WHY THE HEROES OF ROMANCE ARE INSIPID
Published in Sketches and Essays.
[60]. ‘To gild refined gold,’ etc. King John, Act IV. Sc. 2. ‘Faultless monsters.’ John Sheffield, Duke of Buckingham, Essay on Poetry. [61]. The grand Cyruses, the Artamenes. Mlle. de Scudéry’s Artamène ou le Grand Cyrus was published in 10 vols., 1649–53. Oroondates. In La Calprenède’s Cassandra. ‘Mistress’ eyebrow.’ As You Like It, Act II. Sc. 7. [62]. ‘Be mine,’ etc. Gray, Letters (ed. Tovey), I. 97. ‘The Princess of Cleves.’ By Madame de la Fayette (1678). The Duke de Nemours. In La Princesse de Clèves. ‘Ugly all over,’ etc. See vol. II. (Life of Holcroft), note to p. 130. [64]. Narcissa and Emily Gauntlet. Narcissa in Roderick Random; Emily Gauntlet in Peregrine Pickle; Winifred Jenkins in Humphry Clinker. ‘Her heroes,’ etc. Cf. ‘Most women have no characters at all.’ Pope, Moral Essays, II. 2. Theodore, Valancourt. Theodore in The Romance of the Forest; Valancourt in The Mysteries of Udolpho. [65]. Miss Milner. Miss Milner and Dorriforth in A Simple Story (1791); Lord Norwynne in Nature and Art (1796). [67]. ‘All germins,’ etc. King Lear, Act III. Sc. 2. ‘Tears such as angels shed [weep].’ Paradise Lost, I. 620.