March 17.
1826, Cambridge Term ends.
St. Patrick’s Day—a Pattern.
St. Patrick’s Day—a Pattern.
“An Irishman all in his glory was there,
With a sprig of shillelagh and shamrock so green.”
It happens that several fairs, similar to those in the country parts of England as to tents and booths, are held in Ireland on Saint Patrick’s day, and then its hilarity is heightened by the publicity of the celebration.
The usual fair day or “patron,” or, as it is usually pronounced, pattern or patten, is a festive meeting to commemorate the virtues of a patron saint. It is a kind of rural fete with drinking and dancing, whereto (in Ireland) is added fighting, “unless the neighbouring magistrates personally interfere, or the spirits of the people are repressed by a conscious participation in plots and conspiracies.” This is the character of these festivals by an Irish writer, who relates an anecdote resulting from one of these festivals: “We were waiting (he says,) in the vain hope that the weather would clear up, and allow us a fine evening for return, when a poor stranger from Joyce country came before ‘his honour’ as a magistrate. His black eye, swelled face, and head and shoulders covered with clotted blood, too plainly told the history of his sufferings; and his woeful countenance formed a strange and ludicrous contrast with his account of the pleasures of the preceding evening.” He had obtained these features at a patron. “The poor fellow had travelled many a weary mile across the mountains to share its rustic mirth and revelry: but, ‘plaze your honour, there was a little bit of fighting in it,’ and as no true follower of St. Macdarragh could refuse to take a part in such a peaceful contest, he had received, and no doubt given, many a friendly blow; but his meditations on a broken head during the night, had both cooled his courage and revived his prudence, and he came to swear before ‘his honour’ a charge of assault and battery against those who had thus woefully demolished his upper works.”[82]
The constant use of the “shillelagh” by Irishmen at a “patron,” is a puzzling fact to Englishmen, who, on their own holidays, regard a “shillelagh” as a malicious weapon. In the hand of an Irishman, in his own country, at such a season, it is divested of that character; this singular fact will be accounted for, when the origin of the custom comes to be considered. At present, nothing more is requisite than to add, that the “shillelagh” is seldom absent on St. Patrick’s day, celebrated as a patron.
Some account of the commemoration of this festival, and of the tutelar saint of Ireland and his miracles, is already given in vol. i. p. 363. To this may be added the annexed notices relative to the day, obtained from an Irish gentleman.
It is a tradition that St. Patrick first landed at Croagh Patrick, a high and beautiful mountain in the county of Mayo, from which place he banished all venomous animals into the sea, and to this day, multitudes of the natives who are catholics, make pilgrimages to Croagh Patrick, under the persuasion of efficacy in these journies to atone for misdeeds, or mitigate the penalties attached to sin.
It is a very popular tradition that when St. Patrick was dying, he requested his weeping and lamenting friends to forego their grief, and rather rejoice at his comfortable exit, for the better furtherance of which, he advised each one to take “a drop of something to drink;” and that this last injunction of the saint in reverence to his character was complied with. However this may be, it is a custom on his anniversary to observe the practice to supererogation; for the greater number of his present followers, who take a little “crathur” for the purpose of dissipating woeful reminiscencies, continue to imbibe it till they “lisp and wink.”
Some years ago, “Patrick’s day” was welcomed, in the smaller country towns or hamlets, by every possible manifestation of gladness and delight. The inn, if there was one, was thrown open to all comers, who received a certain allowance of oaten bread and fish. This was a benevolence from the host, and to it was added a “Patrick’s pot,” or quantum of beer; but, of late years, whiskey is the beverage most esteemed. The majority of those who sought entertainment at the village inn, were young men who had no families, whilst those who had children, and especially whose families were large, made themselves as snug as possible by the turf fire in their own cabins.
Where the village or hamlet could not boast of an inn, the largest cabin was sought out, and poles were extended horizontally from one end of the apartment to the other; on these poles, doors purposely unhinged, and brought from the surrounding cabins were placed, so that a table of considerable dimensions was formed, round which all seated themselves, each one providing his own oaten bread and fish. At the conclusion of the repast, they sat for the remainder of the evening over a “Patrick’s pot,” and finally separated quietly, and it is to be hoped in perfect harmony.
In the city of Dublin, “Patrick’s day” is still regarded as a festival from the highest to the lowest ranks of society. There is an annual ball and supper at the lord lieutenant’s residence in the castle, and there are private convivial assemblies of the most joyous character. On this day every Irishman who is alive to its importance, adorns his hat with bunches of shamrock, which is the common trefoil or clover, wherewith, according to tradition, St. Patrick converted the Irish nation to belief in the doctrine of the trinity in unity. In the humbler ranks, it is the universal practice to get a morning dram as a preparation for the duties of the festival. They then attend chapel and hear high mass. After the ceremonies and observances peculiar to the Romish worship, they again resort to the whiskey shop, and spend the remainder of the day in devotions to Bacchus, which are mostly concluded, with what in England would be called, by persons of this class, “a row.”
On Patrick’s day, while the bells of churches and chapels are tuned to joyous notes, the piper and harper play up “Patrick’s day in the morning;” old women, with plenteous supplies of trefoil, are heard in every direction, crying “Buy my shamrocks, green shamrocks,” and children have “Patrick’s crosses” pinned to their sleeves. These are small prints of various kinds; some of them merely represent a cross, others are representations of Saint Patrick, trampling the reptiles under his feet.
It appears from this account, and from general narrations, that St. Patrick is honoured on his festival by every mode which mirth can devise for praise of his memory. The following whimsical song is a particular favourite, and sung to “his holiness” by all ranks in the height of convivial excitement:—
St. Patrick was a Gentleman.
St. Patrick was a gentleman, and he came from decent people:
In Dublin town he built a church and on it put a steeple;
His father was a Wollaghan, his mother an O’Grady,
His aunt she was a Kinaghan, and his wife a widow Brady.
Tooralloo tooralloo, what a glorious man our saint was,
Tooralloo, tooralloo, O whack fal de lal, de lal, &c.
Och! Antrim hills are mighty high and so’s the hill of Howth too;
But we all do know a mountain that is higher than them both too;
’Twas on the top of that high mount St. Patrick preach’d a sermon,
He drove the frogs into the bogs, and banished all the vermin.
Tooralloo, &c.
No wonder that we Irish lads, then, are so blythe and frisky;
St. Patrick was the very man that taught us to drink whiskey;
Och! to be sure, he had the knack and understood distilling,
For his mother kept a sheebeen shop, near the town of Enniskillen.
Tooralloo, &c.
The day after St. Patrick’s day is “Sheelah’s day,” or the festival in honour of Sheelah. Its observers are not so anxious to determine who “Sheelah” was, as they are earnest in her celebration. Some say she was “Patrick’s wife,” others that she was “Patrick’s mother,” while all agree that her “immortal memory” is to be maintained by potations of whiskey. The shamrock worn on St. Patrick’s day should be worn also on Sheelah’s day, and, on the latter night, be drowned in the last glass. Yet it frequently happens that the shamrock is flooded in the last glass of St. Patrick’s day, and another last glass or two, or more, on the same night, deluges the over-soddened trefoil. This is not “quite correct,” but it is endeavoured to be remedied the next morning by the display of a fresh shamrock, which is steeped at night in honour of “Sheelah” with equal devotedness.
That Saint Patrick was not married is clear from the rules of the Roman catholic church, which impose celibacy on its clergy. A correspondent suggests that the idea of his matrimonial connection, arose out of a burlesque, or, perhaps, ironical remark, by females of the poorer class in Ireland, to retaliate on their husbands for their excesses on the 17th of March; or, perhaps, from the opportunity the effects of such indulgence afforded them, these fair helpmates are as convivial on the following morning, as their “worser halves” were the preceding day. “Sheelah” is an Irish term, generally applied to a slovenly or muddling woman, more particularly if she be elderly. In this way, probably, the day after St. Patrick’s obtained the name of “Sheelah’s day,” speciale gratia, without any reference to the calendar of saints. The saint himself, if we determine from the sacrifices to his memory, is deemed a kind of christian Bacchus; and, on like home-made authority, “Sheelah” is regarded as his consort.
The editor of this work especially regrets that few of the peculiarities regarding this festival which are familiar to Irishmen have been communicated to him. He has received letters expressing surprise that so little has been observed concerning their country. Such complaints have been made under initials, and therefore he could not answer them: the complainants he has no doubt could have contributed largely themselves, and from them he would have required information. As many Irish usages are fast dying away, he hopes and earnestly solicits to be favoured with particulars, which he is persuaded the collections or recollections of his Irish readers can readily furnish, and which he will be most happy in having intrusted to him for publication. Any illustrations of Irish character and manners, especially if drawn up by natives of Ireland, will be highly valued.
On St. Patrick’s day, 1740, the butchers in Clare-market, London, hung up a grotesque figure of an Irishman. A great number of Irishmen came to pull it down, when a fierce battle ensued, much mischief was done, and several persons were dangerously wounded; but a file of musqueteers having been fetched from St. James’s, some of the rioters were taken into custody, and three of them were committed by col. De Veil to Newgate.[83]
A correspondent who signs, “Ikey Pingle,” communicates a copy of a singular monumental inscription in the churchyard of Grimmingham, in Norfolk. It is subjoined on this day, because the public performer to whom it refers is stated to have quitted this stage of life on this day, in the year 1798.
Epitaph.
SACRED
To the memory of
Thomas Jackson, Comedian,
who was engaged, 21st of Dec. 1741, to play a comic cast of characters, in this great theatre—the World: for many of which he was prompted by nature to excel.
The season being ended, his benefit over, the charges all paid, and his account closed, he made his exit in the tragedy of Death, on the 17th of March, 1798, in full assurance of being called once more to rehearsal; where he hopes to find his forfeits all cleared, his cast of parts bettered, and his situation made agreeable, by him who paid the great stock-debt, for the love he bore to performers in general.