XLI
In general, however, it is not to be expected that those should grow rich by a special Providence, whose first and last object is by every means and at every sacrifice to grow famous. Vanity and avarice have different goals and travel different roads. The man of genius produces that which others admire: the man of business that which they will buy. If the poet is delighted with the ideas of certain things, the reader is equally satisfied with the idea of them too. The man of genius does that which no one else but himself can do: the man of business gets his wealth from the joint mechanical drudgery of all whom he has the means to employ. Trade is the Briareus that works with a hundred hands. A popular author grew rich, because he seemed to have a hundred hands to write with: but he wanted another hand to say to his well-got gains, ‘Come, let me clutch thee.’ Nollekens made a fortune (how he saved it we know) by having blocks of marble to turn into sharp-looking busts (which required a capital), and by hiring a number of people to hack and hew them into shape. Sir Joshua made more money than West or Barry, partly because he was a better painter, partly because gentlemen like their own portraits better than those of prophet or apostle, saint or hero. What the individual wants, he will pay the highest price for: what is done for the public the State must pay for. How if they will not? The historical painter cannot make them; and if he persists in the attempt, must be contented to fall a martyr to it. It is some glory to fail in great designs; and some punishment is due to having rashly or presumptuously embarked in them.