August 15.
Assumption, B. V. M.
This Romish festival is retained in the church of England calendar.
Our old acquaintance Barnaby Googe rhimes of this festival from Naogeorgus:—
The blessed virgin Marie’s feast,
hath here his place and time,
Wherein departing from the earth,
she did the heavens clime;
Great bundels then of hearbes to Church,
the people fast doe beare,
The which against all hurtfull things,
the priest doth hallow theare.
Thus kindle they and nourish still,
the people’s wickednesse,
And vainly make them to beleeve
whatsoever they expresse:
For sundrie witchcrafts by these hearbs
ar wrought, and divers charmes,
And cast into the fire, are thought
to drive away all harmes,
And every painefull griefe from man,
or beast, for to expell,
Farre otherwise than nature, or
the worde of God doth tell.
There is a volume printed at Amsterdam, 1657, entitled, “Jesus, Maria, Joseph; or the Devout Pilgrim of the Everlasting Blessed Virgin Mary, in his Holy Exercises, Affections, and Elevations, upon the sacred Mysteries of Jesus, Maria, Joseph.” From this curious book an amusing extract may be adduced, as a specimen of the language employed by certain writers of the Romish church in their addresses to the virgin:—
“You, O Mother of God, are the spiritual Paradise of the second Adam; the delicate cabinet of that divine marriage which was made betwixt the two natures; the great hall wherein was celebrated the world’s general reconciliation; you are the nuptial bed of the eternal word; the bright cloud carrying him who hath the cherubins for his chariot; the fleece of wool filled with the sweet dew of heaven, whereof was made that admirable robe of our royal shepherd, in which he vouchsafed to look after his lost sheep; you are the maid and the mother, the humble virgin and the high heaven both together; you are the sacred bridge whereby God himself descended to the earth; you are that piece of cloth whereof was composed the glorious garment of hypostatical union, where the worker was the Holy Ghost, the hand the virtue of the Most High, the wool the old spoils of Adam, the woof your own immaculate flesh, and the shuttle God’s incomparable goodness, which freely gave us the ineffable person of the word incarnate.
“You are the container of the incomprehensible; the root of the world’s first, best, and most beautiful flower; the mother of him who made all things; the nurse of him who provides nourishment for the whole universe; the bosom of him who unfolds all being within his breast; the unspotted robe of him who is clothed with light as with a garment; you are the sally-port through which God penetrated into the world; you are the pavilion of the Holy Ghost; and you are the furnace into which the Almighty hath particularly darted the most fervent sunbeams of his dearest love and affection.
“All hail! fruitful earth, alone proper and only prepared to bring forth the bread corn by which we are all sustained and nourished; happy leaven, which hath given relish to Adam’s whole race, and seasoned the paste whereof the true life-giving and soul-saving bread was composed; ark of honour in which God himself was pleased to repose, and where very glory itself became sanctified; golden pitcher, containing him who provides sweet manna from heaven, and produces honey from the rock to satisfy the appetites of his hungry people; you are the admirable house of God’s humiliation, through whose door he descended to dwell among us; the living book wherein the Father’s eternal word was written by the pen of the Holy Ghost. You are pleasing and comely as Jerusalem, and the aromatical odours issuing from your garments outvie all the delights of Mount Lebanus; you are the sacred pix of celestial perfumes, whose sweet exhalations shall never be exhausted; you are the holy oil, the unextinguishable lamp, the unfading flower, the divinely-woven purple, the royal vestment, the imperial diadem, the throne of the divinity, the gate of Paradise, the queen of the universe, the cabinet of life, the fountain ever flowing with celestial illustrations.
“All hail! the divine lantern encompassing that crystal lamp whose light outshines the sun in its midday splendour, the spiritual sea whence the world’s richest pearl was extracted; the radiant sphere, enclosing him within your sacred folds, whom the heavens cannot contain within their vast circumference; the celestial throne of God, more glistering than that of the glorious cherubims, the pure temple, tabernacle, and seat of the divinity.
“You are the well-fenced orchard, the fruitful border, the fair and delicate garden of sweet flowers, embalming the earth and air with their odoriferous fragrance, yet shut up and secured from any enemy’s entrance and irruption; you are the holy fountain, sealed with the signet of the most sacred Trinity, from whence the happy waters of life inflow upon the whole universe; you are the happy city of God, whereof such glorious things are everywhere sung and spoken.”[295]
Notre Dame Des Anges.
One of the highest mountains of the chain that encircles the territory of Marseilles, has upon its summit a very singular rock, which appears exactly like the ruin of an old castle. This mountain derived its name from a chapel about halfway up, dedicated to the holy virgin, under the name of “Notre Dame des Anges,” but destroyed during the revolution. On the day of the Assumption, there is held on the mountain in the vicinity of the chapel, what is called in the Provençal tongue, a roumaragi, which is a country feast. The people from the neighbouring parts assemble on the spot, dressed in their Sunday clothes, where they join in dancing, playing at bowls, of which the Provençaux are passionately fond, quoits, running races, and other rural sports. Every village in Provence has a similar fête on some day in the year. In case of the village being named after any saint, which is very common, as St. Joseph, St. Barnabé, St. Zacharie, St. Louis, and many others, the roumaragi is held on that saint’s day. That on the mountain of Notre Dame des Anges is held on the Assumption, on account of the chapel having been dedicated to the holy virgin. During the revolution there was a general suspension of these festivals, but to the great joy of the Provençaux, they were resumed under Napoleon.[296]
Pageant of the Assumption at Rouen.
It is related in Mr. Dawson Turner’s “Tour through Normandy,” that formerly a pageant in honour of the virgin was held in the archbishopric of Rouen. Des Marêts, the governor of Dieppe, in 1443, established it in honour of the final expulsion of the English. The first master of the Guild of the Assumption was the founder of it, under whose auspices and direction it was conducted.
About midsummer the principal inhabitants used to assemble at the hotel de ville, or townhouse of Dieppe, and there they selected the girl of the most exemplary character to represent the Virgin Mary, and with her six other young women, to act the parts of the daughters of Sion. The honour of figuring in this holy drama was greatly coveted; and the historian of Dieppe gravely assures us, that the earnestness felt on the occasion mainly contributed to the preservation of that purity of manners and that genuine piety, which subsisted in this town longer than in any other of France! But the election of the virgin was not sufficient: a representative of St. Peter was also to be found among the clergy; and the laity were so far favoured, that they were permitted to furnish the eleven other apostles.
This done, upon the fourteenth of August the virgin was laid in a cradle of the form of a tomb, and was carried early in the morning, (of the fifteenth,) attended by her suite of either sex, to the church of St. Jacques; while, before the door of the master of the guild, was stretched a large carpet, embroidered with verses in letters of gold, setting forth his own good qualities, and his love for the holy Mary. Hither also, as soon as lauds had been sung, the procession repaired from the church, and then it was joined by the governor of the town, the members of the guild, the municipal officers, and the clergy of the parish of St. Remi. Thus attended, they paraded the town, singing hymns, which were accompanied by a full band. The procession was increased by the great body of the inhabitants; and its impressiveness was still further augmented by numbers of the youth of either sex, who assumed the garb and attributes of their patron saints, and mixed in the immediate train of the principal actors. They then again repaired to the church, where Te Deum was sung by the full choir, in commemoration of the victory over the English; and high mass was performed, and the sacrament administered to the whole party.
During the service, a scenic representation was given of the Assumption of the Virgin. A scaffolding was raised, reaching nearly to the top of the dome, and supporting an azure canopy intended to emulate the “spangled vault of heaven;” and about two feet below the summit of it appeared, seated on a splendid throne, an old man as the image of the Father Almighty, a representation equally absurd and impious, and which could alone be tolerated by the votaries of the worst superstitions of popery. On either side four pasteboard angels, of the size of men, floated in the air, and flapped their wings in cadence to the sounds of the organ; while above was suspended a large triangle, at whose corners were placed three smaller angels, who, at the intermission of each office, performed upon a set of little bells the hymn of “Ave Maria gratiâ Dei plena per Secula,” &c., accompanied by a larger angel on each side with a trumpet. To complete this portion of the spectacle, two others, below the old man’s feet, held tapers, which were lighted as the services began, and extinguished at their close; on which occasions the figures were made to express reluctance by turning quickly about; so that it required some dexterity to apply the extinguishers. At the commencement of the mass, two of the angels by the side of the Almighty descended to the foot of the altar, and, placing themselves by the tomb, in which a pasteboard figure of the virgin had been substituted for her living representative, gently raised it to the feet of the Father. The image, as it mounted, from time to time, lifted its head and extended its arms, as if conscious of the approaching beatitude; then, after having received the benediction, and been encircled by another angel with a crown of glory, it gradually disappeared behind the clouds. At this instant a buffoon, who all the time had been playing his antics below, burst into an extravagant fit of joy; at one moment clapping his hands most violently, at the next stretching himself out as if dead. Finally he ran up to the feet of the old man, and hid himself under his legs, so as to show only his head. The people called him Grimaldi, an appellation that appears to have belonged to him by usage; and it is a singular coincidence, that the surname of the noblest family of Genoa the Proud, thus assigned by the rude rabble of a seaport to their buffoon, should belong of right to the sire and son, whose mops and mowes afford pastime to the upper gallery at Covent-garden.
Thus did the pageant proceed in all its grotesque glory; and, while
These laboured nothings in so strange a style
Amazed th’ unlearned, and made the learned smile,
the children shouted aloud for their favourite Grimaldi; the priests, accompanied with bells, trumpets, and organs, thundered out the mass; the pious were loud in their exclamations of rapture at the devotion of the virgin, and the whole church was filled with a hoarse and confused murmuring sound. The sequel of this, as of most other similar representations, was a hearty dinner.
This adoration of the virgin, so prevalent in Romish worship, is adverted to in a beautiful passage of “Don Roderick.”
How calmly gliding through the dark blue sky
The midnight moon ascends! Her placid beams,
Through thinly scattered leaves and boughs grotesque,
Mottle with mazy shades the orchard slope;
Here, o’er the chesnut’s fretted foliage grey
And massy, motionless they spread; here shine
Upon the crags, deepening with blacker night
Their chasms; and there the glittering argentry
Ripples and glances on the confluent streams.
A lovelier, purer light than that of day
Rests on the hills; and oh, how awfully
Into that deep and tranquil firmament
The summits of Auseva rise serene!
The watchman on the battlements partake
The stillness of the solemn hour; he feels
The silence of the earth, the endless sound
Of flowing water soothes him, and the stars,
Which in that brightest moonlight well nigh quenched,
Scarce visible, as in the utmost depth
Of yonder sapphire infinite are seen,
Draw on with elevating influence
Toward eternity the attempered mind
Musing on worlds beyond the grave he stands,
And to the virgin mother silently
Breathes forth her hymn of praise.
Southey.