The Corn-sieve.
The corn-sieve or winnowing basket, the Mystica vannus Iacchi of Virgil, has always enjoyed a reputation as an emblem of increase and prosperity, and as possessing magical powers. The witch in Macbeth says:—
“Her husband’s to Aleppo gone, Master of the Tiger;
But in a sieve I’ll thither sail.”
It was used in Scotland to foretell the future at Allhallow Eve. Divination was performed with a pair of shears and a sieve. Aubrey describes how “the shears are stuck in a sieve, and the maidens hold up the sieve with the top of their fingers by the handle of the shears, then say, ‘By St. Peter and St. Paul, he hath not stolen it.’ After many adjurations the sieve will turn at the name of the thief.”[118]
In India the sieve is the first cradle of the baby, and in Bombay the winnowing fan in which a newly-born child is laid is used on the fifth day for the worship of Satvâî. This makes it impure, and it is henceforward used only for the house sweepings. In Northern India, when a mother has lost a child, she puts the next in a sieve and drags it about, calling it Kadheran or Ghasîtan, “the dragged one,” so as to baffle the Evil Eye by a pretence of contempt.
All through Upper India, at low-caste marriages, the bride’s brother accompanies the pair as they revolve in the marriage shed, and sprinkles parched grain over them out of a sieve as a charm for good luck and a means of scaring the demon which causes barrenness. So Irish brides in old times used to be followed by two attendants bearing high over the heads of the couple a sieve filled with meal, a sign of the plenty that would be in the house, and an omen of good luck and the blessing of children.[119] We have already seen that this rite survives in the custom of flinging rice over the newly-married pair as they leave for the honeymoon.
This habit of scaring the spirits of evil by means of the sieve appears in a special usage at the Diwâlî festival. Very early in the morning the house-mother takes a sieve and a broom, and beats them in every corner of the house, exclaiming, “God abide, and poverty depart!” The fan is then carried outside the village, generally to the east or north, and being thrown away, is supposed, like the scapegoat, to bear away with it the poverty and distress of the household. The same custom prevails in Germany. The Posterli is imagined to be a spectre in the shape of an old woman. In the evening the young fellows of the village assemble, and with loud shouts and clashing of tins, ringing of cow-bells and goat-bells, and cracking of whips, tramp over hill and dale to another village, where the young men receive them with like uproar. One of the party represents the Posterli, or they draw it in a sledge in the shape of a puppet, and leave it standing in a corner of the other village. In the same way the Eskimo drive the demon Tuna out of their houses.[120]
Among the Kols, when a vacancy occurs in the office of the village priest, the winnowing fan with some rice is used, and by its magical power it drags the person who holds it towards the individual on whom the sacred mantle has fallen. The same custom prevails among the Orâons.[121]
The Greeks had a special name, Koskinomantis, for the man who divined in this way with the sieve, and the practice is mentioned by Theocritus.[122] The sieve is very commonly used in India as a rude form of the planchette. Through the wicker-work of the raised side or back a strong T-shaped twig is fixed, one end of which rests on the finger. A question is asked, and according as the sieve turns to the right or left, the answer is “Yes” or “No.” This is exactly what is known as “Cauff-riddling” in Yorkshire and Scotland.[123] In the eastern districts of the North-Western Provinces, when the Ojha or “cunning man” is called in to cure disease, or possession by evil spirits, he puts some sesamum into a sieve, shakes it about, and then proceeds to identify the ghost concerned by counting the number of grains which remain stuck between the reeds. At a Santâl cremation, a man takes his seat near the ashes, and tosses rice on them with a winnowing fan till a frenzy appears to seize him, and he becomes inspired and says wonderful things.[124]
It is one of the curiosities of comparative folk-lore that this instrument should be credited with magical powers all over two continents.[125]
The winnowing basket, again, perhaps from its association, like the winnowing fan, with the sacred grain, has mystic powers. In Scotland it was used in the rite of creeling as a means of scaring barrenness. “The young wedded pair, with their friends, assemble in a convenient spot. A small creel or basket is prepared for the occasion, into which they put some stones; the young men carry it alternately, and allow themselves to be caught by the maidens, who have a kiss when they succeed. After a great deal of innocent mirth and pleasantry, the creel falls at length to the young husband’s share, who is obliged generally to carry it for a long time, none of the young women having compassion upon him. At length his fair mate kindly relieves him from his burden; and her complaisance, in this particular, is considered as a proof of her satisfaction at the choice she has made.[126]”
In Bengal, at the full moon immediately following the Durgâ Pûjâ, the festival of Lakshmî, the goddess of wealth, is held. In every Hindu house a basket, which serves as the representative of prosperity, is set up and worshipped. This basket, or corn measure, is filled with paddy, encircled with a garland of flowers, and covered with a piece of cloth. They sit up all night and watch for Lakshmî to arrive, and any negligence in watching is believed to bring misfortune on the family.[127]