CHAPTER XIX. — DISTRUST.
I little knew myself! This knowledge of one's self is the most important knowledge, which very few of us acquire. We seldom look into our own hearts for other objects than those which will administer to their petty vanities and passing triumphs. Could we only look there sometimes for the truth! But we are blind—blind all! In some respects I was one of the blindest!
I have given a brief glimpse of our honeymoon. Perhaps, as the world goes, the picture is by no means an attractive one. Quiet felicity forms but a small item in the sources of happiness, now-a-days, among young couples. Mine was sufficiently quiet and sufficiently humble. One would suppose that he who builds so lowly should have no reason to apprehend the hurricane. Social ambition was clearly no object with either of us. We sighed neither for the glitter nor the regards of fashionable life. Neither upon fine houses, jewels, or equipages, did we set our hearts. For the pleasures of the table I had no passion, and never was young woman so thoroughly regardless of display as Julia Clifford. To be let alone—to be suffered to escape in our own way, unharming, unharmed, through the dim avenues of life—was assuredly all that we asked from man. Perhaps—I say it without cant—this, perhaps, was all that we possibly asked from heaven. This was all that I asked, at least, and this was much. It was asking what had never yet been accorded to humanity. In the vain assumption of my heart I thought that my demands were moderate.
Let no man console himself with the idea that his chances of success are multiplied in degree with the insignificance, or seeming insignificance, of his aims. Perhaps the very reverse of this is the truth. He who seeks for many objects of enjoyment—whose tastes are diversified—has probably the very best prospect that some of them may be gratified. He is like the merchant whose ventures on the sea are divided among many vessels. He may lose one or more, yet preserve the main bulk of his fortune from the wreck. But he who has only a single bark—one freightage, however costly—whose whole estate is invested in the one venture—let him lose that, and all is lost. It does not matter that his loss, speaking relatively, is but little. Suppose his shipment, in general estimation, to be of small value. The loss to him is so much the greater. It was the dearer to him because of its insignificance, and being all that he had; is quite as conclusive of his ruin, as would be the foundering of every vessel which the rich merchant sent to sea.
I was one of these petty traders. I invested my whole capital of the affections in one precious jewel. Did I lose it, or simply fear its loss? Time must show. But, of a truth, I felt as the miser feels with his hoarded treasure. While I watched its richness and beauty, doubts and dread beset me. Was it safe? Everything depended upon its security. Thieves might break in and steal. Enough, for the present, to say, that much of my security, and of the security of all who, like me, possess a dear treasure, depends upon our convictions of security. He who apprehends loss, is already robbed. The reality is scarcely worse than the hourly anticipation of it.
My friends naturally became the visitors of my family. Certain of the late Mrs. Clifford's friends were also ours. Our circle was sufficiently large for those who already knew how to distinguish between the safe pleasures of a small set, and the horse-play and heartless enjoyments of fashionable jams. Were we permitted in this world to live only for ourselves, we should have been perfectly gratified had this been even less. We should have been very well content to have gone on from day to day without ever beholding the shadow of a stranger upon our threshold.
This was not permitted, however. We had a round of congratulatory visits. Among those who came, the first were the old, long-tried friends to whom I owed so much—the Edgertons. No family could have been more truly amiable than this; and William Edgerton was the most amiable of the family. I have already said enough to persuade the reader that he was a very worthy man. He was more. He was a principled one. Not very highly endowed, perhaps, he was yet an intelligent gentleman. None could be more modest in expression—none less obtrusive in deportment—none more generous in service. The defects in his character were organic—not moral. He had no vices—no vulgarities. But his temperament was an inactive one. He was apt to be sluggish, and when excited was nervous. He was not irritable, but easily discomposed. His tastes were active at the expense of his genius. With ability, he was yet unperforming. His standards were morbidly fastidious. Fearing to fall below them, he desisted until the moment of action was passed for ever; and the feeling of his own weakness, in this respect, made him often sad, but to do him justice, never querulous.
With a person so constituted, the delicate tastes and sensibilities are like to be indulged in a very high degree. William Edgerton loved music and all the quiet arts. Painting was his particular delight. He himself sketched with great spirit. He had the happy eye for the tout ensemble in a fine landscape. He knew exactly how much to take in and what to leave out, in the delineation of a lovely scene. This is a happy talent for discrimination which the ordinary artist does not possess. It is the capacity which, in the case of orators and poets, informs them of the precise moment when they should stop. It is the happiest sort of judgment, since, though the artist may be neither very excellent in drawing, nor very felicitous in color, it enables him always to bestow a certain propriety on his picture which compensates, to a certain degree, for inferiority in other respects. To know how to grasp objects with spirit, and bestow them with a due regard to mutual dependence, is one of the most exquisite faculties of the landscape-painter.
William Edgerton, had he been forced by necessity to have made the art of painting his profession would have made for himself a reputation of no inferior kind. But amateur art, like amateur literature, rarely produces any admirable fruits. Complete success only attends the devotee to the muse. The worship must be exclusive at her altar; the attendance constant and unremitting. There must be no partial, no divided homage. She is a jealous mistress, like all the rest. The lover of her charms, if he would secure her smiles, must be a professor at her shrine. He can not come and go at pleasure. She resents such impertinence by neglect. In plain terms, the fine arts must be made a business by those who desire their favor. Like law, divinity, physic, they constitute a profession of their own; require the same diligent endeavor, close study, fond pursuit! William Edgerton loved painting, but his business was the law. He loved painting too much to love his profession. He gave too much of his time to the law to be a successful painter—too much time to painting to be a lawyer. He was nothing! At the bar he never rose a step after the first day, when, together, we appeared in our mutual maiden case; and contenting himself with the occasional execution of a landscape, sketchy and bold, but without finish, he remained in that nether-land of public consideration, unable to grasp the certainties of either pursuit at which he nevertheless was constantly striving; striving, however, with that qualified degree of effort, which, if it never could secure the prize, never could fatigue him much with the endeavor to do so.
He was perfectly delighted when he first saw some of the sketches of my wife. He had none of that little jealousy which so frequently impairs the temper and the worth of amateurs. He could admire without prejudice, and praise without reserve. He praised them. He evidently admired them. He sought every occasion to see them, and omitted none in which to declare his opinion of their merits. This, in the first pleasant season of my marriage—when the leaves were yet green and fresh upon the tree of love—was grateful to my feelings. I felt happy to discover that my judgment had not erred in the selection of my wife. I stimulated her industry that I might listen to my friend's eulogy. I suggested subjects for her pencil. I fitted up an apartment especially as a studio for her use. I bought her some fine studies, lay figures, heads in marble and plaster; and lavished, in this way, the small surplus fund which had heretofore accrued from my professional industry, and that personal frugality with which it was accompanied.
William Edgerton was now for ever at our house. He brought his own pictures for the inspection of my wife. He sometimes painted in her studio. He devised rural and aquatic parties with sole reference to landscape scenery and delineation; and indifferent to the law always, he now abandoned himself almost entirely to those tastes which seemed to have acquired of a sudden, the strangest and the strongest impulse.
In this—at least for a considerable space of time—I saw nothing very remarkable. I knew his tastes previously. I had seen how little disposed he was to grapple earnestly with the duties of his profession; and did not conceive it surprising, that, with family resources sufficient to yield him pecuniary independence, he should surrender himself up to the luxurious influence of tastes which were equally lovely in themselves, and natural to the first desires of his mind. But when for days he was missed from his office—when the very hours of morning which are most religiously devoted by the profession to its ostensible if not earnest pursuit, were yielded up to the easel—and when, overlooking the boundaries which, according to the conventional usage, made such a course improper, he passed many of these mornings at my house, during my absence, I began to entertain feelings of disquietude.
For these I had then no name. The feelings were vague and indefinable, but not the less unpleasant. I did not fancy for a moment that I was wronged, or likely to be wronged, but I felt that he was doing wrong. Then, too, I had my misgivings of what the world would think! I did not fancy that he had any design to wrong me; but there seemed to me a cruel want of consideration in his conduct. But what annoyed me most was, that Julia should receive him at such periods He was thoughtless, enthusiastic in art, and thoughtless, perhaps, in consequence of his enthusiasm. But I expected that she should think for both of us in such a case. Women, alone, can be the true guardians of appearances where they themselves are concerned; and it was matter of painful surprise to me that she should not have asked herself the question: “What will the neighbors think, during my husband's absence, to see a stranger, a young man, coming to visit me with periodical regularity, morning after morning?”
That she did not ask herself this question should have been a very strong argument to show me that her thoughts were all innocent. But there is a terrible truth in what Caesar said of his wife's reputation: “She must be free from suspicion.” She must not only do nothing wrong, but she must not suffer or do anything which might incur the suspicion of wrong doing. There is nothing half so sensible to the breath of calumny, as female reputation, particularly in regions of high civilization, where women are raised to an artificial rank of respect, which obviates, in most part, the obligations of their dependence upon man, but increases, in due proportion, some of their responsibilities to him. Poor Julia had no circumspection, because she had no feeling of evil. I believe she was purity itself; I equally believe that William Edgerton was quite incapable of evil design. But when I came from my office, the first morning that he had thus passed at my house in my absence, and she told me that he had been there, and how the time had been spent, I felt a pang, like a sharp arrow, suddenly rush into my brain. Julia had no reserve in telling me this fact. It was a subject she seemed pleased to dwell upon. She narrated with the earnest, unseeing spirit of a self-satisfied child, the sort of conversation which had taken place between them—praised Edgerton's taste, his delicacy, his subdued, persuasive manners, and showed herself as utterly unsophisticated as any Swiss mountain-girl who voluntarily yields the traveller a kiss, and tells her mother of it afterward. I listened with chilled manners and a troubled mind.
“You are unwell, Edward,” she remarked tenderly, approaching and throwing her arms around my neck, as she perceived the gradual gathering of that cloud upon my brows.
“Why do you think so, Julia?”
“Oh, you look so sad—almost severe, Edward, and your words are so few and cold. Have I offended you, dear Edward?”
I was confused at this direct question. I felt annoyed, ashamed. I pleaded headache in justification of my manner—it did ache, and my heart, too, but not with the ordinary pang; and I felt a warm blush suffuse my cheek, as I yielded to the first suggestion which prompted me to deceive my wife.
A large leading step was thus taken, and progress was easy afterward.
Oh! sweet spirit of confidence, thou only true saint, more needful than all, to bind the ties of kindred and affection! why art thou so prompt to fly at the approach of thy cold, dark enemy, distrust? Why dost thou yield the field with so little struggle? Why, when the things, dearest to thee of all in the world's gift—its most valued treasure, its purest, sweetest, and proudest trophies—why, when these are the stake which is to reward thy courage, thy adherence, to compensate thee for trial, to console thee for loss and outrage—why is it that thou art so ready to despond of the cause so dear to thee, and forfeit the conquest by which alone thy whole existence is made sweet. This is the very suicide of self. Fearful of loss, we forsake the prize, which we have won; and hearkening to the counsel of a natural enemy, eat of that bitter fruit which banishes for ever from our lips the sweet savor which we knew before, and without which, no savor that is left is sweet.