THE END.
INDEX.
A.
Abbey, Guardian of Keats, [17], [19], [20], [29], [37], [39]
“Adonais,” by Shelley, [39], [90], [98], [170]
Æschylus, [186]
“Agnes, The Eve of St.,” [107], [138];
critical estimate of the poem, [182-184]; [190], [206]
“Alastor,” by Shelley, [82]
“Annals of the Fine Arts,” [110]
Ariosto, [113]
Asclepiad, The, [24]
Athenæum, The, [23]
“Autumn, Ode to,” by Keats, [109], [192], [194]
B.
Bailey, Archdeacon Benjamin, [23], [77], [78], [112], [123];
his description of Keats, [124]; [130], [133], [141], [142], [145], [158], [159]
“Belle Dame (La) sans Merci,” by Keats, [112], [182], [185], [190];
quoted, [192], &c.; [200]
Benjamin, Nathan, [157]
Bion, Idyll on “Adonis,” by, [170]
Blackwood, William, [91]
Blackwood’s Magazine, [90];
articles in by Z, on The Cockney School of Poetry, [91]; [92], [93], [95], [97], [98], [99], [100], [103], [104], [153]
Boccaccio’s “Decameron,” [107], [180], [181]
Boileau, [70]
Bojardo’s “Orlando Innamorato,” [114]
Brawne, Fanny, engaged to Keats, [30], [32];
Keats’s description of her, [33]; [34], [35], [36], [38], [40], [42], [44], [45];
Keats’s love-letters to her, [45-46], &c.; [53], [57], [60], [62], [102];
her marriage to Mr. Lindon, [121]; [130], [141], [143], [146], [147], [158], [160];
poems to, [202]
Brawne, Mrs., [29], [34], [36], [60], [61], [143]
Brown, Charles Armitage, friend of Keats, [25];
Keats’s verses on, [26]; [27], [28], [29], [33], [38], [39], [41], [42], [43], [46], [48], [53];
letter from Keats to, [55-56], [59], [108], [111], [112], [114], [116], [119];
his death, [120]; [136], [156], [157], [160], [206]
Burton’s “Anatomy of Melancholy,” [108]
Byron, Lord, [32], [102], [103], [105], [125], [128], [185]
Byron’s “Don Juan,” [58]
C.
Caius Cestius, [118]
“Calidore,” by Keats, [65], [165]
“Cap and Bells, The,” by Keats, [113], [183]
“Caviare” (pseudonym of Keats), [112]
“Cenci, The,” by Shelley, [123]
Champion, The, [115]
“Chapman’s Homer,” sonnet by Keats, [66], [69], [165], [166], [203]
Chartier, Alain, [112]
Chatterton, [67], [68]
Chaucer, [112]
Christ’s Entry into Jerusalem, picture by Haydon, [21], [36], [43], [126], [158]
“Christmas Eve,” sonnet by Keats, quoted, [157]
Clark, Mrs., [60]
Clark, Sir James, [59], [60]
Clarke, Charles Cowden, preceptor and friend of Keats, [14], [18], [19], [20], [25], [65], [66];
his “Recollections,” [102]; [104], [125], [126], [129], [140], [148]
Clarke, Epistle to, by Keats, [67], [68]
Clarke, Rev. John, Keats’s schoolmaster, [14]
Coleridge, [25], [151], [164]
Coleridge’s “Christabel,” [185]
Colman, [156]
Colvin’s, Mr., “Life of Keats,” [9], [35], [42]
“Comus,” by Milton, [115]
Cox, Miss Jane [“Charmian">[, [30], [31], [32], [34], [143], [146]
Cripps, [133]
D.
Dante, [112], [113]
Dilke, Charles Wentworth, [23], [27], [29], [34], [39], [51], [53], [58], [103], [115], [120], [131], [133], [142], [150], [156], [160]
Dilke, Mrs., [28]
“Dream, A,” sonnet by Keats, [112], [204]
Dryden, [70], [108], [190]
Duncan, Admiral, [16]
E.
Edinburgh Review, [109], [117]
Edouart, [35]
“Endymion,” by Keats, [23], [24], [25], [54], [67], [72];
details as to the composition of, [76];
preface to, [79], [80];
criticism upon in The Quarterly Review, [83];
Keats’s feeling as to this and other criticisms, [91-106]; [107], [108], [109], [122], [130], [137], [139], [141], [149], [152], [166];
Shelley’s opinion of, [167];
summary of the poem, [168-175];
critical estimate of it, [176-180]; [182], [186], [188], [189], [190]
Examiner, The, [21], [68], [100]
Eyre, Sir Vincent, [119]
F.
“Fancy, The,” by Reynolds, [22]
Finch, Colonel, [39], [98]
“Florence, The Garden of,” by Reynolds, [22], [107]
Forman, Mr. H. Buxton, [18], [25], [33], [34], [35], [52], [123]
G.
Gentleman’s Magazine, The, [102]
George IV., [21], [114]
Gifford, William, [83], [95], [168]
Girometti, [128]
Gisborne, Mrs., [44], [98]
Grafty, Mrs., [64]
“Grasshopper and Cricket, The,” sonnets by Keats and Hunt, [166]
“Grecian Urn, Ode on a,” by Keats, [109], [110], [192], [194-198]
Guido, [155]
H.
Hammond, Surgeon, [18], [19]
Haslam, William, [54]
Haydn, [148]
Haydon, Benjamin Robert, the painter, friend of John Keats, [13], [16], [18], [21], [36], [37], [44];
his last interview with Keats, [54], [55], [64], [69], [76], [78], [99];
his view as to Keats’s feeling regarding critical attacks, [100], &c.; [105], [110], [123], [126], [127], [128], [132], [133];
his view of Keats’s character, [134-135], [136], [137], [138], [140], [141], [142], [150], [152], [153], [155], [158]
Hazlitt, [116], [152]
Hilton, [128]
Holmes, Edward, [54]
Homer, [165]
Hood, Mrs. (Miss Reynolds), [23]
Hood, Thomas, [23]
Hooker, Bishop, [32]
Houghton, Lord, [41], [42], [58], [99], [114], [119], [125], [132], [136], [139]
Howard, John, [32]
Hunt, John, [20]
Hunt, Leigh, [20], [21], [25], [44], [59], [66-69], [77], [83], [84], [85], [89-92], [97], [98], [100];
his view as to Keats’s sensitiveness to criticism, [102]; [110], [112], [114], [121], [122], [123];
his description of Keats, [124]; [125], [131], [134], [141], [142], [148], [150], [156], [158], [164], [166], [181], [207]
Hunt, Leigh, dedicatory sonnet to, by Keats, [66]
Hunt, Leigh, leaving prison, sonnet by Keats, [66]
Hunt, Mrs., [44]
Hunt, Thornton, [44]
“Hyperion,” by Keats, [96], [97], [107], [108], [113], [137], [182];
critical estimate of the poem, [185-189];
recast of, [189]; [190], [192], [206]
I.
“I stood tiptoe upon a little hill,” poem by Keats, [67];
extract from, [74]; [165]
Indicator, The, [112], [114]
“Indolence, Ode to,” by Keats, [202]
“Isabella, or the Pot of Basil,” by Keats, [95], [107], [138];
critical estimate of the poem, [180-182]; [206]
“Islam, The Revolt of,” by Shelley, [77], [82], [123]
J.
J. S., [93], [94]
Jeffrey, Lord, [109]
Jeffrey, Mr., [120]
Jennings, grandfather of Keats, [12], [37]
Jennings, Captain, [16]
Jennings, Mrs., [16]
“Joseph and his Brethren,” by Wells, [23]
K.
Kean as Richard Duke of York,
critique by Keats, [93], [115]
Kean, Edmund, [112]
Keats, Fanny, sister of the poet, [13], [29], [38], [43], [45], [57], [62], [120], [121], [129], [148]
Keats, Frances, mother of the poet, [12];
her death, [16]; [25], [126]
Keats, George, brother of the poet, [13], [15], [18], [19], [25], [27], [30], [32], [37], [38], [64], [71], [95], [98];
his view as to John Keats’s sensitiveness to criticism, [103]; [111], [119], [120], [126], [136], [141], [142], [145], [146], [147], [150], [151], [155], [159], [160]
Keats, George, Epistle to, by John Keats, [67], [68]
Keats, John, his parentage, [12];
his birth in London, October 31, 1795, [13];
anecdote of his childhood, [13];
goes to the school of Mr. Clarke at Enfield, [14];
his studies, pugnacity, &c., [15];
death of his parents, [16];
apprenticed to a surgeon, Hammond, [18];
leaves Hammond, and walks the hospitals, [18], [19];
reads Spenser’s “Faery Queen,” and drops surgical study, [20];
makes acquaintance with Leigh Hunt, Haydon, and others, [20], [21], [22];
his first volume, Poems, 1817, [22];
writes “Endymion,” [23];
his health suffers in Oxford, [24];
anecdotes (Coleridge, &c.), [25];
makes a pedestrian tour in Scotland &c. with Charles Armitage Brown, [25-29];
takes leave of his brother George and his wife, [27];
his brother Tom dies, [29];
lodges with Brown at Hampstead, [29];
meets Miss Cox (“Charmian”) and Miss Brawne, and falls in love with the latter, [30-35];
their engagement, [36];
his friendship towards Haydon cools, [36], [37];
at Shanklin and Winchester, [37], [38];
sees his brother George again, and is left by him in pecuniary straits, [38], [39];
the painful circumstances of his closing months, owing to illness, his love affair, and the depreciation of his poems, [40], [41];
beginning of his consumptive illness, [41], [42];
removes to Kentish Town, [43], [44];
returns to Mrs. Brawne’s house at Hampstead, [45];
his love-letters, [45-54];
travels to Italy with Joseph Severn, [54-59];
Severn’s account of his last days in Rome, [60], [61];
his death there, February 23, 1821, [62], [63];
his early turn for mere rhyming, [64];
his early writings, and first volume, [65], [69];
diatribe against Boileau, and poets of that school, [70];
the publishers relinquish sale of the volume, [72];
“Endymion,” and passage from an early poem forecasting this attempt, [73-76];
details as to composition of “Endymion,” [76-79];
prefaces to the poem, [79-83];
adverse critique in The Quarterly Review, [83-91];
question debated whether this and other attacks affected Keats deeply, [91-97];
statements by Shelley, [97];
and by Haydon, [99];
other evidence, [102];
conclusion as to this point, [105];
Keats writes “Isabella,” “The Eve of St. Agnes,” and “Hyperion,” [107];
“Lamia,” [108];
and publishes the volume containing these poems, 1820, [108];
other poems in the volume, [109];
posthumous poems of Keats, “The Eve of St. Mark,” “Otho the Great,” “The Cap and Bells,” &c., [110-115];
his letters and other prose writings, [115-117];
Keats’s burial-place, [118-119];
projects for writing his life, accomplished finally by Lord Houghton, [119];
his relations with Hunt, Shelley, and others, [121-123];
Keats’s small stature and personal appearance, [124-126];
the portraits of him, [126-129];
difficulty of clearly estimating his character, [129];
his poetic ambition and intensity of thought, [130], [131];
his moral tone, [132];
his character (“no decision” &c.,) estimated by Haydon, [133-139];
Lord Houghton’s account of his manner in society, [139];
his suspiciousness, [141];
and dislike of mankind, [142];
his feeling towards women, [143-146];
and towards Miss Brawne, [147], [148];
his habits, opinions, likings, &c., [148-155];
humour and jocularity, [155-157];
negative turn in religious matters, [157-160];
wine and diet, [160], [161];
conclusion as to his character, [161], [162];
his early tone in poetry, [164];
critical estimate of his first volume, Poems, 1817, [165-166];
of “Endymion,” [167], [168];
narrative of this poem, [168-175];
defects and beauties of “Endymion,” [176-180];
critical estimate of “Isabella,” [180];
“Eve of St. Agnes,” [182];
“Eve of St. Mark,” [184];
“Hyperion,” [185];
“Otho the Great,” [189];
“Lamia,” [190];
“Belle Dame sans Merci” (quoted), [192];
the five chief Odes, [194];
analysis of the “Ode to a Nightingale,” [200];
various posthumous lyrics, sonnets, &c., [202];
Keats’s feeling towards women, as developed in his poems, [205];
“swooning,” [206];
sensuousness and sentiment, [207];
comparison between Keats and Shelley, and final remarks, [208]
Keats, Mrs. George, [27], [32], [95], [120]
Keats, Thomas, father of the poet, [12];
his death, [16]; [126]
Keats, Thomas, brother of the poet, [13], [15], [19], [23], [24], [25], [28];
his death, [29]; [37], [38], [39], [121], [135], [159], [160]
“King Stephen,” by Keats, [73], [112], [190]
Kotzebue, [150]
L.
Lamb, Charles, [78], [150]
Lamb, Dr., [44]
“Lamia,” by Keats, [108], [138], [151], [160];
critical estimate of the poem, [190], &c.; [206]
“Lamia, and other Poems,” by Keats (1820), [44], [97], [103], [108], [109], [110], [206]
Lawrence, Sir Thomas, [61]
Lemprière’s “Classical Dictionary,” [15]
Lindon, Mrs. (see Brawne, Fanny)
Llanos, [121]
Lockhart, [91]
Lucas, [19]
Lucy Vaughan Lloyd (pseudonym of Keats), [114]
Lyrics (various) by Keats, [204]
M.
Mackereth, George Wilson, [19]
“Maia, Ode to,” by Keats, [202]
“Mark, Eve of St.,” by Keats, [52], [110], [182];
critical estimate of the poem, [184-185]; [190]
Marmontel’s “Incas of Peru,” [15]
Mathew, George Felton, Epistle to, by Keats, [67]; [157]
Medwin’s “Life of Shelley,” [34]
“Melancholy, Ode on,” by Keats, [109], [192], [194-199]
Milton, [107], [135], [147], [159], [165], [186], [188]
“Miserrimus,” by Reynolds, [23]
Mitford, Miss, [101], [135]
Moore, Thomas, [165]
Morning Chronicle, The, [93]
Murray, John, [102]
N.
Napoleon I., [32]
“Narensky,” opera by C. A. Brown, [27]
Newton, Sir Isaac, [151]
“Nightingale, Ode to a,” by Keats, [103], [109], [160], [192], [194-202];
analysed, [200-202]; [204]
“Nile,” Sonnets on the, by Keats, &c.; [110]
O.
Ollier, Charles, [21], [71]
“Otho the Great,” by Keats, [38], [111], [112];
critical estimate of, [189]
P.
“Paradise Lost,” [108], [175], [187]
“Paradise Lost,” Notes on, by Keats, [115]
Philostratus’s “Life of Apollonius,” [108]
“Poems” (1817), by Keats, [23], [66];
letter regarding this volume, by the publishers, [72]; [122], [164-167]
Pope, [70]
Procter, Mrs., [125], [126]
Purcell, [148]
“Psyche, Ode to,” by Keats, [109], [192], [194-199]
Q.
Quarterly Review, The, [83];
its critique of “Endymion” extracted, [83-91]; [93], [95], [96], [97], [98], [99], [102], [104], [153], [179]
“Quixote, Don,” [120]
R.
R. B., [93]
Raphael, [155]
Rawlings, William, [16]
Reynolds, John Hamilton, [22], [79], [95], [107], [115], [128], [156]
Reynolds, Misses, [30], [31], [142], [145], [148]
Reynolds, Mrs., [31]
Rice, James, [38], [41], [147]
Richardson, Dr., [25]
Ritchie, [78]
Robinson Crusoe, [15]
Robinson, H. Crabb, [104]
Rossetti, Dante G., [52], [184], [185], [190]
S.
Sandt, [150]
Scott, Sir Walter, [91], [100]
Severn, Joseph, [39];
leaves England with Keats for Italy, [54]; [59];
his narrative of Keats’s last days, [60], &c.; [104], [118], [119], [125];
his portraits of Keats, [127-129]; [139], [143], [147], [148]
Shakespeare (Macbeth), [15];
(Hamlet), [52]; [93], [114], [135], [147];
(King Lear), [151]; [155], [165]
Shakespeare, Notes on, by Keats, [115]
Shakespeare’s sonnets, Book on, by C. A. Brown, [27]
Sharpey, Dr., [30]
Shelley, Percy Bysshe, [39], [58], [59], [71], [77], [82], [91], [96];
his references to “Endymion,” and The Quarterly Review, [97-99]; [102], [110], [119], [123], [125], [141], [147], [167], [179], [180], [185];
comparison between Shelley and Keats, [208]
“Sleep and Poetry,” by Keats, [67], [69];
extract from, [70]; [165]
Smith, Horace, [68]
Snook, [56]
Sonnet by Keats (“Bright Star,” &c.), [114]
Sonnets (various) by Keats, [164], [167], [203], &c.
Spence’s “Polymetis,” [15]
Spenser, Edmund, [66], [164], [165]
Spenser’s Cave of Despair, picture by Severn, [55]
Spenser’s “Faery Queen,” [20], [149]
“Spenser, Imitation of,” by Keats, [64]
Stephens, Henry, [19], [78], [132], [147]
“Stories after Nature,” by Wells, [23]
Swinburne, Mr. (on “Hyperion”), [186]; [189], [199]
T.
Tasso, [165]
Taylor and Hessey, [23], [72], [76], [78], [83], [93], [96], [109], [120], [128], [140], [146], [149], [152]
Terry, [100]
Thomson, James, [70]
Titian’s “Bacchus and Ariadne,” [179]
Tooke’s “Pantheon,” [15]
Torlonia, [61]
V.
Virgil, [165]
Virgil’s Æneid, [15], [20]
Voltaire, [158]
W.
Webb, Cornelius, [92]
Webster, [189]
Wells, Charles, [23]
Wilson, John, [91]
“Woman, when I behold thee” &c., poem by Keats, quoted, [143]
Wood, Warrington, [119]
Woodhouse, Richard, [94], [149], [153], [188]
Wordsworth, [21], [78]; (“The Excursion,”) [152]; [153], [156], [164], [179]
Z.
Z (probably Lockhart), [91], [92], [100].