BOOK V.

CHAPTER I.
AN OLD FRIEND AND A NEW SCHEME.

In declaring, positively, that the boy whom she had seen digging on the moor had followed her uncle and herself to the post-town of Porthgenna, Sarah had asserted the literal truth. Jacob had tracked them to the inn, had waited a little while about the door, to ascertain if there was any likelihood of their continuing their journey that evening, and had then returned to Porthgenna Tower to make his report, and to claim his promised reward.

The same night, the housekeeper and the steward devoted themselves to the joint production of a letter to Mrs. Frankland, informing her of all that had taken place, from the time when the visitors first made their appearance, to the time when the gardener's boy had followed them to the door of the inn. The composition was plentifully garnished throughout with the flowers of Mr. Munder's rhetoric, and was, by a necessary consequence, inordinately long as a narrative, and hopelessly confused as a statement of facts.

It is unnecessary to say that the letter, with all its faults and absurdities, was read by Mrs. Frankland with the deepest interest. Her husband and Mr. Orridge, to both of whom she communicated its contents, were as much amazed and perplexed by it as she was herself. Although the discovery of Mrs. Jazeph's departure for Cornwall had led them to consider it within the range of possibility that she might appear at Porthgenna, and although the housekeeper had been written to by Rosamond under the influence of that idea, neither she nor her husband were quite prepared for such a speedy confirmation of their suspicions as they had now received. Their astonishment, however, on first ascertaining the general purport of the letter, was as nothing compared with their astonishment when they came to those particular passages in it which referred to Uncle Joseph. The fresh element of complication imparted to the thickening mystery of Mrs. Jazeph and the Myrtle Room, by the entrance of the foreign stranger on the scene, and by his intimate connection with the extraordinary proceedings that had taken place in the house, fairly baffled them all. The letter was read again and again; was critically dissected paragraph by paragraph; was carefully annotated by the doctor, for the purpose of extricating all the facts that it contained from the mass of unmeaning words in which Mr. Munder had artfully and lengthily involved them; and was finally pronounced, after all the pains that had been taken to render it intelligible, to be the most mysterious and bewildering document that mortal pen had ever produced.

The first practical suggestion, after the letter had been laid aside in despair, emanated from Rosamond. She proposed that her husband and herself (the baby included, as a matter of course) should start at once for Porthgenna, to question the servants minutely about the proceedings of Mrs. Jazeph and the foreign stranger who had accompanied her, and to examine the premises on the north side of the house, with a view to discovering a clew to the locality of the Myrtle Room, while events were still fresh in the memories of witnesses. The plan thus advocated, however excellent in itself, was opposed by Mr. Orridge on medical grounds. Mrs. Frankland had caught cold by exposing herself too carelessly to the air, on first leaving her room, and the doctor refused to grant her permission to travel for at least a week to come, if not for a longer period.

The next proposal came from Mr. Frankland. He declared it to be perfectly clear to his mind that the only chance of penetrating the mystery of the Myrtle Room rested entirely on the discovery of some means of communicating with Mrs. Jazeph. He suggested that they should not trouble themselves to think of any thing unconnected with the accomplishment of this purpose; and he proposed that the servant then in attendance on him at West Winston—a man who had been in his employment for many years, and whose zeal, activity, and intelligence could be thoroughly depended on—should be sent to Porthgenna forthwith, to start the necessary inquiries, and to examine the premises carefully on the north side of the house.

This advice was immediately acted on. At an hour's notice the servant started for Cornwall, thoroughly instructed as to what he was to do, and well supplied with money, in case he found it necessary to employ many persons in making the proposed inquiries. In due course of time he sent a report of his proceedings to his master. It proved to be of a most discouraging nature.

All trace of Mrs. Jazeph and her companion had been lost at the post-town of Porthgenna. Investigations had been made in every direction, but no reliable information had been obtained. People in totally different parts of the country declared readily enough that they had seen two persons answering to the description of the lady in the dark dress and the old foreigner; but when they were called upon to state the direction in which the two strangers were traveling, the answers received turned out to be of the most puzzling and contradictory kind. No pains had been spared, no necessary expenditure of money had been grudged; but, so far, no results of the slightest value had been obtained. Whether the lady and the foreigner had gone east, west, north, or south, was more than Mr. Frankland's servant, at the present stage of the proceedings, could take it on himself to say.

The report of the examination of the north rooms was not more satisfactory. Here, again, nothing of any importance could be discovered. The servant had ascertained that there were twenty-two rooms on the uninhabited side of the house—six on the ground-floor opening into the deserted garden, eight on the first floor, and eight above that, on the second story. He had examined all the doors carefully from top to bottom, and had come to the conclusion that none of them had been opened. The evidence afforded by the lady's own actions led to nothing. She had, if the testimony of the servant could be trusted, dropped the keys on the floor of the hall. She was found, as the housekeeper and the steward asserted, lying, in a fainting condition, at the top of the landing of the first flight of stairs. The door opposite to her, in this position, showed no more traces of having been recently opened than any of the other doors of the other twenty-one rooms. Whether the room to which she wished to gain access was one of the eight on the first floor, or whether she had fainted on her way up to the higher range of eight rooms on the second floor, it was impossible to determine.

The only conclusions that could be fairly drawn from the events that had taken place in the house were two in number. First, it might be taken for granted that the lady had been disturbed before she had been able to use the keys to gain admission to the Myrtle Room. Secondly, it might be assumed, from the position in which she was found on the stairs, and from the evidence relating to the dropping of the keys, that the Myrtle Room was not on the ground-floor, but was one of the sixteen rooms situated on the first and second stories. Beyond this the writer of the report had nothing further to mention, except that he had ventured to decide on waiting at Porthgenna, in the event of his master having any further instructions to communicate.

What was to be done next? That was necessarily the first question suggested by the servant's announcement of the unsuccessful result of his inquiries at Porthgenna. How it was to be answered was not very easy to discover. Mrs. Frankland had nothing to suggest, Mr. Frankland had nothing to suggest, the doctor had nothing to suggest. The more industriously they all three hunted through their minds for a new idea, the less chance there seemed to be of their succeeding in finding one. At last, Rosamond proposed, in despair, that they should seek the advice of some fourth person who could be depended on; and asked her husband's permission to write a confidential statement of their difficulties to the vicar of Long Beckley. Doctor Chennery was their oldest friend and adviser; he had known them both as children; he was well acquainted with the history of their families; he felt a fatherly interest in their fortunes; and he possessed that invaluable quality of plain, clear-headed common-sense which marked him out as the very man who would be most likely, as well as most willing, to help them.

Mr. Frankland readily agreed to his wife's suggestion; and Rosamond wrote immediately to Doctor Chennery, informing him of every thing that had happened since Mrs. Jazeph's first introduction to her, and asking him for his opinion on the course of proceeding which it would be best for her husband and herself to adopt in the difficulty in which they were now placed. By return of post an answer was received, which amply justified Rosamond's reliance on her old friend. Doctor Chennery not only sympathized heartily with the eager curiosity which Mrs. Jazeph's language and conduct had excited in the mind of his correspondent, but he had also a plan of his own to propose for ascertaining the position of the Myrtle Room.

The vicar prefaced his suggestion by expressing a strong opinion against instituting any further search after Mrs. Jazeph. Judging by the circumstances, as they were related to him, he considered that it would be the merest waste of time to attempt to find her out. Accordingly he passed from that part of the subject at once, and devoted himself to the consideration of the more important question—How Mr. and Mrs. Frankland were to proceed in the endeavor to discover for themselves the mystery of the Myrtle Room?

On this point Doctor Chennery entertained a conviction of the strongest kind, and he warned Rosamond beforehand that she must expect to be very much surprised when he came to the statement of it. Taking it for granted that she and her husband could not hope to find out where the room was, unless they were assisted by some one better acquainted than themselves with the old local arrangements of the interior of Porthgenna Tower, the vicar declared it to be his opinion that there was only one individual living who could afford them the information they wanted, and that this person was no other than Rosamond's own cross-grained relative, Andrew Treverton.

This startling opinion Doctor Chennery supported by two reasons. In the first place, Andrew was the only surviving member of the elder generation who had lived at Porthgenna Tower in the by-gone days when all traditions connected with the north rooms were still fresh in the memories of the inhabitants of the house. The people who lived in it now were strangers, who had been placed in their situations by Mr. Frankland's father; and the servants employed in former days by Captain Treverton were dead or dispersed. The one available person, therefore, whose recollections were likely to be of any service to Mr. and Mrs. Frankland, was indisputably the brother of the old owner of Porthgenna Tower.

In the second place, there was the chance, even if Andrew Treverton's memory was not to be trusted, that he might possess written or printed information relating to the locality of the Myrtle Room. By his father's will—which had been made when Andrew was a young man just going to college, and which had not been altered at the period of his departure from England, or at any after-time—he had inherited the choice old collection of books in the library at Porthgenna. Supposing that he still preserved these heir-looms, it was highly probable that there might exist among them some plan, or some description of the house as it was in the olden time, which would supply all the information that was wanted. Here, then, was another valid reason for believing that if a clew to the position of the Myrtle Room existed any where, Andrew Treverton was the man to lay his hand on it.

Assuming it, therefore, to be proved that the surly old misanthrope was the only person who could be profitably applied to for the requisite information, the next question was, How to communicate with him? The vicar understood perfectly that after Andrew's inexcusably heartless conduct toward her father and mother, it was quite impossible for Rosamond to address any direct application to him. The obstacle, however, might be surmounted by making the necessary communication proceed from Doctor Chennery. Heartily as the vicar disliked Andrew Treverton personally, and strongly as he disapproved of the old misanthrope's principles, he was willing to set aside his own antipathies and objections to serve the interests of his young friends; and he expressed his perfect readiness to write and recall himself to Andrew's recollection, and to ask, as if it was a matter of antiquarian curiosity, for information on the subject of the north side of Porthgenna Tower—including, of course, a special request to be made acquainted with the names by which the rooms had been individually known in former days.

In making this offer, the vicar frankly acknowledged that he thought the chances were very much against his receiving any answer at all to his application, no matter how carefully he might word it, with a view to humoring Andrew's churlish peculiarities. However, considering that, in the present posture of affairs, a forlorn hope was better than no hope at all, he thought it was at least worth while to make the attempt on the plan which he had just suggested. If Mr. and Mrs. Frankland could devise any better means of opening communications with Andrew Treverton, or if they had discovered any new method of their own for obtaining the information of which they stood in need, Doctor Chennery was perfectly ready to set aside his own opinions and to defer to theirs.

A very brief consideration of the vicar's friendly letter convinced Rosamond and her husband that they had no choice but gratefully to accept the offer which it contained. The chances were certainly against the success of the proposed application; but were they more unfavorable than the chances against the success of any unaided investigations at Porthgenna? There was, at least, a faint hope of Doctor Chennery's request for information producing some results; but there seemed no hope at all of penetrating a mystery connected with one room only, by dint of wandering, in perfect ignorance of what to search for, through two ranges of rooms which reached the number of sixteen. Influenced by these considerations, Rosamond wrote back to the vicar to thank him for his kindness, and to beg that he would communicate with Andrew Treverton, as he had proposed, without a moment's delay.

Doctor Chennery immediately occupied himself in the composition of the important letter, taking care to make the application on purely antiquarian grounds, and accounting for his assumed curiosity on the subject of the interior of Porthgenna Tower by referring to his former knowledge of the Treverton family, and to his natural interest in the old house with which their name and fortunes had been so closely connected. After appealing to Andrew's early recollections for the information that he wanted, he ventured a step farther, and alluded to the library of old books, mentioning his own idea that there might be found among them some plan or verbal description of the house, which might prove to be of the greatest service, in the event of Mr. Treverton's memory not having preserved all particulars in connection with the names and positions of the north rooms. In conclusion, he took the liberty of mentioning that the loan of any document of the kind to which he had alluded, or the permission to have extracts made from it, would be thankfully acknowledged as a great favor conferred; and he added, in a postscript, that, in order to save Mr. Treverton all trouble, a messenger would call for any answer he might be disposed to give the day after the delivery of the letter. Having completed the application in these terms, the vicar inclosed it under cover to his man of business in London, with directions that it was to be delivered by a trustworthy person, and that the messenger was to call again the next morning to know if there was any answer.

Three days after this letter had been dispatched to its destination—at which time no tidings of any sort had been received from Doctor Chennery—Rosamond at last obtained her medical attendant's permission to travel. Taking leave of Mr. Orridge, with many promises to let him know what progress they made toward discovering the Myrtle Room, Mr. and Mrs. Frankland turned their backs on West Winston, and for the third time started on the journey to Porthgenna Tower.


CHAPTER II.
THE BEGINNING OF THE END.

It was baking-day in the establishment of Mr. Andrew Treverton when the messenger intrusted with Doctor Chennery's letter found his way to the garden door of the cottage at Bayswater. After he had rung three times, he heard a gruff voice, on the other side of the wall, roaring at him to let the bell alone, and asking who he was, and what the devil he wanted.

"A letter for Mr. Treverton," said the messenger, nervously backing away from the door while he spoke.

"Chuck it over the wall, then, and be off with you!" answered the gruff voice.

The messenger obeyed both injunctions. He was a meek, modest, elderly man; and when Nature mixed up the ingredients of his disposition, the capability of resenting injuries was not among them.

The man with the gruff voice—or, to put it in plainer terms, the man Shrowl—picked up the letter, weighed it in his hand, looked at the address on it with an expression of contemptuous curiosity in his bull-terrier eyes, put it in his waistcoat pocket, and walked around lazily to the kitchen entrance of the cottage.

In the apartment which would probably have been called the pantry, if the house had belonged to civilized tenants, a hand-mill had been set up; and, at the moment when Shrowl made his way to this room, Mr. Treverton was engaged in asserting his independence of all the millers in England by grinding his own corn. He paused irritably in turning the handle of the mill when his servant appeared at the door.

"What do you come here for?" he asked. "When the flour's ready, I'll call for you. Don't let's look at each other oftener than we can help! I never set eyes on you, Shrowl, but I ask myself whether, in the whole range of creation, there is any animal as ugly as man? I saw a cat this morning on the garden wall, and there wasn't a single point in which you would bear comparison with him. The cat's eyes were clear—yours are muddy. The cat's nose was straight—yours is crooked. The cat's whiskers were clean—yours are dirty. The cat's coat fitted him—yours hangs about you like a sack. I tell you again, Shrowl, the species to which you (and I) belong is the ugliest on the whole face of creation. Don't let us revolt each other by keeping in company any longer. Go away, you last, worst, infirmest freak of Nature—go away!"

Shrowl listened to this complimentary address with an aspect of surly serenity. When it had come to an end, he took the letter from his waistcoat pocket, without condescending to make any reply. He was, by this time, too thoroughly conscious of his own power over his master to attach the smallest importance to any thing Mr. Treverton might say to him.

"Now you've done your talking, suppose you take a look at that," said Shrowl, dropping the letter carelessly on a deal table by his master's side. "It isn't often that people trouble themselves to send letters to you—is it? I wonder whether your niece has took a fancy to write to you? It was put in the papers the other day that she'd got a son and heir. Open the letter, and see if it's an invitation to the christening. The company would be sure to want your smiling face at the table to make 'em jolly. Just let me take a grind at the mill, while you go out and get a silver mug. The son and heir expects a mug you know, and his nurse expects half a guinea, and his mamma expects all your fortune. What a pleasure to make the three innocent creeturs happy! It's shocking to see you pulling wry faces, like that, over the letter. Lord! lord! where can all your natural affection have gone to?—"

"If I only knew where to lay my hand on a gag, I'd cram it into your infernal mouth!" cried Mr. Treverton. "How dare you talk to me about my niece? You wretch! you know I hate her for her mother's sake. What do you mean by harping perpetually on my fortune? Sooner than leave it to the play-actress's child, I'd even leave it to you; and sooner than leave it to you, I would take every farthing of it out in a boat, and bury it forever at the bottom of the sea!" Venting his dissatisfaction in these strong terms, Mr. Treverton snatched up Doctor Chennery's letter, and tore it open in a humor which by no means promised favorably for the success of the vicar's application.

He read the letter with an ominous scowl on his face, which grew darker and darker as he got nearer and nearer to the end. When he came to the signature his humor changed, and he laughed sardonically. "Faithfully yours, Robert Chennery," he repeated to himself. "Yes! faithfully mine, if I humor your whim. And what if I don't, parson?" He paused, and looked at the letter again, the scowl re-appearing on his face as he did so. "There's a lie of some kind lurking about under these lines of fair writing," he muttered suspiciously. "I am not one of his congregation: the law gives him no privilege of imposing on me. What does he mean by making the attempt?" He stopped again, reflected a little, looked up suddenly at Shrowl, and said to him,

"Have you lit the oven fire yet?"

"No, I hav'n't," answered Shrowl.

Mr. Treverton examined the letter for the third time—hesitated—then slowly tore it in half, and tossed the two pieces over contemptuously to his servant.

"Light the fire at once," he said. "And, if you want paper, there it is for you. Stop!" he added, after Shrowl had picked up the torn letter. "If any body comes here to-morrow morning to ask for an answer, tell them I gave you the letter to light the fire with, and say that's the answer." With those words Mr. Treverton returned to the mill, and began to grind at it again, with a grin of malicious satisfaction on his haggard face.

Shrowl withdrew into the kitchen, closed the door, and, placing the torn pieces of the letter together on the dresser, applied himself, with the coolest deliberation, to the business of reading it. When he had gone slowly and carefully through it, from the address at the beginning to the name at the end, he scratched reflectively for a little while at his ragged beard, then folded the letter up carefully and put it in his pocket.

"I'll have another look at it later in the day," he thought to himself, tearing off a piece of an old newspaper to light the fire with. "It strikes me, just at present, that there may be better things done with this letter than burning it."

Resolutely abstaining from taking the letter out of his pocket again until all the duties of the household for that day had been duly performed, Shrowl lit the fire, occupied the morning in making and baking the bread, and patiently took his turn afterward at digging in the kitchen garden. It was four o'clock in the afternoon before he felt himself at liberty to think of his private affairs, and to venture on retiring into solitude with the object of secretly looking over the letter once more.

A second perusal of Doctor Chennery's unlucky application to Mr. Treverton helped to confirm Shrowl in his resolution not to destroy the letter. With great pains and perseverance, and much incidental scratching at his beard, he contrived to make himself master of three distinct points in it, which stood out, in his estimation, as possessing prominent and serious importance.

The first point which he contrived to establish clearly in his mind was that the person who signed the name of Robert Chennery was desirous of examining a plan, or printed account, of the north side of the interior of a certain old house in Cornwall, called Porthgenna Tower. The second point appeared to resolve itself into this, that Robert Chennery believed some such plan or printed account might be found among the collection of books belonging to Mr. Treverton. The third point was that this same Robert Chennery would receive the loan of the plan or printed account as one of the greatest favors that could be conferred on him. Meditating on the latter fact, with an eye exclusively fixed on the contemplation of his own interests, Shrowl arrived at the conclusion that it might be well worth his while, in a pecuniary point of view, to try if he could not privately place himself in a position to oblige Robert Chennery by searching in secret among his master's books. "It might be worth a five-pound note to me, if I managed it well," thought Shrowl, putting the letter back in his pocket again, and ascending the stairs thoughtfully to the lumber-rooms at the top of the house.

These rooms were two in number, were entirely unfurnished, and were littered all over with the rare collection of books which had once adorned the library at Porthgenna Tower. Covered with dust, and scattered in all directions and positions over the floor, lay hundreds and hundreds of volumes, cast out of their packing-cases as coals are cast out of their sacks into a cellar. Ancient books, which students would have treasured as priceless, lay in chaotic equality of neglect side by side with modern publications whose chief merit was the beauty of the binding by which they were inclosed. Into this wilderness of scattered volumes Shrowl now wandered, fortified by the supreme self-possession of ignorance, to search resolutely for one particular book, with no other light to direct him than the faint glimmer of the two guiding words—Porthgenna Tower. Having got them firmly fixed in his mind, his next object was to search until he found them printed on the first page of any one of the hundreds of volumes that lay around him. This was, for the time being, emphatically his business in life, and there he now stood, in the largest of the two attics, doggedly prepared to do it.

He cleared away space enough with his feet to enable him to sit down comfortably on the floor, and then began to look over all the books that lay within arm's-length of him. Odd volumes of rare editions of the classics, odd volumes of the English historians, odd volumes of plays by the Elizabethan dramatists, books of travel, books of sermons, books of jests, books of natural history, books of sport, turned up in quaint and rapid succession; but no book containing on the title-page the words "Porthgenna Tower" rewarded the searching industry of Shrowl for the first ten minutes after he had sat himself down on the floor.

Before removing to another position, and contending with a fresh accumulation of literary lumber, he paused and considered a little with himself, whether there might not be some easier and more orderly method than any he had yet devised of working his way through the scattered mass of volumes which yet remained to be examined. The result of his reflections was that it would be less confusing to him if he searched through the books in all parts of the room indifferently, regulating his selection of them solely by their various sizes; disposing of all the largest to begin with; then, after stowing them away together, proceeding to the next largest, and so going on until he came down at last to the pocket volumes. Accordingly, he cleared away another morsel of vacant space near the wall, and then, trampling over the books as coolly as if they were so many clods of earth on a ploughed field, picked out the largest of all the volumes that lay on the floor.

It was an atlas; Shrowl turned over the maps, reflected, shook his head, and removed the volume to the vacant space which he had cleared close to the wall.

The next largest book was a magnificently bound collection of engraved portraits of distinguished characters. Shrowl saluted the distinguished characters with a grunt of Gothic disapprobation, and carried them off to keep the atlas company against the wall.

The third largest book lay under several others. It projected a little at one end, and it was bound in scarlet morocco. In another position, or bound in a quieter color, it would probably have escaped notice. Shrowl drew it out with some difficulty, opened it with a portentous frown of distrust, looked at the title-page—and suddenly slapped his thigh with a great oath of exultation. There were the very two words of which he was in search, staring him in the face, as it were, with all the emphasis of the largest capital letters.

He took a step toward the door to make sure that his master was not moving in the house; then checked himself and turned back. "What do I care," thought Shrowl, "whether he sees me or not? If it comes to a tustle betwixt us which is to have his own way, I know who's master and who's servant in the house by this time." Composing himself with that reflection, he turned to the first leaf of the book, with the intention of looking it over carefully, page by page, from beginning to end.

The first leaf was a blank. The second leaf had an inscription written at the top of it, in faded ink, which contained these words and initials: "Rare. Only six copies printed. J. A. T." Below, on the middle of the leaf, was the printed dedication: "To John Arthur Treverton, Esquire, Lord of the Manor of Porthgenna, One of his Majesty's Justices of the Peace, F.R.S., etc., etc., etc., this work, in which an attempt is made to describe the ancient and honored Mansion of his Ancestors—" There were many more lines, filled to bursting with all the largest and most obsequious words to be found in the dictionary; but Shrowl wisely abstained from giving himself the trouble of reading them, and turned over at once to the title-page.

There were the all-important words: "The History and Antiquities of Porthgenna Tower. From the period of its first erection to the present time; comprising interesting genealogical particulars relating to the Treverton family; with an inquiry into the Origin of Gothic Architecture, and a few thoughts on the Theory of Fortification after the period of the Norman Conquest. By the Reverend Job Dark, D.D., Rector of Porthgenna. The whole adorned with Portraits, Views, and Plans, executed in the highest style of art. Not published. Printed by Spaldock and Grimes, Truro, 1734."

That was the title-page. The next leaf contained an engraved view of Porthgenna Tower from the West. Then came several pages devoted to the Origin of Gothic Architecture. Then more pages, explaining the Norman Theory of Fortification. These were succeeded by another engraving—Porthgenna Tower from the East. After that followed more reading, under the title of The Treverton Family; and then came the third engraving—Porthgenna Tower from the North. Shrowl paused there, and looked with interest at the leaf opposite the print. It only announced more reading still, about the Erection of the Mansion; and this was succeeded by engravings from family portraits in the gallery at Porthgenna. Placing his left thumb between the leaves to mark the place, Shrowl impatiently turned to the end of the book, to see what he could find there. The last leaf contained a plan of the stables; the leaf before that presented a plan of the north garden; and on the next leaf, turning backward, was the very thing described in Robert Chennery's letter—a plan of the interior arrangement of the north side of the house!

Shrowl's first impulse on making this discovery was to carry the book away to the safest hiding-place he could find for it, preparatory to secretly offering it for sale when the messenger called the next morning for an answer to the letter. A little reflection, however, convinced him that a proceeding of this sort bore a dangerously close resemblance to the act of thieving, and might get him into trouble if the person with whom he desired to deal asked him any preliminary questions touching his right to the volume which he wanted to dispose of. The only alternative that remained was to make the best copy he could of the Plan, and to traffic with that, as a document which the most scrupulous person in the world need not hesitate to purchase.

Resolving, after some consideration, to undergo the trouble of making the copy rather than run the risk of purloining the book, Shrowl descended to the kitchen, took from one of the drawers of the dresser an old stump of a pen, a bottle of ink, and a crumpled half-sheet of dirty letter-paper, and returned to the garret to copy the Plan as he best might. It was of the simplest kind, and it occupied but a small portion of the page; yet it presented to his eyes a hopelessly involved and intricate appearance when he now examined it for the second time.

The rooms were represented by rows of small squares, with names neatly printed inside them; and the positions of doors, staircases, and passages were indicated by parallel lines of various lengths and breadths. After much cogitation, frowning, and pulling at his beard, it occurred to Shrowl that the easiest method of copying the Plan would be to cover it with the letter-paper—which, though hardly half the size of the page, was large enough to spread over the engraving on it—and then to trace the lines which he saw through the paper as carefully as he could with his pen and ink. He puffed and snorted and grumbled, and got red in the face over his task; but he accomplished it at last—bating certain drawbacks in the shape of blots and smears—in a sufficiently creditable manner; then stopped to let the ink dry and to draw his breath freely, before he attempted to do any thing more.

The next obstacle to be overcome consisted in the difficulty of copying the names of the rooms, which were printed inside the squares. Fortunately for Shrowl, who was one of the clumsiest of mankind in the use of the pen, none of the names were very long. As it was, he found the greatest difficulty in writing them in sufficiently small characters to fit into the squares. One name in particular—that of the Myrtle Room—presented combinations of letters, in the word "Myrtle," which tried his patience and his fingers sorely when he attempted to reproduce them. Indeed, the result, in this case, when he had done his best, was so illegible, even to his eyes, that he wrote the word over again in larger characters at the top of the page, and connected it by a wavering line with the square which represented the Myrtle Room. The same accident happened to him in two other instances, and was remedied in the same way. With the rest of the names, however, he succeeded better; and, when he had finally completed the business of transcription by writing the title, "Plan of the North Side," his copy presented, on the whole, a more respectable appearance than might have been anticipated. After satisfying himself of its accuracy by a careful comparison of it with the original, he folded it up along with Doctor Chennery's letter, and deposited it in his pocket with a hoarse gasp of relief and a grim smile of satisfaction.

The next morning the garden door of the cottage presented itself to the public eye in the totally new aspect of standing hospitably ajar; and one of the bare posts had the advantage of being embellished by the figure of Shrowl, who leaned against it easily, with his legs crossed, his hands in his pockets, and his pipe in his mouth, looking out for the return of the messenger who had delivered Doctor Chennery's letter the day before.


CHAPTER III.
APPROACHING THE PRECIPICE.

Traveling from London to Porthgenna, Mr. and Mrs. Frankland had stopped, on the ninth of May, at the West Winston station. On the eleventh of June they left it again to continue their journey to Cornwall. On the thirteenth, after resting two nights upon the road, they arrived toward the evening at Porthgenna Tower.

There had been storm and rain all the morning; it had lulled toward the afternoon, and at the hour when they reached the house the wind had dropped, a thick white fog hid the sea from view, and sudden showers fell drearily from time to time over the sodden land. Not even a solitary idler from the village was hanging about the west terrace as the carriage containing Mr. and Mrs. Frankland, the baby, and the two servants drove up to the house.

No one was waiting with the door open to receive the travelers; for all hope of their arriving on that day had been given up, and the ceaseless thundering of the surf, as the stormy sea surged in on the beach beneath, drowned the roll of the carriage-wheels over the terrace road. The driver was obliged to leave his seat and ring at the bell for admittance. A minute or more elapsed before the door was opened. With the rain falling sullen and steady on the roof of the carriage, with the raw dampness of the atmosphere penetrating through all coverings and defenses, with the booming of the surf sounding threateningly near in the dense obscurity of the fog, the young couple waited for admission to their own home, as strangers might have waited who had called at an ill-chosen time.

When the door was opened at last, the master and mistress, whom the servants would have welcomed with the proper congratulations on any other occasion, were now received with the proper apologies instead. Mr. Munder, Mrs. Pentreath, Betsey, and Mr. Frankland's man all crowded together in the hall, and all begged pardon confusedly for not having been ready at the door when the carriage drove up. The appearance of the baby changed the conventional excuses of the housekeeper and the maid into conventional expressions of admiration; but the men remained grave and gloomy, and spoke of the miserable weather apologetically, as if the rain and the fog had been of their own making.

The reason for their persistency in dwelling on this one dreary topic came out while Mr. and Mrs. Frankland were being conducted up the west staircase. The storm of the morning had been fatal to three of the Porthgenna fishermen, who had been lost with their boat at sea, and whose deaths had thrown the whole village into mourning. The servants had done nothing but talk of the catastrophe ever since the intelligence of it had reached them early in the afternoon; and Mr. Munder now thought it his duty to explain that the absence of the villagers, on the occasion of the arrival of his master and mistress, was entirely attributable to the effect produced among the little community by the wreck of the fishing-boat. Under any less lamentable circumstances the west terrace would have been crowded, and the appearance of the carriage would have been welcomed with cheers.

"Lenny, I almost wish we had waited a little longer before we came here," whispered Rosamond, nervously pressing her husband's arm. "It is very dreary and disheartening to return to my first home on such a day as this. That story of the poor fishermen is a sad story, love, to welcome me back to the place of my birth. Let us send the first thing to-morrow morning, and see what we can do for the poor helpless women and children. I shall not feel easy in my mind, after hearing that story, till we have done something to comfort them."

"I trust you will approve of the repairs, ma'am," said the housekeeper, pointing to the staircase which led to the second story.

"The repairs?" said Rosamond, absently. "Repairs! I never hear the word now, without thinking of the north rooms, and of the plans we devised for getting my poor dear father to live in them. Mrs. Pentreath, I have a host of questions to ask you and Mr. Munder about all the extraordinary things that happened when the mysterious lady and the incomprehensible foreigner came here. But tell me first—this is the west front, I suppose?—how far are we from the north rooms? I mean, how long would it take us to get to them, if we wanted to go now to that part of the house?"

"Oh, dear me, ma'am, not five minutes!" answered Mrs. Pentreath.

"Not five minutes!" repeated Rosamond, whispering to her husband again. "Do you hear that, Lenny? In five minutes we might be in the Myrtle Room!"

"Yet," said Mr. Frankland, smiling, "in our present state of ignorance, we are just as far from it as if we were at West Winston still."

"I can't think that, Lenny. It may be only my fancy, but now we are on the spot I feel as if we had driven the mystery into its last hiding-place. We are actually in the house that holds the Secret; and nothing will persuade me that we are not half-way already toward finding it out. But don't let us stop on this cold landing. Which way are we to go next?"

"This way, ma'am," said Mr. Munder, seizing the first opportunity of placing himself in a prominent position. "There is a fire in the drawing-room. Will you allow me the honor of leading and conducting you, Sir, to the apartment in question?" he added, officiously stretching out his hand to Mr. Frankland.

"Certainly not!" interposed Rosamond sharply. She had noticed with her usual quickness of observation that Mr. Munder wanted the delicacy of feeling which ought to have restrained him from staring curiously at his blind master in her presence, and she was unfavorably disposed toward him in consequence. "Wherever the apartment in question may happen to be," she continued with satirical emphasis, "I will lead Mr. Frankland to it, if you please. If you want to make yourself useful, you had better go on before us, and open the door."

Outwardly crest-fallen, but inwardly indignant, Mr. Munder led the way to the drawing-room. The fire burned brightly, the old-fashioned furniture displayed itself to the most picturesque advantage, the paper on the walls looked comfortably mellow, the carpet, faded as it was, felt soft and warm underfoot. Rosamond led her husband to an easy chair by the fireside, and began to feel at home for the first time.

"This looks really comfortable," she said. "When we have shut out that dreary white fog, and the candles are lit, and the tea is on the table, we shall have nothing in the world to complain of. You enjoy this nice warm atmosphere, don't you, Lenny? There is a piano in the room, my dear; I can play to you in the evening at Porthgenna just as I used in London. Nurse, sit down and make yourself and the baby as comfortable as you can. Before we take our bonnets off, I must go away with Mrs. Pentreath and see about the bedrooms. What is your name, you very rosy, good-natured looking girl? Betsey, is it? Well, then, Betsey, suppose you go down and get the tea; and we shall like you all the better if you can contrive to bring us some cold meat with it." Giving her orders in those good-humored terms, and not noticing that her husband looked a little uneasy while she was talking so familiarly to a servant, Rosamond left the room in company with Mrs. Pentreath.

When she returned, her face and manner were altered: she looked and spoke seriously and quietly.

"I hope I have arranged every thing for the best, Lenny," she said. "The airiest and largest room, Mrs. Pentreath tells me, is the room in which my mother died. But I thought we had better not make use of that: I felt as if it chilled and saddened me only to look at it. Farther on, along the passage, there is a room that was my nursery. I almost fancied, when Mrs. Pentreath told me she had heard I used to sleep there, that I remembered the pretty little arched door-way leading into the second room—the night-nursery it used to be called in former days. I have ordered the fire to be lit there, and the beds to be made. There is a third room on the right hand, which communicates with the day-nursery. I think we might manage to establish ourselves very comfortably in the three rooms—if you felt no objection—though they are not so large or so grandly furnished as the company bedrooms. I will change the arrangement, if you like—but the house looks rather lonesome and dreary, just at first—and my heart warms to the old nursery—and I think we might at least try it, to begin with, don't you, Lenny?"

Mr. Frankland was quite of his wife's opinion, and was ready to accede to any domestic arrangements that she might think fit to make. While he was assuring her of this the tea came up, and the sight of it helped to restore Rosamond to her usual spirits. When the meal was over, she occupied herself in seeing the baby comfortably established for the night, in the room on the right hand which communicated with the day-nursery. That maternal duty performed, she came back to her husband in the drawing-room; and the conversation between them turned—as it almost always turned now when they were alone—on the two perplexing subjects of Mrs. Jazeph and the Myrtle Room.

"I wish it was not night," said Rosamond. "I should like to begin exploring at once. Mind, Lenny, you must be with me in all my investigations. I lend you my eyes, and you give me your advice. You must never lose patience, and never tell me that you can be of no use. How I do wish we were starting on our voyage of discovery at this very moment! But we may make inquiries, at any rate," she continued, ringing the bell. "Let us have the housekeeper and the steward up, and try if we can't make them tell us something more than they told us in their letter."

The bell was answered by Betsey. Rosamond desired that Mr. Munder and Mrs. Pentreath might be sent up stairs. Betsey having heard Mrs. Frankland express her intention of questioning the housekeeper and the steward, guessed why they were wanted, and smiled mysteriously.

"Did you see any thing of those strange visitors who behaved so oddly?" asked Rosamond, detecting the smile. "Yes, I am sure you did. Tell us what you saw. We want to hear every thing that happened—every thing, down to the smallest trifle."

Appealed to in these direct terms, Betsey contrived, with much circumlocution and confusion, to relate what her own personal experience had been of the proceedings of Mrs. Jazeph and her foreign companion. When she had done, Rosamond stopped her on her way to the door by asking this question—

"You say the lady was found lying in a fainting-fit at the top of the stairs. Have you any notion, Betsey, why she fainted?"

The servant hesitated.

"Come! come!" said Rosamond. "You have some notion, I can see. Tell us what it is."

"I'm afraid you will be angry with me, ma'am," said Betsey, expressing embarrassment by drawing lines slowly with her forefinger on a table at her side.

"Nonsense! I shall only be angry with you if you won't speak. Why do you think the lady fainted?"

Betsey drew a very long line with her embarrassed forefinger, wiped it afterward on her apron, and answered—

"I think she fainted, if you please, ma'am, because she see the ghost."

"The ghost! What! is there a ghost in the house? Lenny, here is a romance that we never expected. What sort of ghost is it? Let us have the whole story."

The whole story, as Betsey told it, was not of a nature to afford her hearers any extraordinary information, or to keep them very long in suspense. The ghost was a lady who had been at a remote period the wife of one of the owners of Porthgenna Tower, and who had been guilty of deceiving her husband in some way unknown. She had been condemned in consequence to walk about the north rooms as long as ever the walls of them held together. She had long, curling, light-brown hair, and very white teeth, and a dimple in each cheek, and was altogether "awful beautiful" to look at. Her approach was heralded to any mortal creature who was unfortunate enough to fall in her way by the blowing of a cold wind, and nobody who had once felt that wind had the slightest chance of ever feeling warm again. That was all Betsey knew about the ghost; and it was in her opinion enough to freeze a person's blood only to think of it.

Rosamond smiled, then looked grave again. "I wish you could have told us a little more," she said. "But, as you can not, we must try Mrs. Pentreath and Mr. Munder next. Send them up here, if you please, Betsey, as soon as you get down stairs."

The examination of the housekeeper and the steward led to no result whatever. Nothing more than they had already communicated in their letter to Mrs. Frankland could be extracted from either of them. Mr. Munder's dominant idea was that the foreigner had entered the doors of Porthgenna Tower with felonious ideas on the subject of the family plate. Mrs. Pentreath concurred in that opinion, and mentioned, in connection with it, her own private impression that the lady in the quiet dress was an unfortunate person who had escaped from a mad-house. As to giving a word of advice, or suggesting a plan for solving the mystery, neither the housekeeper nor the steward appeared to think that the rendering of any assistance of that sort lay at all within their province. They took their own practical view of the suspicious conduct of the two strangers, and no mortal power could persuade them to look an inch beyond it.

"Oh, the stupidity, the provoking, impenetrable, pretentious stupidity of respectable English servants!" exclaimed Rosamond, when she and her husband were alone again. "No help, Lenny, to be hoped for from either of those two people. We have nothing to trust to now but the examination of the house to-morrow; and that resource may fail us, like all the rest. What can Doctor Chennery be about? Why did we not hear from him before we left West Winston?"

"Patience, Rosamond, patience. We shall see what the post brings to-morrow."

"Pray don't talk about patience, dear! My stock of that virtue was never a very large one, and it was all exhausted ten days ago, at least. Oh, the weeks and weeks I have been vainly asking myself—Why should Mrs. Jazeph warn me against going into the Myrtle Room? Is she afraid of my discovering a crime? or afraid of my tumbling through the floor? What did she want to do in the room, when she made that attempt to get into it? Why, in the name of wonder, should she know something about this house that I never knew, that my father never knew, that nobody else—"

"Rosamond!" cried Mr. Frankland, suddenly changing color, and starting in his chair—"I think I can guess who Mrs. Jazeph is!"

"Good gracious, Lenny! What do you mean?"

"Something in those last words of yours started the idea in my mind the instant you spoke. Do you remember, when we were staying at St. Swithin's-on-Sea, and talking about the chances for and against our prevailing on your father to live with us here—do you remember, Rosamond, telling me at that time of certain unpleasant associations which he had with the house, and mentioning among them the mysterious disappearance of a servant on the morning of your mother's death?"

Rosamond turned pale at the question. "How came we never to think of that before?" she said.

"You told me," pursued Mr. Frankland, "that this servant left a strange letter behind her, in which she confessed that your mother had charged her with the duty of telling a secret to your father—a secret that she was afraid to divulge, and that she was afraid of being questioned about. I am right, am I not, in stating those two reasons as the reasons she gave for her disappearance?"

"Quite right."

"And your father never heard of her again?"

"Never!"

"It is a bold guess to make, Rosamond, but the impression is strong on my mind that, on the day when Mrs. Jazeph came into your room at West Winston, you and that servant met, and she knew it!"

"And the Secret, dear—the Secret she was afraid to tell my father?"

"Must be in some way connected with the Myrtle Room."

Rosamond said nothing in answer. She rose from her chair, and began to walk agitatedly up and down the room. Hearing the rustle of her dress, Leonard called her to him, and, taking her hand, laid his fingers on her pulse, and then lifted them for a moment to her cheek.

"I wish I had waited until to-morrow morning before I told you my idea about Mrs. Jazeph," he said. "I have agitated you to no purpose whatever, and have spoiled your chance of a good night's rest."

"No, no! nothing of the kind. Oh, Lenny, how this guess of yours adds to the interest—the fearful, breathless interest—we have in tracing that woman, and in finding out the Myrtle Room. Do you think—?"

"I have done with thinking for the night, my dear; and you must have done with it too. We have said more than enough about Mrs. Jazeph already. Change the subject, and I will talk of any thing else you please."

"It is not so easy to change the subject," said Rosamond, pouting, and moving away to walk up and down the room again.

"Then let us change the place, and make it easier that way. I know you think me the most provokingly obstinate man in the world, but there is reason in my obstinacy, and you will acknowledge as much when you awake to-morrow morning refreshed by a good night's rest. Come, let us give our anxieties a holiday. Take me into one of the other rooms, and let me try if I can guess what it is like by touching the furniture."

The reference to his blindness which the last words contained brought Rosamond to his side in a moment. "You always know best," she said, putting her arm round his neck and kissing him. "I was looking cross, love, a minute ago, but the clouds are all gone now. We will change the scene, and explore some other room, as you propose."

She paused, her eyes suddenly sparkled, her color rose, and she smiled to herself as if some new fancy had that instant crossed her mind.

"Lenny, I will take you where you shall touch a very remarkable piece of furniture indeed," she resumed, leading him to the door while she spoke. "We will see if you can tell me at once what it is like. You must not be impatient, mind; and you must promise to touch nothing till you feel me guiding your hand."

She drew him after her along the passage, opened the door of the room in which the baby had been put to bed, made a sign to the nurse to be silent, and, leading Leonard up to the cot, guided his hand down gently, so as to let the tips of his fingers touch the child's cheek.

"There, Sir!" she cried, her face beaming with happiness as she saw the sudden flush of surprise and pleasure which changed her husband's natural quiet, subdued expression in an instant. "What do you say to that piece of furniture? Is it a chair, or a table? Or is it the most precious thing in all the house, in all Cornwall, in all England, in all the world? Kiss it, and see what it is—a bust of a baby by a sculptor, or a living cherub by your wife!" She turned, laughing, to the nurse—"Hannah, you look so serious that I am sure you must be hungry. Have you had your supper yet?" The woman smiled, and answered that she had arranged to go down stairs, as soon as one of the servants could relieve her in taking care of the child. "Go at once," said Rosamond. "I will stop here and look after the baby. Get your supper, and come back again in half an hour."

When the nurse had left the room, Rosamond placed a chair for Leonard by the side of the cot, and seated herself on a low stool at his knees. Her variable disposition seemed to change again when she did this; her face grew thoughtful, her eyes softened, as they turned, now on her husband, now on the bed in which the child was sleeping by his side. After a minute or two of silence, she took one of his hands, placed it on his knee, and laid her cheek gently down on it.

"Lenny," she said, rather sadly, "I wonder whether we are any of us capable of feeling perfect happiness in this world?"

"What makes you ask that question, my dear?"

"I fancy that I could feel perfect happiness, and yet—"

"And yet what?"

"And yet it seems as if, with all my blessings, that blessing was never likely to be granted to me. I should be perfectly happy now but for one little thing. I suppose you can't guess what that thing is?"

"I would rather you told me, Rosamond."

"Ever since our child was born, love, I have had a little aching at the heart—especially when we are all three together, as we are now—a little sorrow that I can't quite put away from me on your account."

"On my account! Lift up your head, Rosamond, and come nearer to me. I feel something on my hand which tells me that you are crying."

She rose directly, and laid her face close to his. "My own love," she said, clasping her arms fast round him. "My own heart's darling, you have never seen our child."

"Yes, Rosamond, I see him with your eyes."

"Oh, Lenny! I tell you every thing I can—I do my best to lighten the cruel, cruel darkness which shuts you out from that lovely little face lying so close to you! But can I tell you how he looks when he first begins to take notice? can I tell you all the thousand pretty things he will do when he first tries to talk? God has been very merciful to us—but, oh, how much more heavily the sense of your affliction weighs on me now when I am more to you than your wife—now when I am the mother of your child!"

"And yet that affliction ought to weigh lightly on your spirits, Rosamond, for you have made it weigh lightly on mine."

"Have I? Really and truly, have I? It is something noble to live for, Lenny, if I can live for that! It is some comfort to hear you say, as you said just now, that you see with my eyes. They shall always serve you—oh, always! always!—as faithfully as if they were your own. The veriest trifle of a visible thing that I look at with any interest, you shall as good as look at too. I might have had my own little harmless secrets, dear, with another husband; but with you to have even so much as a thought in secret seems like taking the basest, the cruelest advantage of your blindness. I do love you so, Lenny! I am so much fonder of you now than I was when we were first married—I never thought I should be, but I am. You are so much handsomer to me, so much cleverer to me, so much more precious to me in every way. But I am always telling you that, am I not? Do you get tired of hearing me? No? Are you sure of that? Very, very, very sure?" She stopped, and looked at him earnestly, with a smile on her lips, and the tears still glistening in her eyes. Just then the child stirred a little in his cot, and drew her attention away. She arranged the bed-clothes over him, watched him in silence for a little while, then sat down again on the stool at Leonard's feet. "Baby has turned his face quite round toward you now," she said. "Shall I tell you exactly how he looks, and what his bed is like, and how the room is furnished?"

Without waiting for an answer, she began to describe the child's appearance and position with the marvelous minuteness of a woman's observation. While she proceeded, her elastic spirits recovered themselves, and its naturally bright happy expression re-appeared on her face. By the time the nurse returned to her post, Rosamond was talking with all her accustomed vivacity, and amusing her husband with all her accustomed success.

When they went back to the drawing-room, she opened the piano and sat down to play. "I must give you your usual evening concert, Lenny," she said, "or I shall be talking again on the forbidden subject of the Myrtle Room."

She played some of Mr. Frankland's favorite airs, with a certain union of feeling and fancifulness in her execution of the music, which seemed to blend the charm of her own disposition with the charm of the melodies which sprang into life under her touch. After playing through the airs she could remember most easily, she ended with the Last Waltz of Weber. It was Leonard's favorite, and it was always reserved on that account to grace the close of the evening's performance.

She lingered longer than usual over the last plaintive notes of the waltz; then suddenly left the piano, and hastened across the room to the fire-place.

"Surely it has turned much colder within the last minute or two," she said, kneeling down on the rug, and holding her face and hands over the fire.

"Has it?" returned Leonard. "I don't feel any change."

"Perhaps I have caught cold," said Rosamond. "Or perhaps," she added, laughing rather uneasily, "the wind that goes before the ghostly lady of the north rooms has been blowing over me. I certainly felt something like a sudden chill, Lenny, while I was playing the last notes of Weber."

"Nonsense, Rosamond. You are overfatigued and overexcited. Tell your maid to make you some hot wine and water, and lose no time in getting to bed."

Rosamond cowered closer over the fire. "It's lucky I am not superstitious," she said, "or I might fancy that I was predestined to see the ghost."


CHAPTER IV.
STANDING ON THE BRINK.

The first night at Porthgenna passed without the slightest noise or interruption of any kind. No ghost, or dream of a ghost, disturbed the soundness of Rosamond's slumbers. She awoke in her usual spirits and her usual health, and was out in the west garden before breakfast.

The sky was cloudy, and the wind veered about capriciously to all the points of the compass. In the course of her walk Rosamond met with the gardener, and asked him what he thought about the weather. The man replied that it might rain again before noon, but that, unless he was very much mistaken, it was going to turn to heat in the course of the next four-and-twenty hours.

"Pray, did you ever hear of a room on the north side of our old house called the Myrtle Room?" inquired Rosamond. She had resolved, on rising that morning, not to lose a chance of making the all-important discovery for want of asking questions of every body in the neighborhood; and she began with the gardener accordingly.

"I never heard tell of it, ma'am," said the man. "But it's a likely name enough, considering how the myrtles do grow in these parts."

"Are there any myrtles growing at the north side of the house?" asked Rosamond, struck with the idea of tracing the mysterious room by searching for it outside the building instead of inside. "I mean close to the walls," she added, seeing the man look puzzled; "under the windows, you know?"

"I never see any thing under the windows in my time but weeds and rubbish," replied the gardener.

Just then the breakfast-bell rang. Rosamond returned to the house, determined to explore the north garden, and if she found any relic of a bed of myrtles to mark the window above it, and to have the room which that window lighted opened immediately. She confided this new scheme to her husband. He complimented her on her ingenuity, but confessed that he had no great hope of any discoveries being made out of doors, after what the gardener had said about the weeds and rubbish.

As soon as breakfast was over, Rosamond rang the bell to order the gardener to be in attendance, and to say that the keys of the north rooms would be wanted. The summons was answered by Mr. Frankland's servant, who brought up with him the morning's supply of letters, which the postman had just delivered. Rosamond turned them over eagerly, pounced on one with an exclamation of delight, and said to her husband—"The Long Beckley postmark! News from the vicar, at last!"

She opened the letter and ran her eye over it—then suddenly dropped it in her lap with her face all in a glow. "Lenny!" she exclaimed, "there is news here that is positively enough to turn one's head. I declare the vicar's letter has quite taken away my breath!"

"Read it," said Mr. Frankland; "pray read it at once."

Rosamond complied with the request in a very faltering, unsteady voice. Doctor Chennery began his letter by announcing that his application to Andrew Treverton had remained unanswered; but he added that it had, nevertheless, produced results which no one could possibly have anticipated. For information on the subject of those results, he referred Mr. and Mrs. Frankland to a copy subjoined of a communication marked private, which he had received from his man of business in London.

The communication contained a detailed report of an interview which had taken place between Mr. Treverton's servant and the messenger who had called for an answer to Doctor Chennery's letter. Shrowl, it appeared, had opened the interview by delivering his master's message, had then produced the vicar's torn letter and the copy of the Plan, and had announced his readiness to part with the latter for the consideration of a five-pound note. The messenger had explained that he had no power to treat for the document, and had advised Mr. Treverton's servant to wait on Doctor Chennery's agent. After some hesitation, Shrowl had decided to do this, on pretense of going out on an errand—had seen the agent—had been questioned about how he became possessed of the copy—and, finding that there would be no chance of disposing of it unless he answered all inquiries, had related the circumstances under which the copy had been made. After hearing his statement, the agent had engaged to apply immediately for instructions to Doctor Chennery; and had written accordingly, mentioning in a postscript that he had seen the transcribed Plan, and had ascertained that it really exhibited the positions of doors, staircases, and rooms, with the names attached to them.

Resuming his own letter, Doctor Chennery proceeded to say that he must now leave it entirely to Mr. and Mrs. Frankland to decide what course they ought to adopt. He had already compromised himself a little in his own estimation, by assuming a character which really did not belong to him, when he made his application to Andrew Treverton; and he felt he could personally venture no further in the affair, either by expressing an opinion or giving any advice, now that it had assumed such a totally new aspect. He felt quite sure that his young friends would arrive at the wise and the right decision, after they had maturely considered the matter in all its bearings. In that conviction, he had instructed his man of business not to stir in the affair until he had heard from Mr. Frankland, and to be guided entirely by any directions which that gentleman might give.

"Directions!" exclaimed Rosamond, crumpling up the letter in a high state of excitement as soon as she had read to the end of it. "All the directions we have to give may be written in a minute and read in a second! What in the world does the vicar mean by talking about mature consideration? Of course," cried Rosamond, looking, womanlike, straight on to the purpose she had in view, without wasting a thought on the means by which it was to be achieved—"Of course we give the man his five-pound note, and get the Plan by return of post!"

Mr. Frankland shook his head gravely. "Quite impossible," he said. "If you think for a moment, my dear, you will surely see that it is out of the question to traffic with a servant for information that has been surreptitiously obtained from his master's library."

"Oh, dear! dear! don't say that!" pleaded Rosamond, looking quite aghast at the view her husband took of the matter. "What harm are we doing, if we give the man his five pounds? He has only made a copy of the Plan: he has not stolen any thing."

"He has stolen information, according to my idea of it," said Leonard.

"Well, but if he has," persisted Rosamond, "what harm does it do to his master? In my opinion his master deserves to have the information stolen, for not having had the common politeness to send it to the vicar. We must have the Plan—oh, Lenny, don't shake your head, please!—we must have it, you know we must! What is the use of being scrupulous with an old wretch (I must call him so, though he is my uncle) who won't conform to the commonest usages of society? You can't deal with him—and I am sure the vicar would say so, if he was here—as you would with civilized people, or people in their senses, which every body says he is not. What use is the Plan of the north rooms to him? And, besides, if it is of any use, he has got the original; so his information is not stolen, after all, because he has got it the whole time—has he not, dear?"

"Rosamond! Rosamond!" said Leonard, smiling at his wife's transparent sophistries, "you are trying to reason like a Jesuit."

"I don't care who I reason like, love, as long as I get the Plan."

Mr. Frankland still shook his head. Finding her arguments of no avail, Rosamond wisely resorted to the immemorial weapon of her sex—Persuasion; using it at such close quarters and to such good purposes that she finally won her husband's reluctant consent to a species of compromise, which granted her leave to give directions for purchasing the copied Plan on one condition.

This condition was that they should send back the Plan to Mr. Treverton as soon as it had served their purpose; making a full acknowledgment to him of the manner in which it had been obtained, and pleading in justification of the proceeding his own want of courtesy in withholding information, of no consequence in itself, which any one else in his place would have communicated as a matter of course. Rosamond tried hard to obtain the withdrawal or modification of this condition; but her husband's sensitive pride was not to be touched, on that point, with impunity, even by her light hand. "I have done too much violence already to my own convictions," he said, "and I will now do no more. If we are to degrade ourselves by dealing with this servant, let us at least prevent him from claiming us as his accomplices. Write in my name, Rosamond, to Doctor Chennery's man of business, and say that we are willing to purchase the transcribed Plan on the condition that I have stated—which condition he will of course place before the servant in the plainest possible terms."

"And suppose the servant refuses to risk losing his place, which he must do if he accepts your condition?" said Rosamond, going rather reluctantly to the writing-table.

"Let us not worry ourselves, my dear, by supposing any thing. Let us wait and hear what happens, and act accordingly. When you are ready to write, tell me, and I will dictate your letter on this occasion. I wish to make the vicar's man of business understand that we act as we do, knowing, in the first place, that Mr. Andrew Treverton can not be dealt with according to the established usages of society; and knowing, in the second place, that the information which his servant offers to us is contained in an extract from a printed book, and is in no way, directly or indirectly, connected with Mr. Treverton's private affairs. Now that you have made me consent to this compromise, Rosamond, I must justify it as completely as possible to others as well as to myself."

Seeing that his resolution was firmly settled, Rosamond had tact enough to abstain from saying any thing more. The letter was written exactly as Leonard dictated it. When it had been placed in the post-bag, and when the other letters of the morning had been read and answered, Mr. Frankland reminded his wife of the intention she had expressed at breakfast-time of visiting the north garden, and requested that she would take him there with her. He candidly acknowledged that, since he had been made acquainted with Doctor Chennery's letter, he would give five times the sum demanded by Shrowl for the copy of the Plan if the Myrtle Room could be discovered, without assistance from any one, before the letter to the vicar's man of business was put into the post. Nothing would give him so much pleasure, he said, as to be able to throw it into the fire, and to send a plain refusal to treat for the Plan in its place.

They went into the north garden, and there Rosamond's own eyes convinced her that she had not the slightest chance of discovering any vestige of a myrtle-bed near any one of the windows. From the garden they returned to the house, and had the door opened that led into the north hall.

They were shown the place on the pavement where the keys had been found, and the place at the top of the first flight of stairs where Mrs. Jazeph had been discovered when the alarm was given. At Mr. Frankland's suggestion, the door of the room which immediately fronted this spot was opened. It presented a dreary spectacle of dust and dirt and dimness. Some old pictures were piled against one of the walls, some tattered chairs were heaped together in the middle of the floor, some broken china lay on the mantel-piece, and a rotten cabinet, cracked through from top to bottom, stood in one corner. These few relics of the furnishing and fitting-up of the room were all carefully examined, but nothing of the smallest importance—nothing tending in the most remote degree to clear up the mystery of the Myrtle Room—was discovered.

"Shall we have the other doors opened?" inquired Rosamond when they came out on the landing again.

"I think it will be useless," replied her husband. "Our only hope of finding out the mystery of the Myrtle Room—if it is as deeply hidden from us as I believe it to be—is by searching for it in that room, and no other. The search, to be effectual, must extend, if we find it necessary, to the pulling up of the floor and wainscots—perhaps even to the dismantling of the walls. We may do that with one room when we know where it is, but we can not, by any process short of pulling the whole side of the house down, do it with the sixteen rooms, through which our present ignorance condemns us to wander without guide or clew. It is hopeless enough to be looking for we know not what; but let us discover, if we can, where the four walls are within which that unpromising search must begin and end. Surely the floor of the landing must be dusty? Are there no foot-marks on it, after Mrs. Jazeph's visit, that might lead us to the right door?"

This suggestion led to a search for footsteps on the dusty floor of the landing, but nothing of the sort could be found. Matting had been laid down over the floor at some former period, and the surface, torn, ragged, and rotten with age, was too uneven in every part to allow the dust to lie smoothly on it. Here and there, where there was a hole through to the boards of the landing, Mr. Frankland's servant thought he detected marks in the dust which might have been produced by the toe or the heel of a shoe; but these faint and doubtful indications lay yards and yards apart from each other, and to draw any conclusion of the slightest importance from them was simply and plainly impossible. After spending more than an hour in examining the north side of the house, Rosamond was obliged to confess that the servants were right when they predicted, on first opening the door in the hall, that she would discover nothing.

"The letter must go, Lenny," she said, when they returned to the breakfast-room.

"There is no help for it," answered her husband. "Send away the post-bag, and let us say no more about it."

The letter was dispatched by that day's post. In the remote position of Porthgenna, and in the unfinished state of the railroad at that time, two days would elapse before an answer from London could be reasonably hoped for. Feeling that it would be better for Rosamond if this period of suspense was passed out of the house, Mr. Frankland proposed to fill up the time by a little excursion along the coast to some places famous for their scenery, which would be likely to interest his wife, and which she might occupy herself pleasantly in describing on the spot for the benefit of her husband. This suggestion was immediately acted on. The young couple left Porthgenna, and only returned on the evening of the second day.

On the morning of the third day the longed-for letter from the vicar's man of business lay on the table when Leonard and Rosamond entered the breakfast-room. Shrowl had decided to accept Mr. Frankland's condition—first, because he held that any man must be out of his senses who refused a five-pound note when it was offered to him; secondly, because he believed that his master was too absolutely dependent on him to turn him away for any cause whatever; thirdly, because, if Mr. Treverton did part with him, he was not sufficiently attached to his place to care at all about losing it. Accordingly the bargain had been struck in five minutes—and there was the copy of the Plan, inclosed with the letter of explanation to attest the fact!

Rosamond spread the all-important document out on the table with trembling hands, looked it over eagerly for a few moments, and laid her finger on the square that represented the position of the Myrtle Room.

"Here it is!" she cried. "Oh, Lenny, how my heart beats! One, two, three, four—the fourth door on the first-floor landing is the door of the Myrtle Room!"

She would have called at once for the keys of the north rooms; but her husband insisted on her waiting until she had composed herself a little, and until she had taken some breakfast. In spite of all he could say, the meal was hurried over so rapidly that in ten minutes more his wife's arm was in his, and she was leading him to the staircase.

The gardener's prognostication about the weather had been verified: it had turned to heat—heavy, misty, vaporous, dull heat. One white quivering fog-cloud spread thinly over all the heaven, rolled down seaward on the horizon line, and dulled the sharp edges of the distant moorland view. The sunlight shone pale and trembling; the lightest, highest leaves of flowers at open windows were still; the domestic animals lay about sleepily in dark corners. Chance household noises sounded heavy and loud in the languid, airless stillness which the heat seemed to hold over the earth. Down in the servants' hall, the usual bustle of morning work was suspended. When Rosamond looked in, on her way to the housekeeper's room to get the keys, the women were fanning themselves, and the men were sitting with their coats off. They were all talking peevishly about the heat, and all agreeing that such a day as that, in the month of June, they had never known and never heard of before.

Rosamond took the keys, declined the housekeeper's offer to accompany her, and leading her husband along the passages, unlocked the door of the north hall.

"How unnaturally cool it is here!" she said, as they entered the deserted place.

At the foot of the stairs she stopped, and took a firmer hold of her husband's arm.

"Is any thing the matter?" asked Leonard. "Is the change to the damp coolness of this place affecting you in any way?"

"No, no," she answered hastily. "I am far too excited to feel either heat or damp, as I might feel them at other times. But, Lenny, supposing your guess about Mrs. Jazeph is right?—"

"Yes?"

"And, supposing we discover the Secret of the Myrtle Room, might it not turn out to be something concerning my father or my mother which we ought not to know? I thought of that when Mrs. Pentreath offered to accompany us, and it determined me to come here alone with you."

"It is just as likely that the Secret might be something we ought to know," replied Mr. Frankland, after a moment's thought. "In any case, my idea about Mrs. Jazeph is, after all, only a guess in the dark. However, Rosamond, if you feel any hesitation—"

"No! come what may of it, Lenny, we can't go back now. Give me your hand again. We have traced the mystery thus far together, and together we will find it out."

She ascended the staircase, leading him after her, as she spoke. On the landing she looked again at the Plan, and satisfied herself that the first impression she had derived from it, of the position of the Myrtle Room, was correct. She counted the doors on to the fourth, and looked out from the bunch the key numbered "IV.," and put it in the lock.

Before she turned it she paused, and looked round at her husband.

He was standing by her side, with his patient face turned expectantly toward the door. She put her right hand on the key, turned it slowly in the lock, drew him closer to her with her left hand, and paused again.

"I don't know what has come to me," she whispered faintly. "I feel as if I was afraid to push open the door."

"Your hand is cold, Rosamond. Wait a little—lock the door again—put it off till another day."

He felt his wife's fingers close tighter and tighter on his hand while he said those words. Then there was an instant—one memorable, breathless instant, never to be forgotten afterward—of utter silence. Then he heard the sharp, cracking sound of the opening door, and felt himself drawn forward suddenly into a changed atmosphere, and knew that Rosamond and he were in the Myrtle Room.


CHAPTER V.
THE MYRTLE ROOM.

"BEFORE SHE TURNED IT SHE PAUSED, AND LOOKED ROUND AT HER HUSBAND."

A broad, square window, with small panes and dark sashes; dreary yellow light, glimmering through the dirt of half a century crusted on the glass; purer rays striking across the dimness through the fissures of three broken panes; dust floating upward, pouring downward, rolling smoothly round and round in the still atmosphere; lofty, bare, faded red walls; chairs in confusion, tables placed awry; a tall black book-case, with an open door half dropping from its hinges; a pedestal, with a broken bust lying in fragments at its feet; a ceiling darkened by stains, a floor whitened by dust—such was the aspect of the Myrtle Room when Rosamond first entered it, leading her husband by the hand.

After passing the door-way, she slowly advanced a few steps, and then stopped, waiting with every sense on the watch, with every faculty strung up to the highest pitch of expectation—waiting in the ominous stillness, in the forlorn solitude, for the vague Something which the room might contain, which might rise visibly before her, which might sound audibly behind her, which might touch her on a sudden from above, from below, from either side. A minute or more she breathlessly waited; and nothing appeared, nothing sounded, nothing touched her. The silence and the solitude had their secret to keep, and kept it.

She looked round at her husband. His face, so quiet and composed at other times, expressed doubt and uneasiness now. His disengaged hand was outstretched, and moving backward and forward and up and down, in the vain attempt to touch something which might enable him to guess at the position in which he was placed. His look and action, as he stood in that new and strange sphere, the mute appeal which he made so sadly and so unconsciously to his wife's loving help, restored Rosamond's self-possession by recalling her heart to the dearest of all its interests, to the holiest of all its cares. Her eyes, fixed so distrustfully but the moment before on the dreary spectacle of neglect and ruin which spread around them, turned fondly to her husband's face, radiant with the unfathomable brightness of pity and love. She bent quickly across him, caught his outstretched arm, and pressed it to his side.

"Don't do that, darling," she said, gently; "I don't like to see it. It looks as if you had forgotten that I was with you—as if you were left alone and helpless. What need have you of your sense of touch, when you have got me? Did you hear me open the door, Lenny? Do you know that we are in the Myrtle Room?"

"What did you see, Rosamond, when you opened the door? What do you see now?" He asked those questions rapidly and eagerly, in a whisper.

"Nothing but dust and dirt and desolation. The loneliest moor in Cornwall is not so lonely looking as this room; but there is nothing to alarm us, nothing (except one's own fancy) that suggests an idea of danger of any kind."

"What made you so long before you spoke to me, Rosamond?"

"I was frightened, love, on first entering the room—not at what I saw, but at my own fanciful ideas of what I might see. I was child enough to be afraid of something starting out of the walls, or of something rising through the floor; in short, of I hardly know what. I have got over those fears, Lenny, but a certain distrust of the room still clings to me. Do you feel it?"

"I feel something like it," he replied, uneasily. "I feel as if the night that is always before my eyes was darker to me in this place than in any other. Where are we standing now?"

"Just inside the door."

"Does the floor look safe to walk on?" He tried it suspiciously with his foot as he put the question.

"Quite safe," replied Rosamond. "It would never support the furniture that is on it if it was so rotten as to be dangerous. Come across the room with me, and try it." With these words she led him slowly to the window.

"The air seems as if it was nearer to me," he said, bending his face forward toward the lowest of the broken panes. "What is before us now?"

She told him, describing minutely the size and appearance of the window. He turned from it carelessly, as if that part of the room had no interest for him. Rosamond still lingered near the window, to try if she could feel a breath of the outer atmosphere. There was a momentary silence, which was broken by her husband.

"What are you doing now?" he asked anxiously.

"I am looking out at one of the broken panes of glass, and trying to get some air," answered Rosamond. "The shadow of the house is below me, resting on the lonely garden; but there is no coolness breathing up from it. I see the tall weeds rising straight and still, and the tangled wild-flowers interlacing themselves heavily. There is a tree near me, and the leaves look as if they were all struck motionless. Away to the left, there is a peep of white sea and tawny sand quivering in the yellow heat. There are no clouds; there is no blue sky. The mist quenches the brightness of the sunlight, and lets nothing but the fire of it through. There is something threatening in the sky, and the earth seems to know it!"

"But the room! the room!" said Leonard, drawing her aside from the window. "Never mind the view; tell me what the room is like—exactly what it is like. I shall not feel easy about you, Rosamond, if you don't describe every thing to me just as it is."

"My darling! You know you can depend on my describing every thing. I am only doubting where to begin, and how to make sure of seeing for you what you are likely to think most worth looking at. Here is an old ottoman against the wall—the wall where the window is. I will take off my apron and dust the seat for you; and then you can sit down and listen comfortably while I tell you, before we think of any thing else, what the room is like, to begin with. First of all, I suppose, I must make you understand how large it is?"

"Yes, that is the first thing. Try if you can compare it with any room that I was familiar with before I lost my sight."

Rosamond looked backward and forward, from wall to wall—then went to the fire-place, and walked slowly down the length of the room, counting her steps. Pacing over the dusty floor with a dainty regularity and a childish satisfaction in looking down at the gay pink rosettes on her morning shoes; holding up her crisp, bright muslin dress out of the dirt, and showing the fanciful embroidery of her petticoat, and the glossy stockings that fitted her little feet and ankles like a second skin, she moved through the dreariness, the desolation, the dingy ruin of the scene around her, the most charming living contrast to its dead gloom that youth, health, and beauty could present.

Arrived at the bottom of the room, she reflected a little, and said to her husband—

"Do you remember the blue drawing-room, Lenny, in your father's house at Long Beckley? I think this room is quite as large, if not larger."

"What are the walls like?" asked Leonard, placing his hand on the wall behind him while he spoke. "They are covered with paper, are they not?"

"Yes; with faded red paper, except on one side, where strips have been torn off and thrown on the floor. There is wainscoting round the walls. It is cracked in many places, and has ragged holes in it, which seem to have been made by the rats and mice."

"Are there any pictures on the walls?"

"No. There is an empty frame over the fire-place. And opposite—I mean just above where I am standing now—there is a small mirror, cracked in the centre, with broken branches for candlesticks projecting on either side of it. Above that, again, there is a stag's head and antlers; some of the face has dropped away, and a perfect maze of cobwebs is stretched between the horns. On the other walls there are large nails, with more cobwebs hanging down from them heavy with dirt—but no pictures any where. Now you know every thing about the walls. What is the next thing? The floor?"

"I think, Rosamond, my feet have told me already what the floor is like?"

"They may have told you that it is bare, dear; but I can tell you more than that. It slopes down from every side toward the middle of the room. It is covered thick with dust, which is swept about—I suppose by the wind blowing through the broken panes—into strange, wavy, feathery shapes that quite hide the floor beneath. Lenny! suppose these boards should be made to take up any where! If we discover nothing to-day, we will have them swept to-morrow. In the mean time, I must go on telling you about the room, must I not? You know already what the size of it is, what the window is like, what the walls are like, what the floor is like. Is there any thing else before we come to the furniture? Oh, yes! the ceiling—for that completes the shell of the room. I can't see much of it, it is so high. There are great cracks and stains from one end to the other, and the plaster has come away in patches in some places. The centre ornament seems to be made of alternate rows of small plaster cabbages and large plaster lozenges. Two bits of chain hang down from the middle, which, I suppose, once held a chandelier. The cornice is so dingy that I can hardly tell what pattern it represents. It is very broad and heavy, and it looks in some places as if it had once been colored, and that is all I can say about it. Do you feel as if you thoroughly understood the whole room now, Lenny?"

"Thoroughly, my love; I have the same clear picture of it in my mind which you always give me of every thing you see. You need waste no more time on me. We may now devote ourselves to the purpose for which we came here."

At those last words, the smile which had been dawning on Rosamond's face when her husband addressed her, vanished from it in a moment. She stole close to his side, and, bending down over him, with her arm on his shoulder, said, in low, whispering tones—

"When we had the other room opened, opposite the landing, we began by examining the furniture. We thought—if you remember—that the mystery of the Myrtle Room might be connected with hidden valuables that had been stolen, or hidden papers that ought to have been destroyed, or hidden stains and traces of some crime, which even a chair or a table might betray. Shall we examine the furniture here?"

"Is there much of it, Rosamond?"

"More than there was in the other room," she answered.

"More than you can examine in one morning?"

"No; I think not."

"Then begin with the furniture, if you have no better plan to propose. I am but a helpless adviser at such a crisis as this. I must leave the responsibilities of decision, after all, to rest on your shoulders. Yours are the eyes that look and the hands that search; and if the secret of Mrs. Jazeph's reason for warning you against entering this room is to be found by seeking in the room, you will find it—"

"And you will know it, Lenny, as soon as it is found. I won't hear you talk, love, as if there was any difference between us, or any superiority in my position over yours. Now, let me see. What shall I begin with? The tall book-case opposite the window? or the dingy old writing-table, in the recess behind the fire-place? Those are the two largest pieces of furniture that I can see in the room."

"Begin with the book-case, my dear, as you seem to have noticed that first."

Rosamond advanced a few steps toward the book-case—then stopped, and looked aside suddenly to the lower end of the room.

"Lenny! I forgot one thing, when I was telling you about the walls," she said. "There are two doors in the room besides the door we came in at. They are both in the wall to the right, as I stand now with my back to the window. Each is at the same distance from the corner, and each is of the same size and appearance. Don't you think we ought to open them and see where they lead to?"

"Certainly. But are the keys in the locks?"

Rosamond approached more closely to the doors, and answered in the affirmative.

"Open them, then," said Leonard. "Stop! not by yourself. Take me with you. I don't like the idea of sitting here, and leaving you to open those doors by yourself."

Rosamond retraced her steps to the place where he was sitting, and then led him with her to the door that was farthest from the window. "Suppose there should be some dreadful sight behind it!" she said, trembling a little, as she stretched out her hand toward the key.

"Try to suppose (what is much more probable) that it only leads into another room," suggested Leonard.

Rosamond threw the door wide open, suddenly. Her husband was right. It merely led into the next room.

They passed on to the second door. "Can this one serve the same purpose as the other?" said Rosamond, slowly and distrustfully turning the key.

She opened it as she had opened the first door, put her head inside it for an instant, drew back, shuddering, and closed it again violently, with a faint exclamation of disgust.

"Don't be alarmed, Lenny," she said, leading him away abruptly. "The door only opens on a large, empty cupboard. But there are quantities of horrible, crawling brown creatures about the wall inside. I have shut them in again in their darkness and their secrecy; and now I am going to take you back to your seat, before we find out, next, what the book-case contains."

The door of the upper part of the book-case, hanging open and half dropping from its hinges, showed the emptiness of the shelves on one side at a glance. The corresponding door, when Rosamond pulled it open, disclosed exactly the same spectacle of barrenness on the other side. Over every shelf there spread the same dreary accumulation of dust and dirt, without a vestige of a book, without even a stray scrap of paper lying any where in a corner to attract the eye, from top to bottom.

The lower portion of the book-case was divided into three cupboards. In the door of one of the three, the rusty key remained in the lock. Rosamond turned it with some difficulty, and looked into the cupboard. At the back of it were scattered a pack of playing-cards, brown with dirt. A morsel of torn, tangled muslin lay among them, which, when Rosamond spread it out, proved to be the remains of a clergyman's band. In one corner she found a broken corkscrew and the winch of a fishing-rod; in another, some stumps of tobacco-pipes, a few old medicine bottles, and a dog's-eared peddler's song-book. These were all the objects that the cupboard contained. After Rosamond had scrupulously described each one of them to her husband, just as she found it, she went on to the second cupboard. On trying the door, it turned out not to be locked. On looking inside, she discovered nothing but some pieces of blackened cotton wool, and the remains of a jeweler's packing-case.

The third door was locked, but the rusty key from the first cupboard opened it. Inside, there was but one object—a small wooden box, banded round with a piece of tape, the two edges of which were fastened together by a seal. Rosamond's flagging interest rallied instantly at this discovery. She described the box to her husband, and asked if he thought she was justified in breaking the seal.

"Can you see any thing written on the cover?" he inquired.

Rosamond carried the box to the window, blew the dust off the top of it, and read, on a parchment label nailed to the cover: "Papers. John Arthur Treverton. 1760."

"I think you may take the responsibility of breaking the seal," said Leonard. "If those papers had been of any family importance, they could scarcely have been left forgotten in an old book-case by your father and his executors."

Rosamond broke the seal, then looked up doubtfully at her husband before she opened the box. "It seems a mere waste of time to look into this," she said. "How can a box that has not been opened since seventeen hundred and sixty help us to discover the mystery of Mrs. Jazeph and the Myrtle Room?"

"But do we know that it has not been opened since then?" said Leonard. "Might not the tape and seal have been put round it by any body at some more recent period of time? You can judge best, because you can see if there is any inscription on the tape, or any signs to form an opinion by upon the seal."

"The seal is a blank, Lenny, except that it has a flower like a forget-me-not in the middle. I can see no mark of a pen on either side of the tape. Any body in the world might have opened the box before me," she continued, forcing up the lid easily with her hands, "for the lock is no protection to it. The wood of the cover is so rotten that I have pulled the staple out, and left it sticking by itself in the lock below."

On examination the box proved to be full of papers. At the top of the uppermost packet were written these words: "Election expenses. I won by four votes. Price fifty pounds each. J. A. Treverton." The next layer of papers had no inscription. Rosamond opened them, and read on the first leaf—"Birthday Ode. Respectfully addressed to the Mæcenas of modern times in his poetic retirement at Porthgenna." Below this production appeared a collection of old bills, old notes of invitation, old doctor's prescriptions, and old leaves of betting-books, tied together with a piece of whip-cord. Last of all, there lay on the bottom of the box one thin leaf of paper, the visible side of which presented a perfect blank. Rosamond took it up, turned it to look at the other side, and saw some faint ink-lines crossing each other in various directions, and having letters of the alphabet attached to them in certain places. She had made her husband acquainted with the contents of all the other papers, as a matter of course; and when she had described this last paper to him, he explained to her that the lines and letters represented a mathematical problem.

"The book-case tells us nothing," said Rosamond, slowly putting the papers back in the box. "Shall we try the writing-table by the fire-place, next?"

"What does it look like, Rosamond?"

"It has two rows of drawers down each side; and the whole top is made in an odd, old-fashioned way to slope upward, like a very large writing-desk."

"Does the top open?"

Rosamond went to the table, examined it narrowly, and then tried to raise the top. "It is made to open, for I see the key-hole," she said. "But it is locked. And all the drawers," she continued, trying them one after another, "are locked too."

"Is there no key in any of them?" asked Leonard.

"Not a sign of one. But the top feels so loose that I really think it might be forced open—as I forced the little box open just now—by a pair of stronger hands than I can boast of. Let me take you to the table, dear; it may give way to your strength, though it will not to mine."

She placed her husband's hands carefully under the ledge formed by the overhanging top of the table. He exerted his whole strength to force it up; but in this case the wood was sound, the lock held, and all his efforts were in vain.

"Must we send for a locksmith?" asked Rosamond, with a look of disappointment.

"If the table is of any value, we must," returned her husband. "If not, a screw-driver and a hammer will open both the top and the drawers in any body's hands."

"In that case, Lenny, I wish we had brought them with us when we came into the room, for the only value of the table lies in the secrets that it may be hiding from us. I shall not feel satisfied until you and I know what there is inside of it."

While saying these words, she took her husband's hand to lead him back to his seat. As they passed before the fire-place, he stepped upon the bare stone hearth; and, feeling some new substance under his feet, instinctively stretched out the hand that was free. It touched a marble tablet, with figures on it in bass-relief, which had been let into the middle of the chimney-piece. He stopped immediately, and asked what the object was that his fingers had accidentally touched.

"A piece of sculpture," said Rosamond. "I did not notice it before. It is not very large, and not particularly attractive, according to my taste. So far as I can tell, it seems to be intended to represent—"

Leonard stopped her before she could say any more. "Let me try, for once, if I can't make a discovery for myself," he said, a little impatiently. "Let me try if my fingers won't tell me what this sculpture is meant to represent."

He passed his hands carefully over the bass-relief (Rosamond watching their slightest movement with silent interest, the while), considered a little, and said—

"Is there not a figure of a man sitting down, in the right-hand corner? And are there not rocks and trees, very stiffly done, high up, at the left-hand side?"

Rosamond looked at him tenderly, and smiled. "My poor dear!" she said. "Your man sitting down is, in reality, a miniature copy of the famous ancient statue of Niobe and her child; your rocks are marble imitations of clouds, and your stiffly done trees are arrows darting out from some invisible Jupiter or Apollo, or other heathen god. Ah, Lenny, Lenny! you can't trust your touch, love, as you can trust me!"

A momentary shade of vexation passed across his face; but it vanished the instant she took his hand again to lead him back to his seat. He drew her to him gently, and kissed her cheek. "You are right, Rosamond," he said. "The one faithful friend to me in my blindness, who never fails, is my wife."

Seeing him look a little saddened, and feeling, with the quick intuition of a woman's affection, that he was thinking of the days when he had enjoyed the blessing of sight, Rosamond returned abruptly, as soon as she saw him seated once more on the ottoman, to the subject of the Myrtle Room.

"Where shall I look next, dear?" she said. "The book-case we have examined. The writing-table we must wait to examine. What else is there that has a cupboard or a drawer in it?" She looked round her in perplexity; then walked away toward the part of the room to which her attention had been last drawn—the part where the fire-place was situated.

"I thought I noticed something here, Lenny, when I passed just now with you," she said, approaching the second recess behind the mantel-piece, corresponding with the recess in which the writing-table stood.

She looked into the place closely, and detected in a corner, darkened by the shadow of the heavy projecting mantel-piece, a narrow, rickety little table, made of the commonest mahogany—the frailest, poorest, least conspicuous piece of furniture in the whole room. She pushed it out contemptuously into the light with her foot. It ran on clumsy old-fashioned casters, and creaked wearily as it moved.

"Lenny, I have found another table," said Rosamond. "A miserable, forlorn-looking little thing, lost in a corner. I have just pushed it into the light, and I have discovered one drawer in it." She paused, and tried to open the drawer; but it resisted her. "Another lock!" she exclaimed, impatiently. "Even this wretched thing is closed against us!"

She pushed the table sharply away with her hand. It swayed on its frail legs, tottered, and fell over on the floor—fell as heavily as a table of twice its size—fell with a shock that rang through the room, and repeated itself again and again in the echoes of the lonesome north hall.

Rosamond ran to her husband, seeing him start from his seat in alarm, and told him what had happened. "You call it a little table," he replied, in astonishment. "It fell like one of the largest pieces of furniture in the room!"

"Surely there must have been something heavy in the drawer!" said Rosamond, approaching the table with her spirits still fluttered by the shock of its unnaturally heavy fall. After waiting for a few moments to give the dust which it had raised, and which still hung over it in thick lazy clouds, time to disperse, she stooped down and examined it. It was cracked across the top from end to end, and the lock had been broken away from its fastenings by the fall.

She set the table up again carefully, drew out the drawer, and, after a glance at its contents, turned to her husband. "I knew it," she said, "I knew there must be something heavy in the drawer. It is full of pieces of copper-ore, like those specimens of my father's, Lenny, from Porthgenna mine. Wait! I think I feel something else, as far away at the back here as my hand can reach."

She extricated from the lumps of ore at the back of the drawer a small circular picture-frame of black wood, about the size of an ordinary hand-glass. It came out with the front part downward, and with the area which its circle inclosed filled up by a thin piece of wood, of the sort which is used at the backs of small frames to keep drawings and engravings steady in them. This piece of wood (only secured to the back of the frame by one nail) had been forced out of its place, probably by the overthrow of the table; and when Rosamond took the frame out of the drawer, she observed between it and the dislodged piece of wood the end of a morsel of paper, apparently folded many times over, so as to occupy the smallest possible space. She drew out the piece of paper, laid it aside on the table without unfolding it, replaced the piece of wood in its proper position, and then turned the frame round, to see if there was a picture in front.

There was a picture—a picture painted in oils, darkened, but not much faded, by age. It represented the head of a woman, and the figure as far as the bosom.

The instant Rosamond's eyes fell on it she shuddered, and hurriedly advanced toward her husband with the picture in her hand.

"Well, what have you found now?" he inquired, hearing her approach.

"A picture," she answered, faintly, stopping to look at it again.

Leonard's sensitive ear detected a change in her voice. "Is there any thing that alarms you in the picture?" he asked, half in jest, half in earnest.

"There is something that startles me—something that seems to have turned me cold for the moment, hot as the day is," said Rosamond. "Do you remember the description the servant-girl gave us, on the night we arrived here, of the ghost of the north rooms?"

"Yes, I remember it perfectly."

"Lenny! that description and this picture are exactly alike! Here is the curling, light-brown hair. Here is the dimple on each cheek. Here are the bright regular teeth. Here is that leering, wicked, fatal beauty which the girl tried to describe, and did describe, when she said it was awful!"

Leonard smiled. "That vivid fancy of yours, my dear, takes strange flights sometimes," he said, quietly.

"Fancy!" repeated Rosamond to herself. "How can it be fancy when I see the face? how can it be fancy when I feel—" She stopped, shuddered again, and, returning hastily to the table, placed the picture on it, face downward. As she did so, the morsel of folded paper which she had removed from the back of the frame caught her eye.

"There may be some account of the picture in this," she said, and stretched out her hand to it.

It was getting on toward noon. The heat weighed heavier on the air, and the stillness of all things was more intense than ever, as she took up the paper from the table.

Fold by fold she opened it, and saw that there were written characters inside, traced in ink that had faded to a light, yellow hue. She smoothed it out carefully on the table—then took it up again and looked at the first line of the writing.

The first line contained only three words—words which told her that the paper with the writing on it was not a description of the picture, but a letter—words which made her start and change color the moment her eye fell upon them. Without attempting to read any further, she hastily turned over the leaf to find out the place where the writing ended.

It ended at the bottom of the third page; but there was a break in the lines, near the foot of the second page, and in that break there were two names signed. She looked at the uppermost of the two—started again—and turned back instantly to the first page.

Line by line, and word by word, she read through the writing; her natural complexion fading out gradually the while, and a dull, equal whiteness overspreading all her face in its stead. When she had come to the end of the third page, the hand in which she held the letter dropped to her side, and she turned her head slowly toward Leonard. In that position she stood—no tears moistening her eyes, no change passing over her features, no word escaping her lips, no movement varying the position of her limbs—in that position she stood, with the fatal letter crumpled up in her cold fingers, looking steadfastly, speechlessly, breathlessly at her blind husband.

He was still sitting as she had seen him a few minutes before, with his legs crossed, his hands clasped together in front of them, and his head turned expectantly in the direction in which he had last heard the sound of his wife's voice. But in a few moments the intense stillness in the room forced itself upon his attention. He changed his position—listened for a little, turning his head uneasily from side to side, and then called to his wife.

"Rosamond!"

At the sound of his voice her lips moved, and her fingers closed faster on the paper that they held; but she neither stepped forward nor spoke.

"Rosamond!"

Her lips moved again—faint traces of expression began to pass shadow-like over the blank whiteness of her face—she advanced one step, hesitated, looked at the letter, and stopped.

Hearing no answer, he rose surprised and uneasy. Moving his poor, helpless, wandering hands to and fro before him in the air, he walked forward a few paces, straight out from the wall against which he had been sitting. A chair, which his hands were not held low enough to touch, stood in his way; and, as he still advanced, he struck his knee sharply against it.

A cry burst from Rosamond's lips, as if the pain of the blow had passed, at the instant of its infliction, from her husband to herself. She was by his side in a moment. "You are not hurt, Lenny," she said, faintly.

"No, no." He tried to press his hand on the place where he had struck himself, but she knelt down quickly, and put her own hand there instead, nestling her head against him, while she was on her knees, in a strangely hesitating timid way. He lightly laid the hand which she had intercepted on her shoulder. The moment it touched her, her eyes began to soften; the tears rose in them, and fell slowly one by one down her cheeks.

"I thought you had left me," he said. "There was such a silence that I fancied you had gone out of the room."

"Will you come out of it with me now?" Her strength seemed to fail her while she asked the question; her head drooped on her breast, and she let the letter fall on the floor at her side.

"Are you tired already, Rosamond? Your voice sounds as if you were."

"I want to leave the room," she said, still in the same low, faint, constrained tone. "Is your knee easier, dear? Can you walk now?"

"Certainly. There is nothing in the world the matter with my knee. If you are tired, Rosamond—as I know you are, though you may not confess it—the sooner we leave the room the better."

She appeared not to hear the last words he said. Her fingers were working feverishly about her neck and bosom; two bright red spots were beginning to burn in her pale cheeks; her eyes were fixed vacantly on the letter at her side; her hands wavered about it before she picked it up. For a few seconds she waited on her knees, looking at it intently, with her head turned away from her husband—then rose and walked to the fire-place. Among the dust, ashes, and other rubbish at the back of the grate, were scattered some old torn pieces of paper. They caught her eye, and held it fixed on them. She looked and looked, slowly bending down nearer and nearer to the grate. For one moment she held the letter out over the rubbish in both hands—the next she drew back shuddering violently, and turned round so as to face her husband again. At the sight of him a faint inarticulate exclamation, half sigh, half sob, burst from her. "Oh, no, no!" she whispered to herself, clasping her hands together fervently, and looking at him with fond, mournful eyes. "Never, never, Lenny—come of it what may!"

"Were you speaking to me, Rosamond?"

"Yes, love. I was saying—" She paused, and, with trembling fingers, folded up the paper again, exactly in the form in which she had found it.

"Where are you?" he asked. "Your voice sounds away from me at the other end of the room again. Where are you?"

She ran to him, flushed and trembling and tearful, took him by the arm, and, without an instant of hesitation, without the faintest sign of irresolution in her face, placed the folded paper boldly in his hand. "Keep that, Lenny," she said, turning deadly pale, but still not losing her firmness. "Keep that, and ask me to read it to you as soon as we are out of the Myrtle Room."

"What is it?" he asked.

"The last thing I have found, love," she replied, looking at him earnestly, with a deep sigh of relief.

"Is it of any importance?"

Instead of answering, she suddenly caught him to her bosom, clung to him with all the fervor of her impulsive nature, and breathlessly and passionately covered his face with kisses.

"Gently! gently!" said Leonard, laughing. "You take away my breath."

She drew back, and stood looking at him in silence, with a hand laid on each of his shoulders. "Oh, my angel!" she murmured tenderly. "I would give all I have in the world, if I could only know how much you love me!"

"Surely," he returned, still laughing—"Surely, Rosamond, you ought to know by this time!"

"I shall know soon." She spoke those words in tones so quiet and low that they were barely audible. Interpreting the change in her voice as a fresh indication of fatigue, Leonard invited her to lead him away by holding out his hand. She took it in silence, and guided him slowly to the door.


CHAPTER VI.
THE TELLING OF THE SECRET.

On their way back to the inhabited side of the house, Rosamond made no further reference to the subject of the folded paper which she had placed in her husband's hands.

All her attention, while they were returning to the west front, seemed to be absorbed in the one act of jealously watching every inch of ground that Leonard walked over, to make sure that it was safe and smooth before she suffered him to set his foot on it. Careful and considerate as she had always been, from the first day of their married life, whenever she led him from one place to another, she was now unduly, almost absurdly anxious to preserve him from the remotest possibility of an accident. Finding that he was the nearest to the outside of the open landing when they left the Myrtle Room, she insisted on changing places, so that he might be nearest to the wall. While they were descending the stairs, she stopped him in the middle, to inquire if he felt any pain in the knee which he had struck against the chair. At the last step she brought him to a stand-still again, while she moved away the torn and tangled remains of an old mat, for fear one of his feet should catch in it. Walking across the north hall, she intreated that he would take her arm and lean heavily upon her, because she felt sure that his knee was not quite free from stiffness yet. Even at the short flight of stairs which connected the entrance to the hall with the passages leading to the west side of the house, she twice stopped him on the way down, to place his foot on the sound parts of the steps, which she represented as dangerously worn away in more places than one. He laughed good-humoredly at her excessive anxiety to save him from all danger of stumbling, and asked if there was any likelihood, with their numerous stoppages, of getting back to the west side of the house in time for lunch. She was not ready, as usual, with her retort; his laugh found no pleasant echo in hers; she only answered that it was impossible to be too anxious about him; and then went on in silence till they reached the door of the housekeeper's room.

Leaving him for a moment outside, she went in to give the keys back again to Mrs. Pentreath.

"Dear me, ma'am!" exclaimed the housekeeper, "you look quite overcome by the heat of the day and the close air of those old rooms. Can I get you a glass of water, or may I give you my bottle of salts?"

Rosamond declined both offers.

"May I be allowed to ask, ma'am, if any thing has been found this time in the north rooms?" inquired Mrs. Pentreath, hanging up the bunch of keys.

"Only some old papers," replied Rosamond, turning away.

"I beg pardon again, ma'am," pursued the housekeeper; "but, in case any of the gentry of the neighborhood should call to-day?"

"We are engaged. No matter who it may be, we are both engaged." Answering briefly in these terms, Rosamond left Mrs. Pentreath, and rejoined her husband.

With the same excess of attention and care which she had shown on the way to the housekeeper's room, she now led him up the west staircase. The library door happening to stand open, they passed through it on their way to the drawing-room, which was the larger and cooler apartment of the two. Having guided Leonard to a seat, Rosamond returned to the library, and took from the table a tray containing a bottle of water and a tumbler, which she had noticed when she passed through.

"I may feel faint as well as frightened," she said quickly to herself, turning round with the tray in her hand to return to the drawing-room.

After she had put the water down on a table in a corner, she noiselessly locked the door leading into the library, then the door leading into the passage. Leonard, hearing her moving about, advised her to keep quiet on the sofa. She patted him gently on the cheek, and was about to make some suitable answer, when she accidentally beheld her face reflected in the looking-glass under which he was sitting. The sight of her own white cheeks and startled eyes suspended the words on her lips. She hastened away to the window, to catch any breath of air that might be wafted toward her from the sea.

The heat-mist still hid the horizon. Nearer, the oily, colorless surface of the water was just visible, heaving slowly, from time to time, in one vast monotonous wave that rolled itself out smoothly and endlessly till it was lost in the white obscurity of the mist. Close on the shore the noisy surf was hushed. No sound came from the beach except at long, wearily long intervals, when a quick thump, and a still splash, just audible and no more, announced the fall of one tiny, mimic wave upon the parching sand. On the terrace in front of the house, the changeless hum of summer insects was all that told of life and movement. Not a human figure was to be seen any where on the shore; no sign of a sail loomed shadowy through the heat at sea; no breath of air waved the light tendrils of the creepers that twined up the house-wall, or refreshed the drooping flowers ranged in the windows. Rosamond turned away from the outer prospect, after a moment's weary contemplation of it. As she looked into the room again, her husband spoke to her.

"What precious thing lies hidden in this paper?" he asked, producing the letter, and smiling as he opened it. "Surely there must be something besides writing—some inestimable powder, or some bank-note of fabulous value—wrapped up in all these folds?"

Rosamond's heart sank within her as he opened the letter and passed his finger over the writing inside, with a mock expression of anxiety, and a light jest about sharing all treasures discovered at Porthgenna with his wife.

"I will read it to you directly, Lenny," she said, dropping into the nearest seat, and languidly pushing her hair back from her temples. "But put it away for a few minutes now, and let us talk of any thing else you like that does not remind us of the Myrtle Room. I am very capricious, am I not, to be so suddenly weary of the very subject that I have been fondest of talking about for so many weeks past? Tell me, love," she added, rising abruptly and going to the back of his chair; "do I get worse with my whims and fancies and faults?—or am I improved, since the time when we were first married?"

He tossed the letter aside carelessly on a table which was always placed by the arm of his chair, and shook his forefinger at her with a frown of comic reproof. "Oh, fie, Rosamond! are you trying to entrap me into paying you compliments?"

The light tone that he persisted in adopting seemed absolutely to terrify her. She shrank away from his chair, and sat down again at a little distance from him.

"I remember I used to offend you," she continued, quickly and confusedly. "No, no, not to offend—only to vex you a little—by talking too familiarly to the servants. You might almost have fancied, at first, if you had not known me so well, that it was a habit with me because I had once been a servant myself. Suppose I had been a servant—the servant who had helped to nurse you in your illnesses, the servant who led you about in your blindness more carefully than any one else—would you have thought much, then, of the difference between us? would you—"

She stopped. The smile had vanished from Leonard's face, and he had turned a little away from her. "What is the use, Rosamond, of supposing events that never could have happened?" he asked rather impatiently.

She went to the side-table, poured out some of the water she had brought from the library, and drank it eagerly; then walked to the window and plucked a few of the flowers that were placed there. She threw some of them away again the next moment; but kept the rest in her hand, thoughtfully arranging them so as to contrast their colors with the best effect. When this was done, she put them into her bosom, looked down absently at them, took them out again, and, returning to her husband, placed the little nosegay in the button-hole of his coat.

"Something to make you look gay and bright, love—as I always wish to see you," she said, seating herself in her favorite attitude at his feet, and looking up at him sadly, with her arms resting on his knees.

"What are you thinking about, Rosamond?" he asked, after an interval of silence.

"I was wondering, Lenny, whether any woman in the world could be as fond of you as I am. I feel almost afraid that there are others who would ask nothing better than to live and die for you, as well as me. There is something in your face, in your voice, in all your ways—something besides the interest of your sad, sad affliction—that would draw any woman's heart to you, I think. If I were to die—"

"If you were to die!" He started as he repeated the words after her, and, leaning forward, anxiously laid his hand upon her forehead. "You are thinking and talking very strangely this morning, Rosamond! Are you not well?"

She rose on her knees and looked closer at him, her face brightening a little, and a faint smile just playing round her lips. "I wonder if you will always be as anxious about me, and as fond of me, as you are now?" she whispered, kissing his hand as she removed it from her forehead. He leaned back again in the chair, and told her jestingly not to look too far into the future. The words, lightly as they were spoken, struck deep into her heart. "There are times, Lenny," she said, "when all one's happiness in the present depends upon one's certainty of the future." She looked at the letter, which her husband had left open on a table near him, as she spoke; and, after a momentary struggle with herself, took it in her hand to read it. At the first word her voice failed her; the deadly paleness overspread her face again; she threw the letter back on the table, and walked away to the other end of the room.

"The future?" asked Leonard. "What future, Rosamond, can you possibly mean?"

"Suppose I meant our future at Porthgenna?" she said, moistening her dry lips with a few drops of water. "Shall we stay here as long as we thought we should, and be as happy as we have been every where else? You told me on the journey that I should find it dull, and that I should be driven to try all sorts of extraordinary occupations to amuse myself. You said you expected that I should begin with gardening and end by writing a novel. A novel!" She approached her husband again, and watched his face eagerly while she went on. "Why not? More women write novels now than men. What is to prevent me from trying? The first great requisite, I suppose, is to have an idea of a story; and that I have got." She advanced a few steps farther, reached the table on which the letter lay, and placed her hand on it, keeping her eyes still fixed intently on Leonard's face.

"And what is your idea, Rosamond?" he asked.

"This," she replied. "I mean to make the main interest of the story centre in two young married people. They shall be very fond of each other—as fond as we are, Lenny—and they shall be in our rank of life. After they have been happily married some time, and when they have got one child to make them love each other more dearly than ever, a terrible discovery shall fall upon them like a thunderbolt. The husband shall have chosen for his wife a young lady bearing as ancient a family name as—"

"As your name?" suggested Leonard.

"As the name of the Treverton family," she continued, after a pause, during which her hand had been restlessly moving the letter to and fro on the table. "The husband shall be well-born—as well-born as you, Lenny—and the terrible discovery shall be, that his wife has no right to the ancient name that she bore when he married her."

"I can't say, my love, that I approve of your idea. Your story will decoy the reader into feeling an interest in a woman who turns out to be an impostor."

"No!" cried Rosamond, warmly. "A true woman—a woman who never stooped to a deception—a woman full of faults and failings, but a teller of the truth at all hazards and all sacrifices. Hear me out, Lenny, before you judge." Hot tears rushed into her eyes; but she dashed them away passionately, and went on. "The wife shall grow up to womanhood, and shall marry, in total ignorance—mind that!—in total ignorance of her real history. The sudden disclosure of the truth shall overwhelm her—she shall find herself struck by a calamity which she had no hand in bringing about. She shall be staggered in her very reason by the discovery; it shall burst upon her when she has no one but herself to depend on; she shall have the power of keeping it a secret from her husband with perfect impunity; she shall be tried, she shall be shaken in her mortal frailness, by one moment of fearful temptation; she shall conquer it, and, of her own free will, she shall tell her husband all that she knows herself. Now, Lenny, what do you call that woman? an impostor?"

"No: a victim."

"Who goes of her own accord to the sacrifice? and who is to be sacrificed?"

"I never said that."

"What would you do with her, Lenny, if you were writing the story? I mean, how would you make her husband behave to her? It is a question in which a man's nature is concerned, and a woman is not competent to decide it. I am perplexed about how to end the story. How would you end it, love?" As she ceased, her voice sank sadly to its gentlest pleading tones. She came close to him, and twined her fingers in his hair fondly. "How would you end it, love?" she repeated, stooping down till her trembling lips just touched his forehead.

He moved uneasily in his chair, and replied—"I am not a writer of novels, Rosamond."

"But how would you act, Lenny, if you were that husband?"

"It is hard for me to say," he answered. "I have not your vivid imagination, my dear. I have no power of putting myself, at a moment's notice, into a position that is not my own, and of knowing how I should act in it."

"But suppose your wife was close to you—as close as I am now? Suppose she had just told you the dreadful secret, and was standing before you—as I am standing now—with the happiness of her whole life to come depending on one kind word from your lips? Oh, Lenny, you would not let her drop broken-hearted at your feet? You would know, let her birth be what it might, that she was still the same faithful creature who had cherished and served and trusted and worshiped you since her marriage-day, and who asked nothing in return but to lay her head on your bosom, and to hear you say that you loved her? You would know that she had nerved herself to tell the fatal secret, because, in her loyalty and love to her husband, she would rather die forsaken and despised, than live, deceiving him? You would know all this, and you would open your arms to the mother of your child, to the wife of your first love, though she was the lowliest of all lowly born women in the estimation of the world? Oh, you would, Lenny, I know you would!"

"Rosamond! how your hands tremble; how your voice alters! You are agitating yourself about this supposed story of yours, as if you were talking of real events."

"You would take her to your heart, Lenny? You would open your arms to her without an instant of unworthy doubt?"

"Hush! hush! I hope I should."

"Hope? only hope? Oh, think again, love, think again; and say you know you should!"

"Must I, Rosamond? Then I do say it."

She drew back as the words passed his lips, and took the letter from the table.

"You have not yet asked me, Lenny, to read the letter that I found in the Myrtle Room. I offer to read it now of my own accord."

She trembled a little as she spoke those few decisive words, but her utterance of them was clear and steady, as if her consciousness of being now irrevocably pledged to make the disclosure had strengthened her at last to dare all hazards and end all suspense.

Her husband turned toward the place from which the sound of her voice had reached him, with a mixed expression of perplexity and surprise in his face. "You pass so suddenly from one subject to another," he said, "that I hardly know how to follow you. What in the world, Rosamond, takes you, at one jump, from a romantic argument about a situation in a novel, to the plain, practical business of reading an old letter?"

"Perhaps there is a closer connection between the two than you suspect," she answered.

"A closer connection? What connection? I don't understand."

"The letter will explain."

"Why the letter? Why should you not explain?"

She stole one anxious look at his face, and saw that a sense of something serious to come was now overshadowing his mind for the first time.

"Rosamond!" he exclaimed, "there is some mystery—"

"There are no mysteries between us two," she interposed quickly. "There never have been any, love; there never shall be." She moved a little nearer to him to take her old favorite place on his knee, then checked herself, and drew back again to the table. Warning tears in her eyes bade her distrust her own firmness, and read the letter where she could not feel the beating of his heart.

"Did I tell you," she resumed, after waiting an instant to compose herself, "where I found the folded piece of paper which I put into your hand in the Myrtle Room?"

"No," he replied, "I think not."

"I found it at the back of the frame of that picture—the picture of the ghostly woman with the wicked face. I opened it immediately, and saw that it was a letter. The address inside, the first line under it, and one of the two signatures which it contained, were in a handwriting that I knew."

"Whose!"

"The handwriting of the late Mrs. Treverton."

"Of your mother?"

"Of the late Mrs. Treverton."

"Gracious God, Rosamond! why do you speak of her in that way?"

"Let me read, and you will know. You have seen, with my eyes, what the Myrtle Room is like; you have seen, with my eyes, every object which the search through it brought to light; you must now see, with my eyes, what this letter contains. It is the Secret of the Myrtle Room."

She bent close over the faint, faded writing, and read these words:

"To my Husband—

"We have parted, Arthur, forever, and I have not had the courage to embitter our farewell by confessing that I have deceived you—cruelly and basely deceived you. But a few minutes since, you were weeping by my bedside and speaking of our child. My wronged, my beloved husband, the little daughter of your heart is not yours, is not mine. She is a love-child, whom I have imposed on you for mine. Her father was a miner at Porthgenna; her mother is my maid, Sarah Leeson."

Rosamond paused, but never raised her head from the letter. She heard her husband lay his hand suddenly on the table; she heard him start to his feet; she heard him draw his breath heavily in one quick gasp; she heard him whisper to himself the instant after—"A love-child!" With a fearful, painful distinctness she heard those three words. The tone in which he whispered them turned her cold. But she never moved, for there was more to read; and while more remained, if her life had depended on it, she could not have looked up.

In a moment more she went on, and read these lines next:

"I have many heavy sins to answer for, but this one sin you must pardon, Arthur, for I committed it through fondness for you. That fondness told me a secret which you sought to hide from me. That fondness told me that your barren wife would never make your heart all her own until she had borne you a child; and your lips proved it true. Your first words, when you came back from sea, and when the infant was placed in your arms, were—'I have never loved you, Rosamond, as I love you now.' If you had not said that, I should never have kept my guilty secret.

"I can add no more, for death is very near me. How the fraud was committed, and what my other motives were, I must leave you to discover from the mother of the child, who writes this under my dictation, and who is charged to give it to you when I am no more. You will be merciful to the poor little creature who bears my name. Be merciful also to her unhappy parent: she is only guilty of too blindly obeying me. If there is any thing that mitigates the bitterness of my remorse, it is the remembrance that my act of deceit saved the most faithful and the most affectionate of women from shame that she had not deserved. Remember me forgivingly, Arthur—words may tell how I have sinned against you; no words can tell how I have loved you!"

She had struggled on thus far, and had reached the last line on the second page of the letter, when she paused again, and then tried to read the first of the two signatures—"Rosamond Treverton." She faintly repeated two syllables of that familiar Christian name—the name that was on her husband's lips every hour of the day!—and strove to articulate the third, but her voice failed her. All the sacred household memories which that ruthless letter had profaned forever seemed to tear themselves away from her heart at the same moment. With a low, moaning cry she dropped her arms on the table, and laid her head down on them, and hid her face.

She heard nothing, she was conscious of nothing, until she felt a touch on her shoulder—a light touch from a hand that trembled. Every pulse in her body bounded in answer to it, and she looked up.

Her husband had guided himself near to her by the table. The tears were glistening in his dim, sightless eyes. As she rose and touched him, his arms opened, and closed fast around her.

"My own Rosamond!" he said, "come to me and be comforted!"