“WHY ART THOU SILENT? IS THY LOVE A PLANT”

Composed 1835 (or earlier).—Published 1835

[In the month of January,—when Dora and I were walking from Town-end, Grasmere, across the Vale, snow being on the ground, she espied, in the thick though leafless hedge, a bird’s nest half-filled with snow. Out of this comfortless appearance arose this Sonnet, which was, in fact, written without the least reference to any individual object, but merely to prove to myself that I could, if I thought fit, write in a strain that Poets have been fond of. On the 14th of February in the same year, my daughter, in a sportive mood, sent it as a Valentine, under a fictitious name, to her cousin C.W.—I.F.]

One of the “Miscellaneous Sonnets.”—Ed.

Why art thou silent? Is thy love a plant

Of such weak fibre that the treacherous air

Of absence withers what was once so fair?

Is there no debt to pay, no boon to grant?

Yet have my thoughts for thee been vigilant— 5

Bound to thy service with unceasing care,[17]

The mind’s least generous wish a mendicant

For nought but what thy happiness could spare.

Speak—though this soft warm heart, once free to hold

A thousand tender pleasures, thine and mine, 10

Be left more desolate, more dreary cold

Than a forsaken bird’s-nest filled with snow

’Mid its own bush of leafless eglantine—

Speak, that my torturing doubts their end may know!

[17] 1845.

… with incessant care,

C.

(As would my deeds have been) with hourly care,

1835.

TO THE MOON
(COMPOSED BY THE SEA-SIDE,—ON THE COAST OF CUMBERLAND)

Composed 1835.—Published 1837

One of the “Evening Voluntaries.”—Ed.

Wanderer! that stoop’st so low, and com’st so near

To human life’s unsettled atmosphere;

Who lov’st with Night and Silence to partake,

So might it seem, the cares of them that wake;

And, through the cottage-lattice softly peeping, 5

Dost shield from harm the humblest of the sleeping;

What pleasure once encompassed those sweet names

Which yet in thy behalf the Poet claims,

An idolizing dreamer as of yore!—

I slight them all; and, on this sea-beat shore 10

Sole-sitting, only can to thoughts attend

That bid me hail thee as the Sailor’s Friend;

So call thee for heaven’s grace through thee made known

By confidence supplied and mercy shown,

When not a twinkling star or beacon’s light 15

Abates the perils of a stormy night;

And for less obvious benefits, that find

Their way, with thy pure help, to heart and mind;

Both for the adventurer starting in life’s prime;

And veteran ranging round from clime to clime, 20

Long-baffled hope’s slow fever in his veins,

And wounds and weakness oft his labour’s sole remains.

The aspiring Mountains and the winding Streams,

Empress of Night! are gladdened by thy beams;

A look of thine the wilderness pervades, 25

And penetrates the forest’s inmost shades;

Thou, chequering peaceably the minster’s gloom,

Guid’st the pale Mourner to the lost one’s tomb;

Canst reach the Prisoner—to his grated cell

Welcome, though silent and intangible!— 30

And lives there one, of all that come and go

On the great waters toiling to and fro,

One, who has watched thee at some quiet hour

Enthroned aloft in undisputed power,

Or crossed by vapoury streaks and clouds that move 35

Catching the lustre they in part reprove—

Nor sometimes felt a fitness in thy sway

To call up thoughts that shun the glare of day,

And make the serious happier than the gay?

Yes, lovely Moon! if thou so mildly bright 40

Dost rouse, yet surely in thy own despite,

To fiercer mood the phrenzy-stricken brain,

Let me a compensating faith maintain;

That there’s a sensitive, a tender, part

Which thou canst touch in every human heart, 45

For healing and composure.—But, as least

And mightiest billows ever have confessed

Thy domination; as the whole vast Sea

Feels through her lowest depths thy sovereignty;

So shines that countenance with especial grace 50

On them who urge the keel her plains to trace

Furrowing its way right onward. The most rude,

Cut off from home and country, may have stood—

Even till long gazing hath bedimmed his eye,

Or the mute rapture ended in a sigh— 55

Touched by accordance of thy placid cheer,

With some internal lights to memory dear,

Or fancies stealing forth to soothe the breast

Tired with its daily share of earth’s unrest,—

Gentle awakenings, visitations meek; 60

A kindly influence whereof few will speak,

Though it can wet with tears the hardiest cheek.

And when thy beauty in the shadowy cave

Is hidden, buried in its monthly grave;[18]

Then, while the Sailor, ’mid an open sea 65

Swept by a favouring wind that leaves thought free,

Paces the deck—no star perhaps in sight,

And nothing save the moving ship’s own light

To cheer the long dark hours of vacant night—

Oft with his musings does thy image blend, 70

In his mind’s eye thy crescent horns ascend,

And thou art still, O Moon, that Sailor’s Friend!

[18] Compare—

When thou wert hidden in thy monthly grave,

in the lines Written in a Grotto, p. 235.—Ed.

TO THE MOON
(RYDAL)

Composed 1835.—Published 1837

One of the “Evening Voluntaries.”—Ed.

Queen of the stars!—so gentle, so benign,

That ancient Fable did to thee assign,

When darkness creeping o’er thy silver brow

Warned thee these upper regions to forego,

Alternate empire in the shades below— 5

A Bard, who, lately near the wide-spread sea

Traversed by gleaming ships, looked up to thee

With grateful thoughts, doth now thy rising hail

From the close confines of a shadowy vale.

Glory of night, conspicuous yet serene, 10

Nor less attractive when by glimpses seen

Through cloudy umbrage,[19] well might that fair face,

And all those attributes of modest grace,

In days when Fancy wrought unchecked by fear,

Down to the green earth fetch thee from thy sphere, 15

To sit in leafy woods by fountains clear!

O still belov’d (for thine, meek Power, are charms

That fascinate the very Babe in arms,

While he, uplifted towards thee, laughs outright,

Spreading his little palms in his glad Mother’s sight) 20

O still belov’d, once worshipped! Time, that frowns

In his destructive flight on earthly crowns,

Spares thy mild splendour; still those far-shot beams

Tremble on dancing waves and rippling streams

With stainless touch, as chaste as when thy praise 25

Was sung by Virgin-choirs in festal lays;

And through dark trials still dost thou explore

Thy way for increase punctual as of yore,

When teeming Matrons—yielding to rude faith

In mysteries of birth and life and death 30

And painful struggle and deliverance—prayed

Of thee to visit them with lenient aid.

What though the rites be swept away, the fanes

Extinct that echoed to the votive strains;

Yet thy mild aspect does not, cannot, cease 35

Love to promote and purity and peace;

And Fancy, unreproved, even yet may trace

Faint types of suffering in thy beamless face.

Then, silent Monitress! let us—not blind

To worlds unthought of till the searching mind 40

Of Science laid them open to mankind—

Told, also, how the voiceless heavens declare

God’s glory; and acknowledging thy share

In that blest charge; let us—without offence

To aught of highest, holiest, influence— 45

Receive whatever good ’tis given thee to dispense.

May sage and simple, catching with one eye

The moral intimations of the sky,

Learn from thy course, where’er their own be taken,

“To look on tempests, and be never shaken”;[20] 50

To keep with faithful step the appointed way

Eclipsing or eclipsed, by night or day,

And from example of thy monthly range

Gently to brook decline and fatal change;

Meek, patient, stedfast, and with loftier scope, 55

Than thy revival yields, for gladsome hope![21]

[19] Compare The Triad, vol. vii. p. 181.—Ed.

[20] Compare l. 6 of Shakespeare’s sonnet, beginning—

Let me not to the marriage of true minds.

Ed.

[21] See a fragment of ten lines, which was written by Wordsworth in MS. after the above, in a copy of his poems. They are printed in the Appendix to this volume.—Ed.