The Poem
| text | variant | footnote | line number |
| When Ruth was left half desolate, Her Father took another Mate; And Ruth, not seven years old, A slighted child, at her own will Went wandering over dale and hill, In thoughtless freedom, bold. And she had made a pipe of straw, And music from that pipe could draw Like sounds of winds and floods; Had built a bower upon the green, As if she from her birth had been An infant of the woods. Beneath her father's roof, alone She seemed to live; her thoughts her own; Herself her own delight; Pleased with herself, nor sad, nor gay; And, passing thus the live-long day, She grew to woman's height. There came a Youth from Georgia's shore— A military casque he wore, With splendid feathers drest; He brought them from the Cherokees; The feathers nodded in the breeze, And made a gallant crest. From Indian blood you deem him sprung: But no! he spake the English tongue, And bore a soldier's name; And, when America was free From battle and from jeopardy, He 'cross the ocean came. With hues of genius on his cheek In finest tones the Youth could speak: —While he was yet a boy, The moon, the glory of the sun, And streams that murmur as they run, Had been his dearest joy. He was a lovely Youth! I guess The panther in the wilderness Was not so fair as he; And, when he chose to sport and play, No dolphin ever was so gay Upon the tropic sea. Among the Indians he had fought, And with him many tales he brought Of pleasure and of fear; Such tales as told to any maid By such a Youth, in the green shade, Were perilous to hear. He told of girls—a happy rout! Who quit their fold with dance and shout, Their pleasant Indian town, To gather strawberries all day long; Returning with a choral song When daylight is gone down. He spake of plants that hourly change Their blossoms, through a boundless range Of intermingling hues; With budding, fading, faded flowers They stand the wonder of the bowers From morn to evening dews, He told of the magnolia, spread High as a cloud, high over head! The cypress and her spire; —Of flowers that with one scarlet gleam Cover a hundred leagues, and seem To set the hills on fire. The Youth of green savannahs spake, And many an endless, endless lake, With all its fairy crowds Of islands, that together lie As quietly as spots of sky Among the evening clouds. "How pleasant," then he said, "it were A fisher or a hunter there, In sunshine or in shade To wander with an easy mind; And build a household fire, and find A home in every glade! "What days and what bright years! Ah me! Our life were life indeed, with thee So passed in quiet bliss, And all the while," said he, "to know That we were in a world of woe, On such an earth as this!" And then he sometimes interwove Fond thoughts about a father's love: "For there," said he, "are spun Around the heart such tender ties, That our own children to our eyes Are dearer than the sun. "Sweet Ruth! and could you go with me My helpmate in the woods to be, Our shed at night to rear; Or run, my own adopted bride, A sylvan huntress at my side, And drive the flying deer! "Belovèd Ruth!"—No more he said. The wakeful Ruth at midnight shed A solitary tear: She thought again—and did agree With him to sail across the sea, And drive the flying deer. "And now, as fitting is and right, We in the church our faith will plight, A husband and a wife." Even so they did; and I may say That to sweet Ruth that happy day Was more than human life. Through dream and vision did she sink, Delighted all the while to think That on those lonesome floods, And green savannahs, she should share His board with lawful joy, and bear His name in the wild woods. But, as you have before been told, This Stripling, sportive, gay, and bold, And, with his dancing crest, So beautiful, through savage lands Had roamed about, with vagrant bands Of Indians in the West. The wind, the tempest roaring high, The tumult of a tropic sky, Might well be dangerous food For him, a Youth to whom was given So much of earth—so much of heaven, And such impetuous blood. Whatever in those climes he found Irregular in sight or sound Did to his mind impart A kindred impulse, seemed allied To his own powers, and justified The workings of his heart. Nor less, to feed voluptuous thought, The beauteous forms of nature wrought, Fair trees and gorgeous flowers; The breezes their own languor lent; The stars had feelings, which they sent Into those favored bowers. Yet, in his worst pursuits, I ween That sometimes there did intervene Pure hopes of high intent: For passions linked to forms so fair And stately, needs must have their share Of noble sentiment. But ill he lived, much evil saw, With men to whom no better law Nor better life was known; Deliberately, and undeceived, Those wild men's vices he received, And gave them back his own. His genius and his moral frame Were thus impaired, and he became The slave of low desires: A Man who without self-control Would seek what the degraded soul Unworthily admires. And yet he with no feigned delight Had wooed the Maiden, day and night Had loved her, night and morn: What could he less than love a Maid Whose heart with so much nature played So kind and so forlorn! Sometimes, most earnestly, he said, "O Ruth! I have been worse than dead; False thoughts, thoughts bold and vain, Encompassed me on every side When I, in confidence and pride, Had crossed the Atlantic main. "Before me shone a glorious world— Fresh as a banner bright, unfurled To music suddenly: I looked upon those hills and plains, And seemed as if let loose from chains, To live at liberty. "No more of this; for now, by thee, Dear Ruth! more happily set free With nobler zeal I burn; My soul from darkness is released, Like the whole sky when to the east The morning doth return." Full soon that better mind was gone; No hope, no wish remained, not one,— They stirred him now no more; New objects did new pleasure give, And once again he wished to live As lawless as before. Meanwhile, as thus with him it fared, They for the voyage were prepared, And went to the sea-shore, But, when they thither came, the Youth Deserted his poor Bride, and Ruth Could never find him more. God help thee, Ruth!-Such pains she had, That she in half a year was mad, And in a prison housed; And there, with many a doleful song Made of wild words, her cup of wrong She fearfully caroused. Yet sometimes milder hours she knew, Nor wanted sun, nor rain, nor dew, Nor pastimes of the May; —They all were with her in her cell; And a clear brook with cheerful knell Did o'er the pebbles play. When Ruth three seasons thus had lain, There came a respite to her pain; She from her prison fled; But of the Vagrant none took thought; And where it liked her best she sought Her shelter and her bread. Among the fields she breathed again: The master-current of her brain Ran permanent and free; And, coming to the Banks of Tone, There did she rest; and dwell alone Under the greenwood tree. The engines of her pain, the tools That shaped her sorrow, rocks and pools, And airs that gently stir The vernal leaves—she loved them still; Nor ever taxed them with the ill Which had been done to her. A Barn her winter bed supplies; But, till the warmth of summer skies And summer days is gone, (And all do in this tale agree) She sleeps beneath the greenwood tree, And other home hath none. An innocent life, yet far astray! And Ruth will, long before her day, Be broken down and old: Sore aches she needs must have! but less Of mind, than body's wretchedness, From damp, and rain, and cold. If she is prest by want of food, She from her dwelling in the wood Repairs to a road-side; And there she begs at one steep place Where up and down with easy pace The horsemen-travellers ride. That oaten pipe of hers is mute, Or thrown away; but with a flute Her loneliness she cheers: This flute, made of a hemlock stalk, At evening in his homeward walk The Quantock woodman hears. I, too, have passed her on the hills Setting her little water-mills By spouts and fountains wild— Such small machinery as she turned Ere she had wept, ere she had mourned, A young and happy Child! Farewell! and when thy days are told, Ill-fated Ruth, in hallowed mould Thy corpse shall buried be, For thee a funeral bell shall ring, And all the congregation sing A Christian psalm for thee. [Note] [Contents] | [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16] [17] [18] [19] [20] [21] [22] [23] [24] [25] [26] [27] [28] [29] [30] [31] [32] [33] | [A] [B] [C] [D] [E] [F] [G] [H] [I] | 5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 185 190 195 200 205 210 215 220 225 230 235 240 245 250 255 |
| 1802 | |
| And so, not seven years old, The slighted Child ... | 1800 |
And so, not seven years old,
The slighted Child ...
| 1836 | |
| And from that oaten pipe could draw All sounds ... | 1800 |
And from that oaten pipe could draw
All sounds ...
| This stanza was added in the edition of 1802. |
| 1827 | |
| She pass'd her time; and in this way Grew up to Woman's height. | 1802 |
She pass'd her time; and in this way
Grew up to Woman's height.
| 1836 | |
| Ah no! ... | 1800 |
Ah no! ...
| 1805 | |
| ... bare ... | 1800 |
... bare ...
| 1836 | |
| He spake of plants divine and strange That ev'ry day their blossoms change, Ten thousand lovely hues! | 1800 |
| ... every hour ... | 1802 |
He spake of plants divine and strange
That ev'ry day their blossoms change,
Ten thousand lovely hues!
... every hour ...
| Of march and ambush, siege and fight, Then did he tell; and with delight The heart of Ruth would ache; Wild histories they were, and dear: But 'twas a thing of heaven to hear When of himself he spake! | Only in the editions of 1802 and 1805. |
The following is the order of the stanzas in the edition of 1802.
The first, fifth, and last had not appeared before.
| Sometimes most earnestly he said; "O Ruth! I have been worse than dead: False thoughts, thoughts bold and vain Encompass'd me on every side When I, in thoughtlessness and pride, Had cross'd the Atlantic Main. Whatever in those Climes I found Irregular in sight or sound Did to my mind impart A kindred impulse, seem'd allied To my own powers, and justified The workings of my heart. Nor less to feed unhallow'd thought The beauteous forms of nature wrought, Fair trees and lovely flowers; The breezes their own languor lent; The stars had feelings which they sent Into those magic bowers. Yet, in my worst pursuits, I ween, That often there did intervene Pure hopes of high intent; My passions, amid forms so fair And stately, wanted not their share Of noble sentiment. So was it then, and so is now: For, Ruth! with thee I know not how I feel my spirit burn Even as the east when day comes forth; And to the west, and south, and north, The morning doth return. It is a purer better mind: O Maiden innocent and kind What sights I might have seen! Even now upon my eyes they break!" —And he again began to speak Of Lands where he had been. |
The last stanza is only in the editions of 1802-1805
.
| 1836 | |
| And then he said "How sweet it were | 1800 |
And then he said "How sweet it were
| 1845 | |
| A gardener in the shade, Still wandering with an easy mind To build ... | 1800 |
| In sunshine or through shade To wander with an easy mind; And build ... | 1836 |
A gardener in the shade,
Still wandering with an easy mind
To build ...
In sunshine or through shade
To wander with an easy mind;
And build ...
| 1836 | |
| ... sweet ... | 1800 |
... sweet ...
| 1832 | |
| Dear ... | 1800 |
Dear ...
| 1820 | |
| Sweet Ruth alone at midnight shed | 1800 |
Sweet Ruth alone at midnight shed
| 1800 | |
| ... unhallow'd ... | 1802 and MS. |
... unhallow'd ...
The edition of 1805 returns to the reading of 1800.
| 1845 | |
| ... lovely ... | 1800 |
... lovely ...
| 1845 | |
| ... magic ... | 1800 |
| ... gorgeous ... | 1815 |
... magic ...
... gorgeous ...
| 1800 | |
| That often ... | 1802 |
That often ...
The text of 1805 returns to that of 1800.
| 1800 | |
| For passions, amid forms so fair And stately, wanted not their share | 1802 |
For passions, amid forms so fair
And stately, wanted not their share
The text of 1805 returns to that of 1800.
| 1800 | |
| Ill did he live ... | 1802 |
Ill did he live ...
The text of 1805 returns to that of 1800.
| 1805 | |
| When I, in thoughtlessness and pride, Had crossed ... | 1802 |
| When first, in confidence and pride, I crossed ... | 1820 |
When I, in thoughtlessness and pride,
Had crossed ...
When first, in confidence and pride,
I crossed ...
C., and the edition of 1840, revert to the reading of 1805.
| 1840 and C. | |
| "It was a fresh and glorious world, A banner bright that was unfurled Before me suddenly: | 1805 |
| A banner bright that shone unfurled | 1836 |
"It was a fresh and glorious world,
A banner bright that was unfurled
Before me suddenly:
A banner bright that shone unfurled
| Lines 163-168, and 175-180, were added in 1802. Lines 169-174 were added in 1805. All these were omitted in 1815, but were restored in 1820. |
| 1845 | |
| So was it then, and so is now: For, Ruth! with thee I know not how I feel my spirit burn | 1802 |
| "But wherefore speak of this? for now, Sweet Ruth! with thee, ... | 1805 |
| Dear Ruth! with thee ... | 1836 |
So was it then, and so is now:
For, Ruth! with thee I know not how
I feel my spirit burn
"But wherefore speak of this? for now,
Sweet Ruth! with thee, ...
Dear Ruth! with thee ...
| 1836 | |
| Even as the east when day comes forth; And to the west, and south, and north, | 1802 |
Even as the east when day comes forth;
And to the west, and south, and north,
| It is my purer better mind O maiden innocently kind What sights I might have seen! Even now upon my eyes they break! And then the youth began to speak Of lands where he had been. | MS. |
It is my purer better mind
O maiden innocently kind
What sights I might have seen!
Even now upon my eyes they break!
And then the youth began to speak
Of lands where he had been.
| 1845 | |
| But now the pleasant dream was gone, | 1800 |
| Full soon that purer mind ... | 1820 |
But now the pleasant dream was gone,
Full soon that purer mind ...
| 1836 | |
| And there, exulting in her wrongs, Among the music of her songs She fearfully carouz'd[ib]. | 1800 |
| And there she sang tumultuous songs, By recollection of her wrongs, To fearful passion rouzed. | 1820 |
And there, exulting in her wrongs,
Among the music of her songs
She fearfully carouz'd[ib].
And there she sang tumultuous songs,
By recollection of her wrongs,
To fearful passion rouzed.
| 1836 | |
| wild brook.... | 1800 |
wild brook....
| 1802 | |
| And to the pleasant Banks of Tone She took her way, to dwell alone | 1800 |
And to the pleasant Banks of Tone
She took her way, to dwell alone
| 1802 | |
| ... grief, ... | 1800 |
... grief, ...
| 1805 | |
| (And in this tale we all agree) | 1800 |
(And in this tale we all agree)
| 1805 | |
| The neighbours grieve for her, and say That she will ... | 1802 |
The neighbours grieve for her, and say
That she will ...
| This stanza first appeared in the edition of 1802. |
Taken from the portrait of the chief in Bartram's frontispiece.—Ed.
"The tall aspiring Gordonia lacianthus ... gradually changing colour, from green to golden yellow, from that to a scarlet, from scarlet to crimson, and lastly to a brownish purple, ... so that it may be said to change and renew its garments every morning throughout the year."
See Travels through North and South Carolina, Georgia, East Florida, the Cherokee Country, etc., by William Bartram (1791), pp. 159, 160.—Ed.
"Its thick foliage of a dark green colour is flowered over with large milk-white, fragrant blossoms, ... renewed every morning, and that in such incredible profusion that the tree appears silvered over with them, and the ground beneath covered with the fallen flowers. It, at the same time, continually pushes forth new twigs, with young buds on them."
(Bartram's Travels, etc., p. 159.)—Ed.
Magnolia grandiflora.—W. W. 1800;
and Bartram's Travels, p. 8. —Ed.
"The Cypressus distichia stands in the first order of North American trees. Its majestic stature, lifting its cumbrous top towards the skies, and casting a wide shade upon the ground, as a dark intervening cloud," etc.
(Bartram's Travels, p. 88).—Ed.
The splendid appearance of these scarlet flowers, which are scattered with such profusion over the Hills in the Southern parts of North America is frequently mentioned by Bartram in his
Travels
.—W. W. 1800.
Mr. Ernest Coleridge tells me he
"has traced, to a note-book of Coleridge's in the British Museum, the source from which Wordsworth derived his description of Georgian scenery in Ruth. He does, I know, refer to Bartram, but the whole passage is a poetical rendering, and a pretty close one, of Bartram's poetical narrative. I have a portrait—the frontispiece of Bartram's Travels—of Mico Chlucco, king of the Seminoles, whose feathers nod in the breeze just as did the military casque of the 'youth from Georgia's shore.'"
Ed.
"North and south almost endless green plains and meadows, embellished with islets and projecting promontories of high dark forests, where the pyramidal Magnolia grandiflora ... conspicuously towers."
(Bartram's Travels, p. 145).—Ed.
The Tone is a River of Somersetshire, at no great distance from the Quantock Hills. These Hills, which are alluded to a few stanzas below, are extremely beautiful, and in most places richly covered with Coppice woods. W. W. 1800.
The edition of 1805 substitutes the stanzas beginning,
'It was a fresh and glorious world'
for stanzas 2, 3, and 4 of the above six in this note, but it inserts these omitted stanzas later on as Nos. 27, 28, 29.—Ed.
Wordsworth wrote to Barren Field in 1828 that this stanza
"was altered, Lamb having observed that it was not English. I like it better myself;'
(i.e. the version of 1800)
"but certainly to carouse cups—that is to empty them—is the genuine English."
Ed.
Note:
The following extract from Dorothy Wordsworth's Journal gives the date of the stanzas added to Ruth in subsequent editions:
"Sunday, March 8th, 1802.—I stitched up The Pedlar, wrote out Ruth, read it with the alterations.... William brought two new stanzas of Ruth."
The transpositions of stanzas, and their omission from certain editions and their subsequent re-introduction, in altered form, in later ones, make it extremely difficult to give the textual history of Ruth in footnotes. They are even more bewildering than the changes introduced into Simon Lee.—Ed.
[1799 Contents]
[Main Contents]
| [1798] | ← | end of Volume II: 1799 | → | [1800] |
| [Main Contents] |
Wordsworth's Poetical Works, Volume 2: 1800
Edited by William Knight
1896
1800
Towards the close of December 1799, Wordsworth came to live at Dove Cottage, Town-end, Grasmere. The poems written during the following year (1800), are more particularly associated with that district of the Lakes. Two of them were fragments of a canto of The Recluse, entitled "Home at Grasmere," referring to his settlement at Dove Cottage. Others, such as Michael, and The Brothers—classed by him afterwards among the "Poems founded on the Affections,"—deal with incidents in the rural life of the dalesmen of Westmoreland and Cumberland. Most of the "Poems on the Naming of Places" were written during this year; and the "Places" are all in the neighbourhood of Grasmere. To these were added several "Pastoral Poems"—such as The Idle Shepherd Boys; or, Dungeon-Ghyll Force—sundry "Poems of the Fancy," and one or two "Inscriptions." In all, twenty-five poems were written in the year 1800; and, with the exception of the two fragments of The Recluse, they were published during the same year in the second volume of the second edition of "Lyrical Ballads." It is impossible to fix the precise date of the composition of the fragments of The Recluse; but, as they refer to the settlement at Dove Cottage—where Wordsworth went to reside with his sister, on the 21st of December 1799—they may fitly introduce the poems belonging to the year 1800. They were first published in 1851 in the Memoirs of Wordsworth (vol. i. pp. 157 and 155 respectively), by the poet's nephew, the late Bishop of Lincoln. The entire canto of The Recluse, entitled "Home at Grasmere," will be included in this edition.
The first two poems which follow, as belonging to the year 1800, are parts of The Recluse, viz. "On Nature's invitation do I come," (which is ll. 71-97, and 110-125), and "Bleak season was it, turbulent and bleak," (which is ll. 152-167). They are not reprinted from the Memoirs of 1851, because the text there given was, in several instances, inaccurately reproduced from the original MS., which has been re-examined. They were printed here, in The Recluse(1888), and in my Life of Wordsworth (vol. i. 1889).—Ed.
[Contents 1800]
[Main Contents]