III.
The other evening I walked over to the East River through one of the tenement streets, and I reached the waterside just as the soft night was beginning to fall in all its autumnal beauty. The afterglow died from the river, while I hung upon a parapet over a gulf ravined out of the bank for a street, and experienced that artistic delight which cultivated people are often proud of feeling, in the aspect of the long prison island which breaks the expanse of the channel. I knew the buildings on it were prisons, and that the men and women in them, bad before, could only come out of them worse than before, and doomed to a life of outlawry and of crime. I was aware that they were each an image of that loveless and hopeless perdition which men once imagined that God had prepared for the souls of the damned, but I could not see the barred windows of those hells in the waning light. I could only see the trees along their walks; their dim lawns and gardens, and the castellated forms of the prisons; and the æsthetic sense, which is careful to keep itself pure from pity, was tickled with an agreeable impression of something old and fair. The dusk thickened, and the vast steamboats which ply between the city and the New England ports on Long Island Sound, and daily convey whole populations of passengers between New York and Boston, began to sweep by silently, swiftly, luminous masses on the black water. Their lights aloft at bow and stern, floated with them like lambent planets; the lights of lesser craft dipped by, and came and went in the distance; the lamps of the nearer and farther shores twinkled into sight, and a peace that ignored all the misery of it, fell upon the scene.