ROMEO AND JULIET
[248]. whatever is most intoxicating, Schlegel, p. 400. fancies [cowslips] wan. Lycidas, l. 147. [249]. We have heard it objected. By Curran. See post, p. 393. too unripe and crude. Cf. Lycidas, l. 3, ‘harsh and crude.’ the Stranger. Menschenhass und Reue, by A.F.F. von Kotzebue (1761–1819), adapted for the English stage under the title of The Stranger. See note to p. 155. gather grapes. St. Matthew, vii. 16. My bounty, Act II. 2. [250]. they fade by degrees, Wordsworth’s Ode, Intimations of Immortality from Recollections of early Childhood, V. [fade into the light]. that lies about us. Ibid. [251]. the purple light of love, Gray’s Progress of Poesy, l. 41. another morn risen on mid-day [mid-noon], Paradise Lost, V. 310–311. in utter nakedness, Wordsworth’s Ode (see above), V. I’ve seen the day, Act I. 5. At my poor house, Act I. 2. But he, Act I. 1. [252]. the white wonder, Act III. 3. What lady’s that, Act I. 5. But stronger Shakespear felt for man alone, Collins’s Epistle to Sir Thomas Hanmer. Thou know’st the mask, Act II. 2. [253]. calls [think] true love spoken [acted] and Gallop apace, Act III. 2. It was reserved, Schlegel, p. 400. [254]. Here comes the lady, Act II. 6. Ancient damnation, Act III. 5. frail thoughts. Lycidas, 153 [false surmise]. the flatteries, Act V. 1. What said my man, Act V. 3. If I may trust, Act V. 1 [flattering truth of sleep]. [255]. Shame come to Romeo and Blister’d be thy tongue, Act III. 2. [256]. father, mother, Act III. 2. Let me peruse, Act V. 3. [257]. as she would take [catch]. Antony and Cleopatra, Act V. 2. The Beauties of Shakespear. By Dr. Wm. Dodd (1729–1777), 1753.