demand that he light his candle and wait our presence?”

“You are in haste,” remarked Tamworth, “and not at all diffident in making requests of strangers.”

“There is occasion for it.”

“We certainly prefer the justice to attend here,” said Peele, “but why not send one of these watchmen?”

“They may not be as persuasive as a man of dignified bearing,” returned Eliot, bowing slightly.

“Well, Peele,” said Tamworth, “a word with you.”

He drew him and Shakespere into the distant alcove.

“Is the situation serious?” asked Peele.

“Not so far as immediate results are concerned, unless the justice knows and recognizes Marlowe. It is evident that Eliot never saw him before, but thinks he fills Bame’s description of the man who was with him in St. Olave. All that he can demand now is an affidavit. They have no power to take him into custody.”

“Unless by unlawful force,” suggested Peele.

“True,” answered Tamworth, “but the danger lies in the future. The order, upon Eliot’s motion for a new trial, may be made to-morrow, and Marlowe would be detained as a witness. Further concealment here, except for the night, is hopeless. There is no safety for him in London. He must leave for the continent before twenty-four hours have passed over his head.”

“And now, what?” asked Peele.

“There is no occasion for either of you remaining here, and you must leave as though in answer to Eliot’s request to call the justice, whom we do not want here. His presence might be fatal. If you do not depart on this pretense, a watchman may be sent. In the tedious delay which will ensue, I shall find time to outwit this presumptuous barrister and his watchmen. Repair to Shakespere’s quarters and there await our coming.”

The three came forth from behind the portieres.

“Well,” remarked Eliot, quietly, “what is the result of this uncalled-for conference?”

His manner of looking at Tamworth, more than his words, showed that their withdrawal had raised his suspicions.

“Peele will go for the justice,” said Tamworth.

“And I with him,” continued Shakespere.

“So,” said Eliot, “I have no desire to break up this family meeting; but if you will have it that way, it is well.”

“Midnight is not an early hour for departure,” said one of the group.

The two men had departed when Tamworth began reading aloud for his own and Marlowe’s benefit the paper unrolled upon the table. At the head was the customary title of court and cause with venue following. Then came the pronoun “I,” with a blank space for the insertion of a name. It was evident that Eliot had not placed any faith in Bame’s statement that this man was Christopher Marlowe. Cases of mistaken identity were not of infrequent occurrence, and this was evidently one; but whatever his name might be, he was none the less the witness upon whom Bame’s cause depended. Such had been the reasoning of the barrister while drawing the paper. Tamworth finished his reading. It was the true recital of the night’s events, but Tamworth shook his head impressively and then asked:

“Upon this you hope for a re-trial?”

“Most assuredly,” answered Eliot.

“And upon such trial, expect my noble friend to appear?”

“How else could it be accomplished?” answered the other, in amazement, and then, as though a seed of fear had grown into gigantic form within him, he straightened himself up and said, sententiously: “And I demand thy assurance of his presence when required—thy assurance as a lawyer—or he must be taken into custody.”

“Thy closing threat is a mockery of law,” said Tamworth quietly. “With neither the warrant for his seizure, nor the justifiable ground of a crime committed in the presence of an officer, we may laugh at thy proposed action.”

“Laugh or not,” said Eliot, in measured tones, “we will await the coming of the justice.” And then, looking at Marlowe, he suddenly asked: “And now what is thy name?”

“We will wait for the justice, as you suggest,” interrupted Tamworth, apparently not noticing the question. Then he nodded to Marlowe, who was showing signs of agitation, and the two moved to the wall beyond which lay the secret oratory.

“We must strike at once,” whispered Tamworth.

“Aye,” murmured Marlowe, “but how?”

“The oratory is thine only refuge for the present. Later I will tell my plans.”

“The ink!” demanded Eliot, in loud voice, and then almost inaudibly he spoke to one of the watchmen: “Guard the stairs. Stand there near the railing.”

Tamworth whispered once more in the ear of his friend: “Remain here ready to act.”

At the same time he pointed to the spot where, behind the tapestry, the entrance to the oratory was concealed. Marlowe nodded his head, and then Tamworth crossed the room to a desk in the alcove. He returned with an inkhorn. His plan of action had been clearly conceived and he was about to attempt its execution. He and his companion could have adopted violent means, for with their swords they were more than a match for Eliot and the watchmen; but in the train of such violence, complete and irretrievable disaster might follow. Such attack was not to be made unless all other efforts failed.

As Tamworth handed the inkhorn to Eliot, he stepped upon a chair beside him and then on the table. The movement was so sudden that none understood his purpose, until he had raised the lamp bodily from its suspended basket. He was about to extinguish its flame but before it could be accomplished, Eliot, who was still sitting beside the table, grabbed with both arms the legs which stood before him. The attempt to extinguish the flame failed; Tamworth, with a cry, lost his balance, and as he fell he threw his blazing burden toward the empty fire-place. A wave of black smoke followed its course across the room and then—darkness. Not a spark of light shone anywhere. Marlowe would fain have waited to learn the culmination of the train of action thus set in motion, but he knew that every move had been for his benefit; and so, as darkness enveloped him, he drew back the tapestry and pressed upon a mullion of the walled window. It was not the one he wanted. He felt again and ran his hands across the entire surface. Ah! he had it, and the wall moved; but at that instant, which was but the second instant in the flight of time since darkness had descended, a sword of light flashed upward from the chimney-place, and instantaneously a violent explosion shook the room. Flaming oil shot outward from the chimney for a distance of twenty feet. It ran like snakes with flashing and darting tongues along every exposed seam of the ancient floor. It curled around the splendid supports of the mantel. It fastened its destroying fangs in the scattered pieces of oriental carpet, and crawled over and fed upon the unconscious form of the man who had met his death in his efforts to save his friend. There he lay where he had fallen with face upward on the hearth-stone. How the black smoke was rising from the burning oil! Everything inanimate and unconscious within the king’s chamber, nay, within the ancient palace, was doomed.

Eliot and the watchman fled through the open door and the smoke followed them, as though thus seeing an exit for its increasing volume. Marlowe, still holding to the folds of the tapestry, which he had grasped as the explosion swayed his body, cried loudly, “Tamworth, Tamworth!”

There was no answer. He staggered from his place, reached the center table, circled it, and the flames leaped at his feet and drove him backward. His heel struck the raised marble of the first of the descended steps of the stairway, and the heat filled his nostrils. He turned and, hiding his face in his hands, groped his way down the secret stairway, threw open its narrow door and passed into the darkness.

On that night a despondent and sorrowful man demanded by loud blows admittance to a room at the Boar’s Head which overlooked Crooked Lane and the churchyard of St. Michael. But the regular occupant, who was none less than George Peele, was not then within to hear the summons. Late, on the following morning, soon after Peele had reached his room, another knock, this time by a stranger, sounded. Immediately the door was opened, and a man, whose apparel and hands bespoke contact with wherries and fish, handed in a sealed letter. Peele broke it open and read the following:

“My Dear Peele: Tamworth’s and my apartments were destroyed by fire last night, and he, while striving for my safety, perished in the flames. Of this I shall write you more fully when time is afforded me, and travel has somewhat dispelled the present oppressive gloom. I sought entrance at thy door last night to announce my intention of departing, but no one answered my knocking. I can no longer risk the safety of my few remaining friends, and, knowing of no refuge under a government whose hand would be raised against me if my existence were known, I leave for Venice to-night. I shall continue writing, but, as of late, it must be under the name of Shakespere. Vale. Faustus.”

The reading finished, he asked of the man who still stood at the door: “Where is the person who sent this?”

“On the Thames; aboard ship bound seaward.”

“When did you leave him?”

“Not long since, for I rowed directly up the river after putting him aboard that ship in midstream. When ashore I came directly here.”

“That is all,” said Peele, and as the door was closed by the departing wherry man, he continued in audible voice, but solely for his own ear: “Poor Tamworth! and how much better off are the living? Poor Marlowe! but still this change is for thy best interests. Thy Jew of Malta is strong, but the crudeness of detail arises from unfamiliarity with the scenes where it is laid. The fire burning within thee, O noble friend and fellow dramatist, must blaze clearer and brighter from new fuel now to be furnished thee. Barabbas is great, but a greater Jew will arise from out thy meditations in the City of the Sea. This is the language of prophecy.”