INDEX.
- PAGE
- Abbreviations of legends, [30]
- Æsculapius and Hygieia, [32]
- All large plaques not originally diptychs, [42]
- Angel, on leaf of diptych, in British museum, [35]
- Arm of chair, [82]
- Artists in ivory, in middle ages, [117]
- Ashmole collection, [120]
- Assyrian ivories, [15]
- Bardolph, hanged for stealing a pax, [92]
- Becker’s Lycoris, [34]
- Bellerophon, [21]
- Book cover of ninth century, [48]
- Casket of Arabic work, [57]
- ” from Memphis, [14]
- ” Runic, in British museum, [52]
- ” from Veroli, [55]
- ” in inventories, [60]
- Caxton, “playe of the chesse”, [76]
- Chair of St. Peter at Rome, [56]
- ” at Ravenna, [41]
- Chalice, &c., of ninth century, [48]
- Charlemagne, his patronage of Greek artists, [45]
- Chessmen, in chronicles and poems, [78]
- ” earliest date, [78]
- ” date of invention, [76]
- ” in inventories, [79]
- ” found in Lewis, [80]
- Chryselephantine statues, [18]
- ” of the duc de Luynes, [19]
- ” conjectural restoration, [19]
- Civilisation of ancient nations, [8]
- Coffer, sent by Eginhard, [47]
- ” in inventories, [57]
- Colour in sculpture, [104]
- Combs, domestic, [67]
- ” in inventories, [71]
- ” pontifical, [69]
- Consul, decline of the office, [31]
- ” the last, [31]
- Consular diptychs, [23], &c.
- Costume in early Greek ivories, [44]
- Crucifixes, [107]
- ” in Spanish Place, [108]
- Cup, or vase, in British museum, [46]
- Cushions, the meaning in consular diptychs, [25]
- David and Bathsheba on combs, &c., [67]
- Decline of art in the first four centuries, [21]
- ” after Constantine, [26]
- ” after sixth century, [44]
- Destruction of religious objects in the sixteenth century, [108]
- Diptych of Boethius, [29]
- ” at Brescia, [32]
- ” of Compiegne, [30]
- ” ecclesiastical, [37]
- ” ecclesiastical—their purpose, [40]
- ” with Greek inscriptions, [38]
- ” mutilated and palimpsest, [39]
- ” of Justinian, [38]
- ” found in Transylvania, [23]
- Domestic scenes, [67]
- ” works in ivory, [52]
- Draughtsmen, [81]
- Dress and decorations of consuls on diptychs, [25]
- Ecclesiastical works in ivory, [47]
- Egyptian ivories, [14]
- English ivories, [116], [120]
- Etruscan ivories, [19]
- “Familia” of chessmen, [79]
- Feast of Fools, [33]
- Fejérváry collection, [121]
- Flabellum in inventories, [95]
- ” of Theodolinda, [95]
- ” its use, [94]
- Forgeries in ivory, [118]
- Fossil ivory, [2]
- Grecian ivories, [16]
- Handle of fan, [86]
- ” of holy water sprinkler, [96]
- ” of whip, [96]
- Horns, for hunting, [113]
- ” tenure, [114]
- Iconoclast fanatics, [44]
- Identification of consular diptychs, [26]
- Importance of works in ivory, [22]
- Improvement in art after seventh century, [45]
- Ivory, African and Asiatic, [3]
- ” its characteristics, [1]
- ” mode of softening, [4]
- ” much employed in 14th century, [114]
- ” variations of colour, [5]
- Jehan Nicolle, [117]
- Jewish ivories, [13]
- Jupiter, at Olympia, [19]
- Ladies riding, [75]
- Legends on consular diptych, coloured red, [26]
- List of consular diptychs, [28]
- Lycoris, described, [34]
- Mammoth ivory, [2]
- Manumission of slaves, [25]
- Marriage caskets, [64]
- Meyer collection, [120]
- “Meyne,” its meaning, [79]
- Minerva, of the Parthenon, [18]
- Mirrors, [71]
- ” in illuminations, [73]
- Moorish ivories, [118]
- Morris dancers, [68]
- Nineveh ivories restored, [6]
- Oliphant, explained, [113]
- Open-work in ivory, [63]
- ” other examples, [115]
- Pastoral staff, with inscription, [88]
- ” not used by the Pope, [89]
- ” of great rarity, [90]
- ” of St. Bernard, ordered in Sarum pontifical, [89]
- ” of wood, [87]
- Pausanias, account of Greek statues, [17], [18]
- ” believed ivory to be horn, [19]
- Pax inscriptions, [93]
- ” inventories, [93]
- ” late use in England, [94]
- ” ordered in Sarum missal, [91]
- ” its use, [91]
- ” why disused, [93]
- ” of wood, [93]
- Pietà, of Michael Angelo, [103]
- ” in British museum, [102]
- Plaques of ivory, large size, [3]
- ” not originally diptychs, [42]
- Prehistoric ivories, [6]
- Pugillares, [109]
- Pyx, in inventories, [57]
- ” of St. Mennas, [60]
- ” various uses, [60]
- Ravenna chair, [41]
- Retable of Poissy, [65]
- Roman ivories, [21]
- ” ivory sculptors exempt from certain obligations, [21]
- Romance of the Rose, [63]
- ” subjects, [62]
- Seals in British Museum, [111]
- ” illustrating statuettes, [98]
- Serpent, as an emblem, [85]
- Shrine, explained, [51]
- ” in illuminations, [99]
- Siege of the Castle of Love, [74]
- Spanish ivories, [118]
- Statuette, coloured, [105]
- Statuette in inventories, [100]
- ” the largest known, [101]
- ” opening on hinges, [100]
- ” under canopies, [98]
- ” very fine examples, [97]
- Style of English art, [116]
- “Symmachorvm,” the omitted word, [35]
- Tabernacles, at Lincoln, [99]
- Tables explained, [111]
- Tablets of Moutier, [34]
- ” of Sens, [32]
- ” for writing on, [109]
- “Tan-tabl,” its meaning, [81]
- Tau, explained, [84]
- ” rarity, [85]
- Toreutic, its meaning, [17]
- Triptychs explained, [51]
- ” in illuminations, [99]
- ” mentioned by Anastasius, [51]
- Tusks, size and weight, [4]
- Veroli casket, probable date, [55]
- Volute, with double subject, [87]
- Webb collection, [121]
- Whip-handles, [96]
CHARLES DICKENS AND EVANS,
CRYSTAL PALACE PRESS.
Transcriber's Notes:
The cover image was created by the transcriber, and is in the public domain.
Antiquated spellings or ancient words were not corrected.
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