The Tragic Comedians.
Opinions differ, and there are those, I believe, to whom Alvan and Clotilde von Rüdiger—‘acrobats of the affections’ they have been called—are pleasant companions, and the story of those feats in the gymnastics of sentimentalism in which they lived to shine is the prettiest reading imaginable. But others not so fortunate or, to be plain, more honestly obtuse persist in finding that story tedious, and the bewildering appearances it deals with not human beings—not of the stock of Rose Jocelyn and Sir Everard Romfrey, of Dahlia Fleming and Lucy Feverel and Richmond Roy—but creatures of gossamer and rainbow, phantasms of spiritual romance, abstractions of remote, dispiriting points in sexual philosophy.