FOOTNOTES:

[127] Few or no cathedrals were really completed at any time, in the sense that all the details of their design were brought to perfection.

[128] For example, Notre Dame de Paris covered four times the floor area of the Parthenon at Athens (a decidedly large Greek temple) with its nave thrice as high as the older building. Of course, a Greek temple was primarily for housing a holy image; the great sacrifices and the throng of worshippers would be outside the edifice in the open, unlike a Christian church.

[129] One device was to take an extra-precious relic and intrust it to monks, who would place it in a cart and drive through a wide region haranguing the faithful and holding out a purse for them to fill. At Rouen one of the cathedral towers was known as the "Butter Tower," because it was largely built with money given for permission to eat butter in Lent.

[130] At Rheims, prior to the German bombardment of 1914, there were more than two thousand statues.

[131] During this period there were built in France some eighty cathedrals and more than five hundred large and superior churches in this Gothic style.

[132] Such figures would indicate that Pontdebois Cathedral was somewhat smaller than Notre Dame de Paris. It could rank up well among the great churches of France, yet not at all in the first class.

[133] St. John of Damascus, writing in the Orient in the eighth century, gave what amounted to the standard justification of holy images and pictures in churches and for the veneration of the same:

"I am too poor to possess books, I have no leisure for reading. I enter the church choked with the cares of the world; the glowing colors attract my sight like a flowery meadow; and the glory of God steals imperceptibly into my soul. I gaze on the fortitude of the martyr and the crown with which he is rewarded, and the fire of holy emulation is kindled within me. I fall down and worship God through the martyr; and I receive salvation."

[Index]

[A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K]
[L] [M] [N] [O] [P] [Q] [R] [S] [T] [V] [W]

Books of Art and Artcraft

HISTORY OF ART
By Elie Faure

Volume I—Ancient Art
Translated from the French by Walter Pach

No History of Art fills the place of this one. It shows art to be the expression of the race, not an individual expression of the artist. It tells why and how man constructs works of art. Nearly 200 unusual and beautiful illustrations selected by the author.

DEVELOPMENT OF EMBROIDERY IN AMERICA
By Candace Wheeler

A history of embroidery from the quill and beadwork of the American Indians to the artistic achievement of the present. A book to delight the collector and to serve as a guide for the art student, designer, and practical worker. 32 pages of illustrations—some in full color.

HOW FRANCE BUILT HER CATHEDRALS
By Elizabeth Boyle O'Reilly

The Boston Herald writes: "It is a monumental work, of living interest alike to the erudite devotee of the arts and to the person who simply enjoys, in books or his travels, the wonderful and beautiful things that have come from the hand of man ... the story of the French cathedrals against a human background—of the great men and women of the time." With 31 illustrations in tint.

PRACTICAL ILLUSTRATION
By John D. Whiting

For artists who wish to sell their work, for publishers and advertisers who buy it, and for those responsible for mechanical reproduction. It will give the artist a full knowledge of trade requirements. It will teach the art buyer what to look for and provide against in originals. It will help the photo-engraver and photographer to eliminate defects in mechanical reproduction. The author illustrates his points in 25 page plates, many in full color.

HARPER & BROTHERS
Franklin Square New York


Humor and Drama

By Distinguished Authors

THE MAN FROM HOME
By Booth Tarkington and Harry Leon Wilson

The scene takes place in Italy, and the American humor shows up brilliantly against the foreign background. Illustrated.

MONNA VANNA
By Maurice Maeterlinck

One of the Belgian poet's most powerful dramas. The scenes are laid at Pisa, Italy, at the end of the fifteenth century. Portrait.

L'AIGLON
By Edmond Rostand

This, the only English edition published of the story of the great Napoleon's unfortunate son, was translated by Louis N. Parker. It is illustrated with pictures of Miss Maude Adams in the character of the Duke of Reichstadt. Illustrated.

PARTING FRIENDS
By William Dean Howells

A farcical scene on an outgoing steamer, when two sweethearts can find neither time nor place for tender farewells. Readers who like brilliant conversation, unrestrained fun, and amusing character portrayal will find in these farces a rich treat. Illustrated.

THE MOUSE-TRAP
By William Dean Howells

This volume contains in compact form four of Howells's most popular farces, which have been both read and acted with complete enjoyment and success. The farces in this volume are: The Garroters, Five-o'Clock Tea, The Mouse-Trap, A Likely Story. Illustrated.

HARPER & BROTHERS
Franklin Square New York