7. Composition
The fourth year is in some respects the most important for the work in composition. The ability to write good English fluently, acquired by most of the pupils from several years of constant practice; the maturity of the pupils; their larger stock of knowledge and wider experience; and the possibility of making practical application of their ability to write in preparing orations and debates, reporting for local newspapers, or editing the school publications; all tend to make composition a more attractive and significant subject in the fourth year than it seems to be at any other period of the course. The emphasis will naturally be shifted from the mechanical details of expression which necessarily occupy the greater portion of the time in the earlier years of the course, to the larger and more interesting problems of expression. The study of the principles of exposition and argumentation, and of the development of the theme, as they appear in the plan and outline of the essay, take on new significance when their application to the writing of a debate or a commencement oration is made clear. The pupil discovers that the periodic sentence, parallel construction, climax, and other rhetorical devices, are effective means that he may use to accomplish his ends. For those with literary inclinations the study of plot, characterization, and poetic form and expression furnishes new inspiration for their own work. The teacher who fails to take advantage of this new interest in writing for practical purposes, by correlating it closely with all the English work of the fourth year, is losing the best opportunity of the course to teach the art of effective expression.
The amount of written work should be about the same as in the third year; that is, a weekly theme of about 250 words, or a fortnightly one of from 400 to 500 words; and a long theme of from 800 to 1200 words at intervals of six weeks. The subjects chosen for both long and short themes, in the course of the year should give practice in all the forms of discourse, narration, description, exposition, and argumentation, especially in combinations as they are found in the literature that is read in and out of the class room. The writing of a short story or of a chapter of a novel proves an interesting form of composition when fiction is being studied. The consideration of problems of character in the novels and dramas read and studied, permits pupils to express their opinions in essay form, while debates on questions growing out of class room discussions will give practice in argumentation. The preparation of commencement essays and orations, as has already been suggested, can readily be made a part of theme writing during the second semester.