CONTENTS
| PAGE | |
|---|---|
| Preface | [173] |
| Mr. Kean’s Shylock | [179] |
| Mr. Kean’s Richard | [180] |
| Mr. Kean’s Hamlet | [185] |
| Mr. Kean’s Othello | [189] |
| Mr. Kean’s Iago | [190] |
| Antony and Cleopatra | [190] |
| Artaxerxes | [192] |
| The Beggar’s Opera | [193] |
| Richard Coeur de Lion | [195] |
| Didone Abandonnata | [196] |
| Miss O’Neill’s Juliet | [198] |
| Mr. Kean’s Richard | [200] |
| Mr. Kean’s Macbeth | [204] |
| Mr. Kean’s Romeo | [208] |
| Mr. Kean’s Iago | [211] |
| Mr. Kean’s Iago (concluded) | [215] |
| Mr. Kean’s Richard II. | [221] |
| The Unknown Guest | [224] |
| Mr. Kean’s Zanga | [227] |
| Mr. Bannister’s Farewell | [229] |
| Comus | [230] |
| Mr. Kean’s Leon | [233] |
| The Tempest | [234] |
| My Wife! What Wife? | [237] |
| Mr. Harley’s Fidget | [239] |
| Living in London | [242] |
| The King’s Proxy | [243] |
| The Maid and the Magpie | [244] |
| The Hypocrite | [245] |
| Mr. Edwards’s Richard III. | [247] |
| Lovers’ Vows | [249] |
| The School for Scandal | [250] |
| Mrs. Alsop’s Rosalind | [252] |
| John Du Bart | [253] |
| The Beggar’s Opera | [254] |
| Miss O’Neill’s Elwina | [256] |
| Where to find a Friend | [258] |
| Miss O’Neill’s Belvidera | [261] |
| The Merchant of Bruges | [264] |
| Smiles and Tears | [266] |
| George Barnwell | [268] |
| A New Way to Pay Old Debts | [272] |
| The Busy Body | [270] |
| The Midsummer Night’s Dream | [274] |
| Love for Love | [278] |
| The Anglade Family | [279] |
| Measure for Measure | [281] |
| Mr. Kean’s Sir Giles Overreach | [284] |
| The Recruiting Officer | [285] |
| The Fair Penitent | [287] |
| The Duke of Milan | [289] |
| Miss O’Neill’s Lady Teazle | [291] |
| Mr. Kean | [292] |
| Mr. Kean’s Shylock | [294] |
| The Oratorios | [296] |
| Richard III. | [298] |
| Romeo and Juliet | [300] |
| Mr. Kemble’s Sir Giles Overreach | [302] |
| Bertram | [304] |
| Adelaide, or the Emigrants | [308] |
| Every Man in his Humour | [310] |
| Mrs. Siddons | [312] |
| New English Opera House | [314] |
| The Jealous Wife | [316] |
| The Man of the World | [318] |
| Miss Merry’s Mandane | [320] |
| Exit by Mistake | [321] |
| The Italian Opera | [324] |
| Old Customs | [327] |
| My Landlady’s Night-Gown | [328] |
| Castle of Andalusia | [329] |
| Two Words | [330] |
| The Wonder | [332] |
| The Distressed Mother | [334] |
| Miss Boyle’s Rosalind | [336] |
| Mr. Macready’s Othello | [338] |
| Theatrical Debuts | [341] |
| Mr. Kemble’s Cato | [342] |
| The Iron Chest | [342] |
| Mr. Kemble’s King John | [345] |
| Coriolanus | [347] |
| The Man of the World | [350] |
| Jane Shore | [352] |
| The Humorous Lieutenant | [353] |
| Two New Ballets | [353] |
| Mr. Booth’s Duke of Gloster | [354] |
| Mr. Booth’s Iago | [354] |
| Mr. Booth’s Richard | [357] |
| Double Gallant | [359] |
| Don Juan | [362] |
| The Conquest of Taranto | [366] |
| The Touch-Stone | [368] |
| The Libertine | [370] |
| Barbarossa | [372] |
| Mrs. Siddons’s Lady Macbeth | [373] |
| Mr. Maywood’s Shylock | [374] |
| Mr. Kemble’s Retirement | [374] |