The Instinctive Emotions.

Instinct is defined as "unconscious, involuntary, or unreasoning prompting to any action," or "the natural unreasoning impulse by which an animal is guided to the performance of any action, without thought of improving the method." An authority says: "Instinct is a natural impulse leading animals, even prior to all experience, to perform certain actions tending to the welfare of the individual or the perpetuation of the species, apparently without understanding the object at which they may be supposed to aim, or deliberating as to the best methods to employ. In many cases, as in the construction of the cells of the bee, there is a perfection about the result which reasoning man could not have equaled, except by an application of the higher mathematics to direct the operations carried out. Mr. Darwin considers that animals, in time past as now, have varied in their mental qualities, and that those variations are inherited. Instincts also vary slightly in a state of nature. This being so, natural selection can ultimately bring them to a high degree of perfection."

It was formerly the fashion to ascribe instinct in the lower animals, and in man, to something akin to "innate ideas" implanted in each species and thereafter continued by inheritance. But the application of the idea of evolution to the science of psychology has resulted in brushing away these old ideas. To-day it holds that that which we call "instinct" is the result of gradual development in the course of evolution, the accumulated experience of the race being stored away in the race memory, each individual adding a little thereto by his acquired habits and experiences. Psychologists now hold that the lower forms of these race tendencies are closely akin to purely reflex actions, and the higher forms, which are known as "instinctive emotions," are phenomena of the subconscious mind resulting from race memory and race experience.

Clodd says: "Instinct is the higher form of reflex action. The salmon migrates from sea to river; the bird makes its nest or migrates from one zone to another by an unvarying route, even leaving its young behind to perish; the bee builds its six-sided cell; the spider spins its web; the chick breaks its way through the shell, balances itself, and picks up grains of corn; the newborn babe sucks its mother's breast—all in virtue of like acts on the part of their ancestors, which, arising in the needs of the creature, and gradually becoming automatic, have not varied during long ages, the tendency to repeat them being transmitted within the germ from which insect, fish, bird, and man have severally sprung."

Schneider says: "It is a fact that men, especially in childhood, fear to go into a dark cavern, or a gloomy wood. This feeling of fear arises, to be sure, partly from the fact that we easily suspect that dangerous beasts may lurk in these localities—a suspicion due to stories we have heard and read. But, on the other hand, it is quite sure that this fear at a certain perception is also directly inherited. Children who have been carefully guarded from all ghost stories are nevertheless terrified and cry if led into a dark place, especially if sounds are made there. Even an adult can easily observe that an uncomfortable timidity steals over him in a lonely wood at night, although he may have the fixed conviction that not the slightest danger is near. This feeling of fear occurs in many men even in their own houses after dark, although it is much stronger in a dark cavern or forest. The fact of such instinctive fear is easily explicable when we consider that our savage ancestors through immemorable generations were accustomed to meet with dangerous beasts in caverns, especially bears, and were for the most part attacked by such beasts during the night and in the woods, and that thus an inseparable association between the perceptions of darkness, caverns, woods, and fear took place, and was inherited."

James says: "Nothing is commoner than the remark that man differs from lower creatures by the almost total absence of instincts, and the assumption of their work in him by reason. * * * We may confidently say that however uncertain man's reactions upon his environment may sometimes seem in comparison with those of the lower mammals, the uncertainty is probably not due to their possession of any principles of action which he lacks. On the contrary, man possesses all the impulses that they have, and a great many more besides. * * * High places cause fear of a peculiarly sickening sort, though here again individuals differ. The utterly blind instinctive character of the motor impulses here is shown by the fact that they are almost always entirely unreasonable, but that reason is powerless to suppress them. * * * Certain ideas of supernatural agency, associated with real circumstances, produce a peculiar kind of horror. This horror is probably explicable as the result of a combination of simple horrors. To bring the ghostly terror to its maximum, many unusual elements of the dreadful must combine, such as loneliness, darkness, inexplicable sounds, especially of a dismal character, moving pictures half discerned (or, if discerned, of dreadful aspect), and a vertiginous baffling of the expectation. * * * In view of the fact that cadaveric, reptilian, and underground horrors play so specific and constant a part in many nightmares and forms of delirium, it seems not altogether unwise to ask whether these forms of dreadful circumstance may not at a former period have been more normal objects of the environment than now. The evolutionist ought to have no difficulty in explaining these terrors, and the scenery that provokes them, as relapses into the consciousness of the cave men, a consciousness usually overlaid in us by experiences of a more recent date."

Instinctive emotion manifests as an impulse arising from the dim recesses of the feeling or emotional nature—an incentive toward a dimly conscious end. It differs from the almost purely automatic nature of certain forms of reflex process, for its beginning is a feeling arising from the subconscious regions, which strives to excite an activity of conscious volition. The feeling is from the subconscious, but the activity is conscious. The end may not be perceived in consciousness, or at least is but dimly perceived, but the action leading to the end is in full consciousness. Instinct is seen to have its origin in the past experiences of the race, transmitted by heredity and preserved in the race memory. It has for its object the preservation of the individual and of the species. Its end is often something far removed in time from the moment, or the welfare of the species rather than that of the individual; for instance, the caterpillar providing for its future states, or the bird building its nest, or the bees building cells and providing honey for their successors, for very few bees live to partake of the honey which they have gathered and stored—they are animated by "the spirit of the hive."

The most elementary forms of the instinctive emotions are those which have to do with the preservation of the individual, his comfort, and personal physical welfare. This class of emotions comprises what are generally known as purely "selfish" feelings, having little or no concern for the welfare of others. In this class we find the emotional feelings which have to do with the satisfaction of hunger and thirst, the securing of comfortable quarters and warm clothing, and the spirit of combat and strife arising from the desire to obtain these. These elemental feelings had their birth early in the history of life, and indeed life itself depended very materially upon them for its preservation and continuance. It was necessary for the primitive living thing to be "selfish." When man appeared, only those survived who manifested these feelings strongly; the others were pushed to the wall and perished. Even in our civilization the man below the average in this class of feelings will find it difficult to survive.


CHAPTER XIII.
The Passions.

ARISING from the most elemental instinctive emotions, we find what may be termed "the passions." By the term "passion" is meant those strong feelings in which the elemental selfish instincts are manifested in relation to other persons, either in the phase of attraction or repulsion. In this class we find the elementary phases of love, and the feelings of hate, anger, jealousy, revenge, etc. This class of emotions usually manifests violently, as compared with the other emotions. The passions generally arise from self-preservation, race preservation and reproduction, self-interest, self-aggrandizement, etc., and may be regarded as a more complex phase of the elemental instinctive emotions. The elemental instinctive emotions of self-preservation and self-comfort cause the individual to experience and manifest the passional emotions of desire for combat, anger, hate, revenge, etc., while the instinctive emotions leading to reproduction and continuance of the race give rise to the passional emotions of sexual love, jealousy, etc. The desire to attract the other sex increases ambition, vanity, love of display, and other feelings.

It is only when this class of emotions blends with the higher emotions that the passions become purified and refined. But it must not be forgotten that these emotions were very necessary for the welfare of the race in the early stage of its evolution, and that they still play an active part in human life, under the greater or less restraint imposed by civilized society. Nor should it be forgotten that from these emotions have evolved the highest love of one human being for another. From instinctive sexual love and the "racial instinct" have developed the higher affection of man for woman, and woman for man, in all their beautiful manifestations—and the love of the parent for the child, and the love of the child for the parent. The first manifestation of altruism arises in the love of the living creature for its mate, and in the love of the parents for their offspring. In certain forms of life where the association of the sexes is merely for the moment, and is not followed by protection, mutual aid, and companionship, there is found an absence of mutual affection of any kind, the only feeling being an elemental reproductive instinct bringing the male and female together for the moment—an almost purely reflex activity. In the same way, in the cases of certain animals (the rattlesnake, for instance) in which the young are able to protect themselves from birth, there is seen a total absence of parental affection or the return thereof. Human love between the sexes, in its higher and lower degrees, is a natural evolution from passional emotion of a low order, due to the growth of social, ethical, moral, and æsthetic emotion arising from the necessities of the increasing complexity and development of human life.

The simpler forms of passional emotion are almost entirely instinctive in their manifestation. Indeed, in many cases, there appears to be but little more than a high form of reflex nervous action. The following words of William James give us an interesting view of this fact of life: "The cat runs after the mouse, runs or shows fight before the dog, avoids falling from walls and trees, shuns fire and water, not because he has any notion either of life or of death or of self-preservation. He acts in each case separately and simply because he cannot help it; being so framed that when that particular running thing called a mouse appears in his field of vision, he must pursue; that when that particular barking and obstreperous thing called a dog appears there, he must retire if at a distance, and scratch if close by; that he must withdraw his feet from water, and his face from flame, etc. * * * Now, why do the various animals do what seem to us such strange things in the presence of such outlandish stimuli? Why does the hen, for instance, submit herself to the tedium of incubating such a fearfully uninteresting set of objects as a nestful of eggs, unless she have some sort of prophetic inkling of the result? The only answer is ad hominem. We can only interpret the instinct of brutes by what we know of instincts in ourselves. Why do men always lie down, when they can, on soft beds rather than on soft floors? Why do they sit around a stove on a cold day? Why, in a room, do they place themselves, ninety-nine times out of a hundred, with their faces toward its middle rather than to the wall? Why does the maiden interest the youth so much that everything about her seems more important and significant than anything else in the world? Nothing more can be said than that these are human ways, and that every creature likes its own ways, and takes to following them as a matter of course. Science may come and consider these ways, and find that most of them are useful. But it is not for the sake of their utility that they are followed, but because at the moment of following them we feel that it is the only appropriate and natural thing to do. Not one man in a million, when taking his dinner, ever thinks of its utility. He eats because the food tastes good, and makes him want more. If you should ask him why he wants to eat more of what tastes like that, instead of revering you as a philosopher he will probably laugh at you for a fool."

James continues: "It takes, in short, what Berkeley called a mind debauched by learning to carry the process of making the natural seem strange, so far as to ask the why of any instinctive human act. To the metaphysician alone can such questions arise as: Why do we smile when pleased and not scowl? Why are we unable to talk to a crowd as to a single friend? Why does a particular maiden turn our wits upside down? The common man can only say, 'Of course we smile, of course our heart palpitates at the sight of the crowd, of course we love the maiden—that beautiful soul clad in that perfect form, so palpably and flagrantly made from all eternity to be loved!' And so, probably, does each animal feel about the particular things it tends to do in the presence of particular objects. They, too, are a priori syntheses. To the lion it is the lioness which is made to be loved; to the bear, the she bear. To the broody hen the notion would seem monstrous that there should be a creature in the world to whom a nestful of eggs was not the utterly fascinating, precious, and never-to-be-too-much-sat-upon object which it is to her. Thus we may be sure that however mysterious some animals' instincts may appear to us, our instincts will appear no less mysterious to them. And we may conclude that, to the animal which obeys it, every impulse and every step of that instinct shines with its own sufficient light, and seems at the moment the only externally right and proper thing to do. It may be done for its own sake exclusively."

One has very little need, as a rule, to develop the passional emotions. Instinct has taken pretty good care that we shall have our share of this class of feelings. But there is a need to train, restrain, govern, and control these emotions, for the conditions which brought about their original being have changed. Our social conventions require that we should subordinate these passional feelings, to some extent at least. Society insists that we must restrict our love impulses to certain limits and to certain quarters, and that we subdue our anger and hate, except toward the enemies of our land, the disturbers of public peace, and the menacers of the social conventions of our time and land. The public welfare requires that we inhibit our fighting impulses, except in cases of self-defense or war. Public policy requires that we keep our ambitions within reasonable limits, which limits change from time to time, of course. In short, society has stepped in and insisted that man, as a social being, must not only acquire a social conscience but must also develop sociable emotions and inhibit his unsociable ones. The evolution of man's nature has caused him unconsciously to modify his elemental, instinctive, passional emotions, and subordinate them to the dictates of social, ethical, moral, and æsthetic feelings and ideals, and to intellectual considerations. Even the original elemental instincts of the lower animals have been modified by reason of the social requirements of the pack, herd, or drove, until the modified instinct is now the ruling force.

The general principles of emotional control, restraint, and mastery, as given in a preceding chapter, are applicable to the particular class of emotions now under consideration here.

(1) By refraining from the physical expression, one may at least partially inhibit the emotion.

(2) By refusing to create the habit, one may more easily manifest control.

(3) By refusing to dwell upon the idea or mental picture of the exciting object, one may lessen the stimulus.

(4) By cultivating the opposite class of emotions, one may inhibit any class of feeling.

(5) And, finally, by acquiring a control of the attention, by means of the will, one has the reins firmly in hand, and may drive or hold back the steeds of passion as he wills.

The passions are like fiery horses, useful if well under control, but most dangerous if the control is lost. The ego is the driver, the will his hands, attention the reins, habit the bit, and the passions the horses. To drive the chariot of life under social conditions, the ego must have strong hands (will) to tighten or loosen the reins of attention. He must also employ a well designed and shaped bit of habit. Without strong hands, good reins, and well-adjusted bit, the fiery steeds of passion may gain control and, running away, dash the chariot and its driver over the precipice and on to the jagged rocks below.


CHAPTER XIV.
The Social Emotions.

AS man became a social animal he developed new traits of character, new habits of action, new ideals, new customs, and consequently new emotions. Emotions long entertained and long manifested by the race become more or less instinctive, and are passed along in the form of either (a) inherited stimulus akin to, but lesser in degree and force than, the more elemental emotions; or (b) of inherited tendency to manifest the acquired emotional feeling upon the presentation of sufficiently strong stimuli. Hence arises that which we have called "the social emotions."

Under the classification of "the social emotions" are those acquired tendencies of action and feeling of the race which are more or less altruistic, and are concerned with the welfare of others and one's duties and obligations toward society and our fellow men. In this class are found the emotions which impel us to perform what we consider or feel to be our duty toward our neighbors, and our obligations and duty toward the state, as expressed in its laws, the customs of men of our country, or the ideals of the community. In another phase it manifests as sympathy, fellow feeling, and "kindness" in general. In its first phase we find civic virtue, law-abiding inclination, honesty, "square dealing," and patriotism; in its second phase we find sympathy for others, charity, mutual aid, the alleviation of poverty and suffering, the erection of asylums for orphans and the aged, hospitals for the sick, and the formation of societies for general charitable work.

In many cases we find the social, ethical, and moral emotions closely allied with religious emotion, and by many these are supposed to be practically identical, but there is a vast difference in spite of their frequent association. For instance, we find many persons of high civic virtue, of exalted moral ideals, and manifesting ethical qualities of the most advanced type, who are lacking in the ordinary religious feelings. On the other hand, we too frequently find persons professing great religious zeal, and apparently experiencing the most intense religious emotional feeling, who are deficient in social, civic, ethical, and moral qualities, in the best sense of these terms. The aim of all religion worthy of the name, however, is to encourage ethical and moral as well as religious emotions.

We must here make the distinction between those manifesting the actions termed ethical and moral because they feel that way, and those who merely comply with the conventional requirements because they fear the consequences of their violation. The first class have the true social, ethical, and moral feelings, tastes, ideals, and inclinations; while the second manifest merely the elementary feelings of self-preservation and selfish prudence. The first class are "good" because they feel that way and find it natural to be so; while the others are "good" merely because they have to be or be punished by legal penalty or public opinion, loss of prestige, loss of financial support, etc.

The social, moral, and ethical emotions are believed to have arisen in the race by reason of the association of individuals in communities and the rise of the necessity for mutual aid and forbearance. Even many of the species of the lower animals have social, moral, or ethical codes of their own, based on the experience of the species or family, infractions of which they punish severely. In the same way sympathy and the altruistic feelings are supposed to have arisen. The community of interest and understanding in the tribe, family, or clan brought not only the feeling of natural defense and protection but also the finer, inner sympathetic feeling of the pains and sufferings of their associates. This, in the progress of the race, has developed into broader and more complex ideals and feelings.

Theology explains the moral feelings as resulting from conscience, which it holds to be a special faculty of the mind, or soul, divinely given. Science, while admitting the existence of the state of feelings which we call "conscience," denies its supernatural origin, and ascribes it to the result of evolution, heredity, experience, education, and suggestion. Conscience, according to science, is a compound of intellectual and emotional states. Conscience is not an invariable or infallible guide, but depends entirely upon the heredity, education, experience, and environment of the individual. It accompanies the moral and ethical codes of the race, which vary with time and with country. Actions which were thought right a century ago are condemned now; likewise, things condemned a century ago are thought right now. What is commended in Turkey is condemned in England, and vice versa. Moral tastes and ideals, like æsthetic ones, vary with time and country. There is no absolute code which has been always true, in all places. There is an evolution in the ideals of morals and ethics as in everything else, and "conscience" and the moral and ethical emotions accompany the changing ideals.

Many of the moral and ethical principles originally arose from necessity or utility, but have since developed into natural, spontaneous feeling on the part of the race. It is held that the race is rapidly developing a "social conscience" which will cause the wiping out of many social conditions which are now the disgrace of civilization. It is predicted that in time the race will look back upon the existence of poverty in our civilization as our generation now looks back upon the existence of slavery, imprisonment for debt, capital punishment for the theft of a loaf of bread, the killing of prisoners of war, etc. It is thought that, in time, wars of conquest will be deemed as utterly immoral as to-day is regarded the murder of a body of men by a band of pirates or bandits. In the same way the economic slavery of to-day will be seen as immoral as now seems the physical slavery of the past. In not far distant time it will seem incredible that society could have ever allowed one of its members to die of hunger in the streets, or of poverty and inattention in the sick room of the hovel. Not only will the ideals and feelings of ethical and moral responsibility change and evolve, but the feelings of personal sympathy will evolve in accordance therewith. At least such is the dream and prophecy of some of the world's greatest thinkers.

The social, ethical, and moral emotions may be developed by a study of the evolution and meaning of society on the one hand, and the perception of the condition of the lives of less fortunate individuals on the other. The first will awaken new ideas of the history and real meaning of social association and mutual intercourse, and will develop a new sense of responsibility, duty, and civic and social pride. The second will awaken understanding and sympathy, and a desire to do what one can to help those who are "the under dog," and also to bring about a better state of affairs in general. The study of history and civilization, of sociology and civics, will do much in the first direction. The study of human-kind, and its life problems and condition, will do the same in the second case. In both cases there will be awakened a new sense of "right and wrong"—a new conception of "ought and ought not"—regarding one's relations to the race, society, and his fellow beings.

Let no one deceive himself or herself by the smug assumption that the race has entirely emerged from barbarism and is now on the top wave of civilization. The truth, as known to all careful and conscientious thinkers, is that we are but half civilized, if, indeed, that much. Many of our customs and conventions are those of a half-barbarous people. Our ideals are low, our customs often vile. We lack not only high ideals but in many cases we show a lack of sanity in our social conventions. But evolution is moving us slowly ahead. A better day is dawning. The signs are in the air, to be seen by all thoughtful men. Civilization is climbing the ladder, aided by the evolution of the social, ethical, and moral emotions and the development of the intellect.

In connection with this phase of the emotions, we invite the student to consider the following excellent words of Professor Davidson in his "History of Greek Education": "It is not enough for a man to understand the conditions of rational life in his own time. He must likewise love these conditions and hate whatever leads to life of an opposite kind. This is only another way of saying that he must love the good and hate the evil; for the good is simply what conduces to rational or moral life, and the evil simply what leads away from it. It is perfectly obvious, as soon as it is pointed out, that all immoral life is due to a false distribution of affection, which again is often, though by no means always, due to a want of intellectual cultivation. He that attributes to anything a value greater or less than it really possesses, in the order of things, has already placed himself in a false relation to it, and will certainly, when he comes to act with reference to it, act immorally."


CHAPTER XV.
The Religious Emotions.

BY "the religious emotions" is meant that class of emotional feeling arising from the faith and belief in, or consciousness of the presence of, supernatural beings, powers, entities, or forces. This form of emotion is regarded as distinct from the ethical and moral emotions, although frequently found in connection therewith. Likewise, it is independent of any special form of intellectual belief, for it is far more fundamental and often exists without creed, philosophy, or stated belief, the only manifestation in such cases being a "feeling" of the existence of supernatural beings, forces, and powers to which man has a relation and to which he owes obedience. To those who may think that this is too narrow a conception of religious emotion we refer the following definition of "religion" from the dictionaries: "The acts or feelings which result from the belief of a god, or gods, having superior control over matter, life, or destiny. Religion is subjective, designating the feelings and acts of men which relate to God; theology is objective, denoting the science which investigates the existence, laws, and attributes of God;" or (objectively) "the outer form and embodiment which the inward spirit of a true or a false devotion assumes," (subjectively) "the feeling of veneration with which the worshiper regards the Being he adores."

Darwin, in his "Descent of Man," says that the feeling of religious devotion is a highly complex one, consisting of love, complete submission to an exalted and mysterious superior, a strong sense of dependence, fear, reverence, gratitude, hope for the future, and perhaps other elements. He is of the opinion that no man can experience so complex an emotion until advanced in his intellectual and moral faculties to at least a moderately high level. The authorities generally agree with Darwin, although the more recent study of the history of religion has shown that religious feeling has a far more primitive origin than that indicated by Darwin.

It is true that the lower animals are not deemed capable of anything approaching religious feeling, unless there is a feeling approaching it in the attitude of the dog and horse and other domestic animals toward their masters. But man, as soon as he is able to attribute natural phenomena to a supernatural cause and power, manifests a crude religious feeling and emotion. He begins by believing in, fearing, and worshiping natural forces and objects, such as the sun, the moon, the wind, thunder and lightning, the ocean, rivers, mountains, etc. It is claimed that there is no natural object that has not been deified and worshiped by some people at some time in the history of the race. Later, man acquired the anthropomorphic conception of deities and created many gods in his own image, endowing them with his own attributes, qualities, and characteristics. The mental characteristics and morals of a people can always be ascertained by a knowledge of the average conception of deity held by them. Polytheism, or the belief in many gods, was succeeded by monotheism, or belief in one god.

Monotheism ranges from the crudest conception of a manlike god to the highest conception of a spiritual Being transcending all human qualities, attributes, or characteristics. Man began by believing in many god things, then in many god persons, then in a one god-person, then in one God who is a spirit, then in One Universal Spirit which is God. It is a far cry from the savage, manlike god of old to the conception of the Universal Spirit of the "God-drunken philosopher," Spinoza. The extreme of religious belief is that which holds that "there is nothing but God—all else is illusion," of pantheistic idealism. Buddhism (at least in its original form) discarded the idea of a Supreme Being, and held that Ultimate Reality is but Universal Law; hence the accusation that Buddhism is an "atheistic religion," although it is one of the world's greatest religions, having over 400,000,000 followers.

But the beliefs of the religious person may be considered as resulting from intellectual processes; his religious feelings and emotions arise from another part of his mental being. It is the testimony of the authorities of all religions that religious conviction is an inner experience rather than an intellectual conception. The emotional element is always active in religious manifestations everywhere. The purely intellectual religion is naught but a philosophy. Religion without feeling and emotion is an anomaly. In all true religion there exists a feeling of inner assurance and faith, love, awe, dependence, submission, reverence, gratitude, hope, and perhaps fear. The emotional element must always be present, not necessarily in the form of emotional excess, as in the case of revival hysteria or the dance of the whirling dervishes, but at least in the form of the calm, fervent feeling of "that peace which passeth understanding." When religion departs from the emotional phase it becomes merely a "school of philosophy," or an "ethical culture society."

The student must not lose sight of the uplifting influence of true religious emotion by reason of his knowledge of its lowly origin. Like the lotus, which has its roots in the slimy, filthy mud of the river, and its stem in the muddy, stagnant, and foul waters thereof, but its beautiful flower unfolded in the clear air and facing the sun, so is religious feeling responsible for some of the most beautiful and uplifting ideals and actions of the race. If its origin and history contain much that is not consistent with the highest ideals of the race to-day, it is not the fault of religion but of the race itself. Religion, like all else in the universal manifestation, is under the laws of evolution, growth, and development. What the religion of the future may be, we know not. But the prophets of the race are dreaming visions of a religion as much higher than that of to-day as the latter is higher than the crude fetichism of the savage.

The following quotation from John Fiske's "Through Nature to God" is appropriate in this place. Fiske says: "My aim is to show that 'that other influence,' that inward conviction, the craving for a final cause, the theistic assumption, is itself one of the master facts of the universe, and as much entitled to respect as any fact in physical nature can possibly be. The argument flashed upon me about ten years ago while reading Herbert Spencer's controversy with Frederic Harrison concerning the nature and reality of religion. Because Spencer derived historically the greater part of modern belief in an Unseen World from the savage's primeval world of dreams and ghosts, some of his critics maintained that logical consistency required him to dismiss the modern belief as utterly false; otherwise he would be guilty of seeking to evolve truth from falsehood. 'By no means,' replied Spencer. 'Contrariwise, the ultimate form of the religious consciousness is the final development of a consciousness which at the outset contained a germ of truth obscured by multitudinous errors.'" Fiske, in this connection, quotes the Tennysonian question:—

"'Who forged that other influence,

That heat of inward evidence,

By which he doubts against the sense?'"

The religious emotions may be developed by allowing the mind to dwell upon the Power underlying the universe of fleeting, changing forms; by reading prose and poetry in which an appeal is made to the religious instinct; by listening to music which awakens the emotion of reverence and awe; and, finally, by meditating upon the inner spirit immanent in every living being. As an old Hindu sage once said: "There are many paths by which men arrive at a knowledge of the presence of God, but there is but one goal and destination."


CHAPTER XVI.
The Aesthetic Emotions.

BY "the æsthetic emotions" is meant those emotional feelings which are concerned with the perception of beauty or taste, and by reason of which we "like" or "dislike" certain perceptions of sensory impressions. In order to get a clearer idea, let us consider what is meant by "beauty" and "taste."

"Beauty" is defined as "that quality or assemblage of qualities in an object which gives the eye or the ear intense pleasure; or that characteristic in an object which gratifies the intellect or moral feeling." "Taste" (in this sense of the term) is defined as "nice perception, or the power of perceiving and relishing excellence in human performances; the power of appreciating the finer qualities of art; the faculty of discerning beauty, order, congruity, proportion, symmetry, or whatever constitutes excellence, particularly in the fine arts or literature; the faculty of the mind by which we both perceive and enjoy whatever is beautiful or sublime in the works of nature and art. The possession of taste insures grace and beauty in the works of an artist, and the avoidance of all that is low or mean. It is as often the result of an innate sense of beauty or propriety as of art education, and no genius can compensate for the want of it. * * * Tastes differ so much among individuals, nations, or in different ages and conditions of civilization that it is utterly impossible to set up a standard of taste applicable to all men and to all stages in the evolution of society."

The æsthetic sense, feeling, and emotion are products of the later stages of the evolution of the mind of man. Their roots, however, may be seen in the crude attempts at decoration and adornment in the savage, and still further back in the tendency of certain birds to adorn their nests or "bowers." Moreover, some sense of beauty must exist in the lower animals, which are influenced thereby in the selection of their mates, the bright plumage of the birds, and the coloring of the insects and higher animals evidencing the existence of at least a primitive æsthetic sense. Herbert Spencer says that one characteristic of the æsthetic feelings is that they are separated from the functions vitally requisite and necessary to sustain life, and it is not until the latter are reasonably well satisfied that the former begin to manifest in force.

The authorities hold that the basic element concerned in the manifestation of the æsthetic emotional feeling is the sensory element, which consists of the pleasure arising from the perception of objects of vision or hearing which are deemed beautiful. There is a certain nervous satisfaction which arises from the perception of the sensation of the sight of a beautiful thing, or of the hearing of beautiful sound. Just why certain sights prove agreeable and others disagreeable, or certain sounds pleasant and others unpleasant, is very difficult to determine. Association and habit may have something to do with the beauty of sight object, and there may be natural harmony of vibration in colors as there is in sound. In the case of sounds there is undoubtedly a natural harmony between the vibrations of certain notes of the scale and inharmony between others. Some have held that the secret of the enjoyment of music is found in the natural appreciation of rhythm, as rhythm is a cosmic manifestation evident in everything from great to small. But these theories do not account for the differences existing in the tastes regarding color and music manifested by different individuals, races, and classes of people.

Grant Allen says: "The vulgar are pleased with great masses of color, especially red, orange, and purple, which give their coarse, nervous organization the requisite stimulus. The refined, with nerves of less caliber, but greater discriminativeness, require delicate combinations of complementaries and prefer neutral tints to the glare of the primary hues. Children and savages love to dress in all the colors of the rainbow." In the same way persons of certain types of taste are pleased with "rag time" and cheap, rollicking songs or dances, while others shudder at these and find delight in the classic productions of the great composers.

There is also the intellectual element to be reckoned with in the æsthetic emotions. The intellect must discover the beauty in certain objects before the emotion is aroused by the perception. Halleck says: "Every time the mind discerns unity amid variety, order, rhythm, proportion, or symmetry, an æsthetic emotion arises. * * * The traveler with a trained intellect will see far more beauty than an ignorant one. In looking at a cathedral, a large part of the æsthetic enjoyment comes from tracing out the symmetry, from comparing part with part. Not until this process is complete will the full beauty of the structure as a whole be perceived. If the traveler knows something of mediæval architecture before starting on his European trip, he will see far more beauty. The opposite of the æsthetic, which we call the ugly, is the unsymmetrical, the disorderly—that in which we can discover no rhythm, plan, or beauty."

The element of associative suggestion also enters into the manifestation of æsthetic emotional feeling. The mind accepts the suggestion of the beauty of certain styles of art, or the excellence of certain classes of music. There are fashions in art and music, as in clothes, and what is thought beautiful to-day may be deemed hideous to-morrow. This is not entirely due to the evolution of taste, for in many cases the old fashions are revived and again deemed beautiful. There is, moreover, the effect of the association of the object of emotion with certain events or persons. This association renders the thing popular, and therefore agreeable and beautiful for the time being. The suggestion in a story will often cause the beauty of a certain scene, or the harmony of a certain piece of music, to dawn upon thousands of persons. Some noted person sets the seal of approval upon a certain picture or musical composition and lo! the multitude calls it beautiful. It must not be supposed, however, that the crowd always counterfeits this sense of beauty and excellence which has been suggested to it. On the contrary, genuine æsthetic feeling often results from the discovery so made.

There is style and fashion in the use of words, resulting from fashion, which gives rise to æsthetic feelings regarding them. These feelings do not arise from the consideration of the nature of the object expressed by the word; of two words designating the same thing, one causes disgust and the other at least passive tolerance. For instance, in speaking of the sensible moisture which is emitted from the pores of the skin, we may use either of the respective terms "sweat" or "perspiration." Both mean the same thing, and have an equally respectable origin. But to many persons the word "sweat" causes unpleasant æsthetic emotion, while the word "perspiration" is accepted without remonstrance. Some persons abhor the term "victuals," while "viands" or "food" are accepted without protest. There is often an unpleasant, low, vulgar association connected with some words which accounts for the disfavor with which they are received, and which association is absent from the more "polite" terms employed to indicate the same thing. But in other cases there is nothing but the simple suggestion of fashion and style to account for the æsthetic acceptance or rejection.

It is possible that some psychologist of the future will establish the truth of the theory now tentatively advanced by a few investigators, namely, that taste and the sense of beauty depend almost entirely upon the element of suggestion, manifested as association, influence of authority, habit, fashion, imitation, etc. It is known that the emotional nature is peculiarly liable to suggestion, and that tastes may be created or destroyed by repeated suggestion under the most favorable circumstances. It is thought likely that if we could trace back to its roots every emotion of taste, we would find it arising from some associative, suggestive influence connected with another and more elemental class of emotions.

Regarding the fact that there is no universal standard of taste or beauty, Halleck says: "It has been said that æsthetics cannot be treated in a scientific way because there is no standard of taste. 'De gustibus non est disputandum' ('there is no disputing about tastes') is an old proverb. Of two equally intelligent persons, the one may like a certain book, the other dislike it. * * * While it is true that the standard of taste is a varying one within certain limits, it is no more so than that of morals. As men's nervous systems, education, and associations differ, we may scientifically conclude that their tastes must differ. The greater the uniformity in the factors the less does the product vary. On the other hand, within certain limits, the standard of æsthetics is relatively uniform. It is fixed by the majority of intelligent people of any age and country. To estimate the standard by which to judge of the correctness of language or of the literary taste of any era, we examine the conversations of the best speakers, the works of the standard writers."

The æsthetic emotions may be developed and cultivated by exercise and practice, and particularly by association and familiarity with beautiful things, and with those who have "good taste." Appreciation of beauty is more or less contagious, up to a certain point of development, at least, and if one wishes to recognize, understand, and appreciate beauty, he should go where beauty is, and where its votaries are gathered. The study of standard works of art, or objects of nature, or the best productions of the composers of music, will do much to develop and unfold one's higher æsthetic feelings and understanding.

It is claimed by some of the best authorities that to develop the finer and higher æsthetic feelings and understanding we must learn to find beauty and excellence in things removed from ourselves or our selfish interests. The narrow, selfish emotions kill the æsthetic feelings—the two cannot exist together. The person whose thoughts are centered on himself or herself very rarely finds beauty or excellence in works of art or music. Grant Allen well sums up the subject in the following words: "Good taste is the progressive product of progressing fineness and discrimination in the nerves, educated attention, high and noble emotional constitution, and increasing intellectual faculties."


CHAPTER XVII.
The Intellectual Emotions.

BY "the intellectual emotions" is meant that class of emotional feeling resulting from the presence of objects of intellectual interest. This class of emotions depends for its satisfaction upon the exercise of the intellectual faculties, from the most simple to the most complex, and including perception, memory, imagination, reason, judgment, and all the logical faculties. Those who are accustomed to employing the mind through voluntary attention, particularly in the direction of creative ideation or constructive imagination, experience these emotions to a greater or less degree.

The exercise of perception, if we are skilled therein, gives us a pleasurable feeling, and if we succeed in making an interesting or important discovery by reason thereof, we experience a strong degree of emotional satisfaction. Likewise, we experience agreeable feelings when we are able to remember distinctly something which might well have been forgotten, or when we succeed in recalling something which had escaped our memory for the moment. In the same way the exercise of the imagination is a source of great pleasure in many cases in the direction of writing, planning, inventing, or other creative processes, or even in the building of air castles. The exercise of the logical faculties gives great pleasure to those in whom these faculties are well developed.

Halleck well says: "There was probably not a happier moment in Newton's life than when he had succeeded in demonstrating that the same power which caused the apple to fall held the moon and the planets in their orbits. When Watts discovered that steam might be harnessed like a horse, when an inventor succeeds in perfecting a labor-lightening device, whenever an obscurity is cleared away, the reason for a thing understood, and a baffling instance brought under a general law, intellectual emotion results."

The pleasurable feelings we experience upon the reading of a good book, or the discovery of real poetry, are forms of intellectual emotion. The same class of emotional feeling is aroused when we witness a good play. Among other instances of this class we mention the perception of clever work of any kind, intricate machinery, ingenious devices, helpful improvements, or other works of man which indicate the existence of thought and inventive ability in the designer or builder. To appreciate mental work of this kind we must bring a mind developed along the same or similar lines. It has well been said that before one can take away anything from a book he must bring something to it. It takes mentality to recognize and appreciate mentality or the work of mentality.

The study of scientific subjects is a source of great pleasure to those who are inclined to such pursuits. To the scientific mind the study of the latest work on the favorite branch gives a joy which nothing else is capable of arousing. To the philosopher the works of other philosophers of the same school give intense satisfaction.

It is claimed that the sense of humor and wit is an intellectual emotion, for it depends upon the detection of the ludicrous features of a happening. Certain psychologists have held that the distinctive element of humor is the feeling attendant upon the perception of incongruity; while that of wit is the feeling of superiority on the part of the witty person, and the corresponding chagrin of the object of his wit. It would seem, however, that the appreciation of wit must depend upon the intellectual perception of cleverness of expression and the pleasure resulting from the discovery thereof, and that the feeling of humor is aroused principally by reason of the incongruous element; the feeling of self-satisfaction as contrasted with the discomfiture of the other person belongs to the more selfish emotions. An authority says: "Humor is a mental faculty which tends to discover incongruous resemblances between things which essentially differ, or essential differences between things put forth as the same, the result being internal mirth or an outburst of laughter. Wit does so likewise, but the two are different. Humor has deep human sympathy, and loves men while raising a laugh against their weaknesses. Wit is deficient in sympathy, and there is often a sting in its ridicule. Somewhat contemptuous of mankind, it has not the patience to study them thoroughly, but must content itself with noting superficial resemblances or differences. Humor is patient and keenly observant, and penetrates beneath the surface; while, therefore, the sallies of wit are often one-sided and unfair, those of humor are, as a rule, just and wise."

The development and cultivation of the intellectual emotions depend, of course, upon education, training, exercise, and practice. The cultivation of the intellect (which has been referred to, in part, in the previous parts of this book, and which will be again considered in the chapters devoted to the intellect) results in the development and cultivation of the emotions accompanying intellectual effort. In a general way, however, it may be said that the reading of the best works of fiction, science, and philosophy will bring out in time the best form of intellectual enjoyment and feeling. The highest gives the best—that is the rule. The present chapter should be read and studied in connection with those devoted to the intellect.