CHAPTER XXXVIII. — RENEWED AGONIES.
In that same moment my pangs were all renewed; my repose of mind departed; once more my heart was on fire, my spirit filled with vague doubts, grief, and commotion. The soft, sweet, preluding note of the player had touched a chord in my soul as utterly different from that which it expressed, as could by any possibility be conceived. Heart and hope were instantly paralyzed. Fear and its train, its haunting spectres of suspicion, took possession of the undefended citadel, and established guard upon its deserted outposts. I tottered to the window which I had left—I shrouded myself in the folds of the curtain, and as the strains rose, renewed and regular, I struggled to keep in my breath, listening eagerly, as if the complaining instrument could actually give utterance to the cruel mystery which I equally dreaded and desired to hear.
The air which was played was such as I had never heard before. Indeed, it could scarcely be called an air. It was the most capricious burden of mournfulness that had ever had its utterance from wo. Fancy a mute—one bereft of the divine faculty of speech, by human, not divine ministration. Fancy such a being endowed with the loftiest desires, moved by the acutest sensibilities, having already felt the pleasures of life, yet doomed to a denial of utterance, denied the language of complaint, and striving, struggling through the imperfect organs of his voice to give a name to the agony which works within him. That flute seemed to me to moan, and sob, and shiver, with some such painful mode of expression as would be permitted to the “half made-up” mortal of whom I have spoken. Its broken tones, striving and struggling, almost rising at times into a shriek, seemed of all things to complain of its own voicelessness.
And yet it had its melody—melody, to me, of the most vexing power. I should have called the strain a soliloquizing one. It certainly did not seem addressed to any ears. It wanted the continuance of apostrophe. It was capricious. Sometimes the burden fell off suddenly—broken—wholly interrupted—as if the vents had been all simultaneously and suddenly stopped. Anon, it rose again—soul-piercing if not loud—so abruptly, and with an utterance so utterly gone with wo, that you felt sure the poor heart must break with the next breath that came from the laboring and inefficient lungs. A “dying fall” succeeding, seemed to afford temporary relief. It seemed as if tears must have fallen upon the instrument, Its language grew more methodical, more subdued, but not less touching. I fancied, I felt, that, entering into the soul of the musician, I could give the very words to the sentiment which his instrument vainly strove to speak. What else but despair and utter self-abandonment was in that broken language? The full heart over-burdened, breaking, to find a vent for the feelings which it had no longer power to contain. And yet; content to break, breaking with a melancholy sort of triumph which seemed to say—
“Such a death has its own sweetness; love sanctifies the pang to its victim. It is a sort of martyrdom. He who loves truly, though he loves hopelessly, has not utterly loved in vain. The devoted heart finds a joy in the offering, though the Deity withholds his acceptance—though a sudden gust from heaven scatters abroad the rich fruits which the devotee has placed upon the despised and dishonored altar.”
Such, I fancied, was the proud language of that melancholy music. Had I been other than I was—nay, had I listened to the burden under other circumstances and in another place—I should most probably have felt nothing but sympathy for the musician. As it was, I can not describe my feelings. All my racking doubts and miseries returned. The tone of triumph which the strain conveyed wrought upon me like an indignity. It seemed to denote that “foregone conclusion” which had been my cause of apprehension so long. Could it be then that Julia was really guilty? Could she have given William Edgerton so much encouragement that triumph and exultation should still mingle with his farewell accents of despair? Ah! what fantasies preyed upon my soul; haunted the smallest movements of my mind; conjured up its spectres, and gave bitterness to its every beverage! When I thought thus of Julia, I rose cautiously from my seat, approached the bed where she was lying, and gazed steadily, though with the wildest thrill of emotion, into her face. I verily believe had she not been sleeping at that moment—sleeping beyond question—she would have shared the fate of
“The gentle lady wedded to the Moor.”
I was in the mood for desperate things.
But she slept—her cheek upon her arm—pale, but oh! how beautiful! and looking, oh! how pure! Her breathing was as tranquil and regular as that of an infant. I felt, while I gazed, that hers must be the purity of an infant also. I turned from beholding her, as the renewed notes of the musician once more ascended to the chamber. I again took my seat at the window and concealed myself behind the curtain. Here I had been concealed but a few moments, when I heard a rustling in the branches of the tree. Meanwhile, the music again ceased. I peered cautiously from behind the drapery, and fancied I beheld a dark object in the tree. It might be one of its branches, but I had not been struck by it before. I waited in breathless watchfulness. I saw it move. Its shape was that of a man. An exulting feeling of violence filled my breast. I rose stealthily, went into the dressing-room, and took up one of my pistols which lay on the toilet, and which I had that afternoon prepared with a travelling charge.
“A brace of bullets,” I muttered to myself, “will bring out another sort of music from this rare bird.”
With this murderous purpose I concealed myself once more behind the curtain. The figure was sufficiently distinct for aim. The window was not more than twelve or fourteen paces from the tree. My nerves were now as steady as if I had been about to perform the most ordinary action. What then prevented me? What stayed my arm? A single thought—a momentary recollection of an event which had taken place in my boyhood. What a providence that it should have occurred to me at that particular moment. The circumstance was this.
When first sent to school I had been frequently taken at advantage by a bigger boy. He had twice my strength—he took a strong dislike for me—perhaps, because I was unwilling to pay him that deference, which, as school-bully, he extorted from all others;—and he drubbed me accordingly, whenever an opportunity occurred. My resistance was vain, and only stimulated him to increased brutality. One day he was lying upon the grass, beneath an oak which stood in the centre of a common on which we usually played. It happened that I drew near him unperceived. In approaching him I had no purpose of assault or violence. But the circumstance of my nearing him without being seen, suggested to my mind a sudden thought of revenging all my previous injuries. I felt bitterness and hate enough, had I possessed the strength, to have slain a dozen. I do not know that I had any design to slay him—to revenge myself was certainly my wish. Of death probably I had no idea. I looked about me for the agent of my vengeance. A pile of old brick which had formed the foundations of a dwelling which had stood on the spot, and which had been burned, conveniently presented itself to my eye. I possessed myself of as large a fragment as my little hand could grasp; I secured a second as a dernier resort. Slowly and slily—I may add, basely—I approached him from behind, levelled the brick at his head, and saw the blood fly an instant after the contact. He was stunned by the blow, staggered up, however, with his eyes blinded by blood, and moved after me like a drunken man. I receded slowly, lifting the remaining fragment which I held, intending, if he approached me, to repeat the blow.
On a sudden he fell forward sprawling. Then I thought him dead, and for the first time the dreadful consciousness of my crime in its true character, came to my mind. I can not describe the agony of fear and horror which filled my soul. He did not die, but he was severely hurt.
The recollection of that event—of what I then suffered—came to me involuntarily, as I was about to perform a second similar crime. I shuddered with the recollection of the past, and shrunk, under the equal force of shame and conscience, from the performance of a deed which, otherwise, I should probably have committed in the brief time which I employed for reflection. With a feeling of nervous horror I put the weapon aside, and sinking once more into the chair beside the window I bore with what fortitude I might, the renewal of the accursed but touching strains that vexed me.
William Edgerton was a master of the flute. Often before, when we were the best friends, had I listened with delight, while he compelled it into discourse of music wild and somewhat incoherent still: his present performance had now attained more continuousness and character. It was still mournful, but its sorrows rose and fell naturally, in compliance with the laws of art. I listened till I could listen no longer. Human patience must have its limits. My wife still slept. I descended the stairs, opened the door with as much cautiousness as possible, and prepared to grapple the musician and haul him into the light.
It might be Edgerton or not. I was morally sure it was. By grappling with him, in such a situation, I should bring the affair to a final issue, though it might not be a murderous one. But of that I did not think; I went forward to do something; what that something was to be, it was left for time and chance to determine. But, suddenly, as I opened the door, the music ceased. Stepping into the yard, I heard the sound as of a falling body. I naturally concluded that he had heard the opening of the door, and had suffered himself to drop down to the ground. I took for granted that he had descended on the opposite side of the yard and within the enclosure of a neighbor. I leaped the fence, hurried to the tree, traversed the grounds, and found nobody. I returned, reached my own premises, and found the gate open which opened upon the street. He had gone then in that direction. I turned into this street, posted with all speed to the corner of the square and met only the watchman. I asked, but he had seen nobody. The street was perfectly quiet, I returned, reascended to my chamber, found Julia now awake, and evidently much agitated. She had arisen in my absence, and was only about to re-enter the bed when I rushed up stairs.
What was I to think? What fear? I was too conscious of the suspicious nature of my thoughts and fears to suffer myself to ask any questions—and she, unhappily for both of us—she said nothing. Had she but spoken—had she but uttered the natural inquiry—“Did you hear that strange music, husband?”—how much easier had been her extrication. But she was silent, and I was again let loose upon a wide sea of fears and doubts and damnable apprehensions. Once more, and now with a feeling which would not have made me forbear the use of any weapon, however deadly, I re-examined my own enclosure, but in vain. The horrible thought which possessed me was that he had even penetrated the dwelling while I was seeking him in the street; that they had met; and how was I to know the degree of tenderness which had marked their meeting and sweetness to their adieus!