INDEX - Industrial Arts Design / A Textbook of Practical Methods for Students, Teachers, and Craftsmen - 50 - William H. Varnum

Pottery Transcriber's Note

INDEX

Accenting bands in wood, [105]
Accentuation of functional parts, [79]
Adapting data to material, [127]
Analogous hues, [203]
Analysis, intelligent, [7]
Andiron design, [53]
Aniline wood dyes, [199]
Appendage design, [43]-[49]
Appendage, use of, [43]
Appendages, [43]
Appendages and primary mass, [45]
Appendages, contour enrichment of, [88]
Appendages, design violations, [43]
Appendages in clay, [47]
Appendages, industrial applications, [47]
Appendages, influence of tools and materials, [53]
Appendages in metal, [51]
Appendages in wood, [45]
Artificial objects, [129]
Architectural, horizontal divisions for, [21]

Bands, wood inlay, [105]
Backgrounds, [113], [201]
Base metals, enrichment of, [87]
Base and precious metals, surface enrichment of, [160], [163], [165], [167]
Borders for wood, [107]
Building, [165]

Candlesticks, [81]
Carving, [103]
Carving and piercing, [141]
Carving, design steps for, [105]
Ceilings, [202]-[205]
Center zone enrichment, [121]
Chasing, [163]
Chip carving, [115]
Chroma, [197]
Chromatic intensity, full, [195]
Clay, coloring for underglaze, [151]
Clay, decorative processes, [145]
Clay, incising, [147]
Clay, inlay, [149]
Clay, introduction of pigments, [149]
Clay, modeling, [147]
Clay, piercing, [147]
Clay, slip painting, [149]
Clay, surface enrichment for, [145]
Clay, surface enrichment, structural classification for, [151]
Clay, underglaze painting, [151]
Color for clay enrichment, [209]
Color for small areas, [210]
Color harmony, [201]
Color pigments, [194]
Color pigments, application of, [194]
Color symbols, [198]
Color systems, [194]
Commercial pottery, [158]
Complementary hues, [214]
Conservative use of ornament, [101]
Contrasted hues, [203]
Containers, [81]
Continuity and contrast, [63]
Contour enrichment, influence of materials, [65]
Contour enrichment, methods of varying, [70]
Contour enrichment of clay, need of, [77]
Contour enrichment, evolution of, [65]
Contour enrichment, purpose of, [59]
Contour enrichment, requirements of, [59]
Contour enrichment, systematic development of, [81]

Contour versus surface enrichment, [185]
Corners, contour enrichment of, [88]
Correlation, ideal, [11]
Covers, design for, [49]
Criticism, clear, [7]
Criticism, non-technical, [7]
Curve of beauty, [91]
Curve of force, [61]
Curve of force, approximate, [61]
Curves for contour enrichment, [59]
Curves, grouping of, [63]
Curves of extravagance, [73]

Dependent surface enrichment, [167]
Details, contour enrichment of, [93]
Design evolution, major divisions, [9]
Design evolution, steps in, [11]
Design, preliminary thought, [17]
Dominant hue, [204]
Dynamic curves and areas, [111]

Edges, contour enrichment of, [87]
Elements, [157]
Enameling, [163], [212], [213], [215]
Enrichment for small metal areas, [179]
Enrichment, need and value of, [57]
Enrichment of large metal areas, [179], [183]
Enrichment, types of, [57]
Essentials of good surface enrichment, [179]
Exposures, [206], [207]

Flat surfaces in base and precious metal, [185]
Fobs, design of, [169]
Four vertical minor divisions, [139]
Free balance, [129]
Free enrichment, [121]
Free minor division treatment, [141]
Free ornament, [117]
Freehand curves, [30], [51], [63]
Full size drawing, value of, [23]
Functional parts, enrichment of, [88]

Glazes for pottery, [149]
Glazes related to interior decoration, [214]
Glazes, stains for, [209]
Greek scroll, [93]

Handles, design for, [49]
Harmonious color, need of, [194]
Harmony of color, [210]
High cylindrical forms in clay, [157]
High cylindrical forms in metal, [191]
Historic ornament in hardware, [186]
Horizontal and vertical minor divisions, [137]
Horizontal divisions, architectural precedent, [25]
Horizontal divisions, nature and need of, [19]
Horizontal divisions, steps in designing, [21]
Horizontal minor divisions, [139]
Hue and hue rectangles, [195]
Hue groupings, [203]

Industrial problems, requirements of, [9]
Inceptive axes, [107], [121], [161]
Inceptive axes for marginal enrichment, [119]
Inlaying, [101]-[103]
Intermediate points, contour enrichment of, [89]
Ionic volute, [91]

Leading lines, curved, [108]
Links, [45]
Links, contour enrichment of, [93]
Low cylindrical forms in clay, [157]
Low cylindrical forms in metal, [187]

Major design division, first, [9]
Major design division, second, [9]
Major design division, third, [11]
Marginal zone enrichment, [118]
Material, adapting data to, [127]
Material, economy of, [161]

Material, relation to surface enrichment, [101]
Metallic oxides, [210]
Methods, architectural design, [13]
Methods, industrial design, [13]
Minor details, [141]
Minor subdivisions in wood, [133]
Moorish ornament, [107]
Mouldings, [61]

One vertical division, [35]
Outlines, free and dependent, [87], [91] (See Contours.)
Oxidation, [213]

Panels, [117], [123], [125], [127], [129]
Panel design, steps in, [125]
Parts differing in function, [77]
Pendants and chains, design of, [173]
Pierced enrichment, [123]
Pigment table, [195]
Pigments, wall and ceiling, [205]
Pins and brooches, design of, [167]
Point of concentration, [115], [161]
Point of concentration for marginal enrichment, [119]
Porcelain painting, [151]
Pourers, [81]
Precious metals, processes of enrichment, [161], [163], [165], [169]
Primary hues, [198]
Primary masses, [13]
Primary mass, drawing of, [15]
Primary mass, divisions of, [19]
Primary masses, vertical and horizontal, [15]
Primary masses, proportions of, [15]
Proportionate distribution, [210]

Ratios, unsatisfactory, [17]
Rectangular panels, [127]
Rings, design of, [169]

Sequential progression, [135]
Service, influence of, [9], [13], [15]
Sets, designing of, [83]
Shades, [197]
Shallow circular forms in clay, [155]
Shallow circular forms in metal, [187]
Side walls, [202]-[205]
Silver, color for, [215]
Silver, contour enrichment of, [93]
Silver, free outline enrichment, [97]
Silver, motives for contour enrichment, [97]
Spouts, design of, [49]
Square and rectangular areas in clay, [153]
Square panels, [125]
Standard hues, [195]
Standard hues, locating, [196]
Stones, cutting, [95]
Stones, relation to contour, [95]
Stones, relation to metal, [173]
Structural forms, classification, [160]
Structural forms, classification for clay surface enrichment, [151]
Structural reinforcement, [118]
Surface design evolution, [180]
Surface enrichment, nature and need of, [99]
Surfaces, when and where to enrich, [99]

Tangential junctions, [51], [93]
Technical processes for metal, [163]
Technical rendering, [161]
Terminals, contour enrichment of, [89]-[91]
Three horizontal divisions, [29]
Three horizontal divisions in clay, [30]
Three horizontal divisions in metal, [30]
Three horizontal divisions in wood, [29]
Three vertical divisions, [37]
Three vertical divisions in clay, [39]
Three vertical divisions in metal, [41]
Three vertical divisions in wood, [39]

Tints, [196]
Transitional types in furniture, [139]
Two horizontal divisions, [25]
Two horizontal divisions in clay, [27]
Two horizontal divisions in metal, [27]
Two horizontal divisions in wood, [25]
Two vertical divisions, [35]
Two vertical divisions in clay, [37]
Two vertical divisions in metal, [37]
Two vertical divisions in wood, [35]

Unit of measurement for vertical curves, [79]
Unity, [29]
Unity in clay design curves, [77]

Value lines, [196]
Varied panels, [129]
Vertical divisions, architectural precedent, [33]
Vertical divisions, more than three, [41]
Vertical divisions, nature and need, [33]
Vertical and horizontal division evolution, [40]
Vertical sections and their minor divisions, [133]-[135]
Vocabulary, designer's, [105]

Walls and ceilings, [203]-[204]
Walls and wood work, [202]-[203]
Warm and cold colors, [198]
Wood finishes, opaque, [206]
Wood, methods of surface enrichment, [101]
Wood stains, [198]
Wood stains, chroma range, [205]
Wood stain mixing, [199], [200]
Wood stain rendering, [195]
Wood stains, value range, [201]
Wrought iron enrichment, [91]

Zones of enrichment, [118]