SEPTEMBER, 1815

Composed October 1815.—Published February 11, 1816

["For me, who under kindlier laws." This conclusion has more than once, to my great regret, excited painfully sad feelings in the hearts of young persons fond of poetry and poetic composition, by contrast of their feeble and declining health with that state of robust constitution which prompted me to rejoice in a season of frost and snow as more favourable to the Muses than summer itself.—I. F.]

One of the "Miscellaneous Sonnets."—Ed.

While not a leaf seems faded; while the fields,

With ripening harvest[72] prodigally fair,

In brightest sunshine bask; this nipping air,

Sent from some distant clime where Winter wields

His icy scimitar, a foretaste yields

Of bitter change, and bids the flowers beware;

And whispers to the silent birds, "Prepare

Against the threatening foe your trustiest shields."

For me, who under kindlier laws belong

To Nature's tuneful quire, this rustling dry

Through leaves yet green,[73] and yon crystalline sky,

Announce a season potent to renew,

'Mid frost and snow, the instinctive joys of song,

And nobler cares than listless summer knew.

This sonnet was first published in The Examiner, February 11, 1816. See the note to the sonnet addressed to Haydon, p. 62.—Ed.


"THE FAIREST, BRIGHTEST, HUES OF
ETHER FADE"

Published 1815

[Suggested at Hackett, which is on the craggy ridge that rises between the two Langdales, and looks towards Windermere. The Cottage of Hackett was often visited by us, and at the time when this Sonnet was written, and long after, was occupied by the husband and wife described in The Excursion, where it is mentioned that she was in the habit of walking in the front of the dwelling with a light to guide her husband home at night. The same cottage is alluded to in the Epistle to Sir George Beaumont, as that from which the female peasant hailed us on our morning journey. The musician mentioned in the sonnet was the Rev. Samuel Tillbrook of Peter-house, Cambridge, who remodelled the Ivy Cottage at Rydal after he had purchased it.—I. F.]

One of the "Miscellaneous Sonnets."—Ed.

The fairest, brightest, hues of ether fade;

The sweetest notes must terminate and die;

O Friend! thy flute has breathed a harmony

Softly resounded through this rocky glade;

Such strains of rapture as[AL] the Genius played

In his still haunt on Bagdad's summit high;

He who stood visible to Mirza's eye,

Never before to human sight betrayed.

Lo, in the vale, the mists of evening spread!

The visionary Arches are not there,

Nor the green Islands, nor the shining Seas;

Yet sacred is to me this Mountain's head,

Whence I have risen, uplifted[74] on the breeze

Of harmony, above all earthly care.

The following reference to Mr. Tillbrook, referred to in the Fenwick note, is from the Diary, Correspondence, etc., of Henry Crabb Robinson, September 5, 1816:—"An evening was spent at Wordsworth's. Mr. Tillbrook, of Cambridge, formerly Thomas Clarkson's tutor, was there.... Mr. Walter sang some airs to Mr. Tillbrook's flute."—Ed.


VARIANTS:

[72] 1820.

1816.

With ripening harvests . . .

[73] 1827.

1816.

Through the green leaves, . . .

[74] 1837.

1815.

From which I have been lifted . . .


FOOTNOTE:

[AL] See the vision of Mirza in the Spectator.—W. W. 1815.