VI.
We went one evening to the opera at San Carlo. It is one of the three theatres—San Carlo of Naples, La Scala of Milan, and Fenice of Venice—on which the Italians pride themselves; and it is certainly very large and imposing. The interior has a bel colpo d'occhio, which is what many Italians chiefly value in morals, manners, and architecture; but after this comes great shabbiness of detail. The boxes, even of the first order, are paved with brick tiles, and the red velvet border of the box which the people see from the pit is not supported in style by the seats within, which are merely covered with red oil-cloth. The opera we saw was also second-rate, and was to the splendor of the scenic arrangements what the oil-cloth was to the velvet. The house was full of people, but the dress of the audience was not so fine as we had expected in Naples. The evening dress is not de rigueur at Italian theatres, and people seemed to have come to San Carlo in any pleasant carelessness of costume.