HEATING FOR HARDENING.

When a piece of steel is to be hardened by quenching in water or any quick-cooling medium, it should be heated with great care to the exact temperature to produce the required hardness.

After forging, no piece of steel should be quenched without first being heated uniformly to the proper temperature. Ede in his book recommends quenching immediately after forging in some cases. The so-called Harvey patent recommends cooling from a high heat down to the required heat and then quenching.

Both practices are bad. In the Ede case this is believed to be the only bad piece of advice in his very valuable book—in every other respect the most practical and useful book upon the manipulation of steel known to the author.

The reason for objecting to the quenching after forging without re-heating is that forging always sets up uneven strains in the mass; the flow is easier from the sides than from the middle of the piece, and therefore the amount of work done upon one part is greater than upon another; also it is impossible to hammer or press a piece of steel with exact uniformity throughout, so that it follows that after forging there is never exact uniformity of texture or temperature, and such uniformity is the one essential thing to insure good and even hardening.

The practice of allowing a highly heated piece to cool down to a given color and then quenching is objectionable, because it produces a coarse and brittle grain due to the higher heat.

Referring to the illustration on [page 67] of the squares representing grains due to different temperatures: Assume that square No. 3 represents the heat at which quenching is to take place, and No. 6 is the heat to which the piece has been subjected; then the piece when it has cooled to No. 3 will not have the grain due to No. 3 heat: it will have a larger, coarser grain that formed as the piece cooled from No. 6. If now it be quenched, it will have only the hardness due to No. 3, with a much coarser and more brittle grain than No. 3 heat should give. The way to manage such a case is to let the piece cool completely and assume the No. 6 grain; then re-heat carefully to exactly No. 3 and no hotter; keep the piece at that heat for a few minutes, or moments, according to its size, to allow for lag; then it will have the finer grain due to No. 3 heat, and when quenched it will be as hard as under the other method, and it will be much finer and stronger.

The same rule applies to any two temperatures.

As an expression of exactness as to evenness of heat, it may be said that the piece should be as uniform in color as if it had been dipped into a pot of paint. When such uniformity is attained, a break from quenching is rare, unless the piece has been shamefully overheated so that the strains of quenching are greater than the tenacity of the steel.