XIV

Against the car the wind hurled the challenge of a thousand angry spears of rain. With blow after blow they assailed the leather hood, only to break and fall helplessly to the streaming road.

"What a night for a dance," groaned Mrs. Hammond. "If I had known what it was going to be like, I really shouldn't have come, though I hate to disappoint you."

But even if she had known, she must still have come, and not only because she hated to disappoint the girls. For matters at Miller's Rise were growing desperate. Morning after morning Mrs. Hammond had come downstairs to find her daughters confronting her like the outward and visible sign of an inward and spiritual failure, Connie always bored and restless, Muriel becoming yearly more prim and silent. It was 1914 already, and nothing done. Adelaide Waring's husband at York earned £2,000 a year. Nancy Cartwright was now Nancy Buchanan, and even Daisy Parker, as Daisy Weathergay, lived in a little corner house along the Avenue, and kept a nice little maid, and paid calls, and shopped down the village street with one of those painted wicker baskets on her arm.

Of course there was Dr. McKissack. Surely, surely he must mean something. If only one were more certain of Connie. If only that queer, reckless strain in her nature would not make her do unconventional things that men disliked. She was so like Arthur, and yet in a woman, somehow, it did not do to be like Arthur. In the darkness of the car, Mrs. Hammond's face grew weary, thinking of bitter things. Her troubles were not confined to the spinsterhood of her daughters.

The car lurched and jolted round a corner into the mean street that crouched before the Kingsport thoroughfares.

"Muriel, I do wish that you would not tread on my shoe," complained Connie. "You know that they're my best ones. It isn't as if I could get a new pair any day."

"I'm sorry. I didn't see."

"No. You never do see. Mother, why can't we have an allowance? I'm sick of this beastly dependence upon Father. It's all to gratify his vanity. He'll take us in to Kingsport to buy a rotten hat, like when he bought my velour before Christmas, and I was simply pining for new furs. It's just to hear us say thank you, and to feel how generous he is."

"Oh, Connie, I've told you before that I have done my best. Don't let us start the discussion all over again."

"It's all very well, but if you'd only let me go on that chicken farm with Hilda there wouldn't have been any need to discuss it."

"And you wouldn't have been going to a dance to-night either. You know quite well that you would never have made it pay. We don't want to start all that again, surely."

They were passing through the main streets now, and the lamps looked through into the warm stuffiness of the car.

"At any rate," said Mrs. Hammond, calling up her courage, "it is going to be a nice dance." She had said that so many times. "You did say that the doctor was coming, didn't you, Connie?"

"He said he might." Connie's manner was off-hand, but in the darkness her face softened, and her brown eyes glowed with expectation.

She didn't care twopence for the little Scotch doctor, she told herself; but she was sick, sick, sick of Miller's Rise. She was sick of dressing up her fine young body, which nobody cared to see. She was sick of living through the long months of the year all on top of Muriel and her mother, sick of scenes with her father, because he would neither let her go away nor give her the allowance that she considered necessary. And she was sick of her mother's fretful hints and of her father's stupid chaffing. She was weary of cinema romances, where true love always triumphed. She was weary of Marshington reality where her school friends and neighbours smirked at her above their diamond half-hoops, or simpered at her over piles of trousseau lingerie. At twenty-one she had smiled when other girls talked about proposals; at twenty-two she had blushed and answered irritably; at twenty-three she had lied shamelessly and shrieked her noisy, jolly laugh. At twenty-four she would have no further need to lie.

She pushed back a curl of springing hair, and tried to imagine married life with Hugh McKissack. The wind enfolded the car in the fierce caress of brushing wings, tumultuous as love, as love, thought Connie. "Love," she whispered to herself, "Love, love, love," as though by an incantation she could call it to her.

There was a sentence in The Romance of Emmeline by Sylvia Carlton, that had sung itself into her seeking mind.

". . . And as he approached her, her heart beat faster. In all that crowded room they were alone. He only took her hand, but his eyes caressed her, and youth and spring, sweet with laughter, clamorous with birdsong, leapt from the loneliness to meet them. Their formal greeting sang like a passionate poem, and in the shadows of her eyes he saw the amorous darkness of the perfumed night."

"Hugh McKissack," thought Connie, remembering the way in which his kind, short-sighted eyes peered through his glasses. Could men ever make you feel like that? Godfrey Neale, Freddy Mason, Captain Lancaster whom they had met at Broadstairs. She let a procession of "possibles" pass through her mind. At least if Hugh loved her he would take her away. "Let now thy servant depart in peace," thought Connie foolishly, "according to thy word. For my reproach hath been taken away from me. . . ." She felt strangely happy and yet urged by a strong desire to cry.

"Muriel, just see if that window is quite shut. There is such a draught."

"We're just there," said Muriel, peering through the rain-smeared glass, and wondering if she would be able to catch Mrs. Cartwright in the cloak-room to ask about the nursing subscriptions. Muriel's life had centred largely round the Nursing Club, ever since Mrs. Potter Vallery had taken up the Fallen Girls' Rescue Work, and Mrs. Hammond had abandoned the Club for her committee.

"Is there an awning up? I do hope that there is. Where is my bag, girls?"

The cars crawled forward, spilling their burdens of satin and furs and gleaming shirt fronts on to the damp red felt below the awning. As the Hammonds passed, a girl in a rain-soaked hat trimmed with wilting plumes called from the dingy group watching on the pavement:

"Good evening, Mrs. 'Ammond, 'opes you enjoy yourself!"

"Who was that girl?" asked Muriel, slipping off her cloak.

Her mother frowned. "One of the girls who used to be at St. Catherine's. They have no business to come and waste their time watching the people arriving at a dance. We got her into a decent situation too."

Muriel, who liked to see pretty things herself, thought, "Now that is just the sort of thing that I should have thought that those girls would have liked to do." For the streets of Kingsport on a winter evening were curiously devoid of colour, and the procession of pink and mauve and lemon-coloured cloaks gleamed like the lights from a revolving lantern down the pavement.

Connie murmured with a hairpin in her mouth, "What awful cheek." Being unconventional in her own behaviour at times through lack of self-control, she had little patience for other people who had suffered from an aggravation of the same offence. Muriel, whose behaviour was always scrupulously regulated, had more sympathy to spare for the exceptional. All the same, she did not know very much about St. Catherine's. Her mother would never let her go near the Home. It was not nice that unmarried girls should know about these things. Muriel, whose mind was singularly incurious, accepted without question the convention that only substantially married women could safely touch their fallen sisters. Her mother, Muriel heard, was most zealous in their cause, so firm, so sensible, so economical upon the House Committee. It had been her work upon that committee that had brought her to the notice of the Bishop. There was no doubting her ability. Better leave such work to her, thought Muriel; yet, as she clasped a bangle over her white glove in the cloak-room, the girl's eyes haunted her, mocking from the rain. Beyond this room with its cosy fire, beyond the decorous safety of Miller's Rise, lay a world of tears and darkness, of sudden joy and hopeless ruin. Muriel shivered, then followed Connie and her mother from the room. It was, at least, another world.

In the door-way they met Mrs. Waring, still slim and elegant in pale grey satin.

"Ah, I'm so glad that you were able to come," she smiled. "And the girls. How nice; Adelaide has brought a few friends of Sydney's from York. I must introduce them to you. There's an Eric Fennington and Tony Barton, such dear boys and devoted to Adelaide. She's so popular in York, you know. Naughty girl, I tell her that Sydney will be jealous if she always has a trail of young men following her about. And then, what will the unmarried girls do if staid matrons like her monopolize all the men?"

Mrs. Hammond smiled gently. "Ah, well, you know. There are still just a few men left in Marshington. We are not all as adventurous as Adelaide, going to York. But then, of course, a different generation——" She glanced across the room to the goodly paunch and receding hair of Sydney Rutherford, who was earning £2,000 a year and who looked every penny of it. Then she broke off. "Oh, there is Mrs. Potter Vallery. I promised to keep her in countenance as the only woman here in a last year's dress."

Only since her acquaintance with Mrs. Potter Vallery had Mrs. Hammond dared to say nasty things to the Marshington ladies. The relief, after so many years of restraint, was immense. She crossed the room, leaving Mrs. Cartwright, whom Muriel had just released from contemplation of the Nursing Club, Class A. Subscribers, to keep Mrs. Waring company near the door.

"Poor Rachel Hammond is growing quite thin, isn't she?"

"Yes," murmured Mrs. Waring into her fan. "Running after Honourables is hard work. And then, of course, they say"—Mrs. Waring dropped her voice—"that Arthur Hammond——" She shrugged her shoulders.

"Well, poor woman! poor woman! I hope it's not true. I dare say that she feels Marshington relaxing." Mrs. Cartwright's good humour led her always to attribute human trouble to the defects of impersonal locality. It saved her from having to blame people. "I'm sure that I haven't been well all this winter. I did think of going to Buxton in the spring, but Mrs. Marshall Gurney says that it didn't do her a scrap of good."

"But I don't think that it was for a change of air so much as a change of scene that Annabelle went to Buxton."

"Scene?"

"Scene. For Phyllis and for herself. An exclusive view of the Weare Grange becomes a little tiring after a time. I dare say that Mrs. Hammond may try for a change soon, but I rather think that she has the more staying power." Having tried the waiting game herself and abandoned it, Mrs. Waring felt that she had a right to find amusement in a contest that had once engaged almost the whole of Marshington, but which had now, she considered, been reduced to the final round.

Meanwhile, having secured her smile from Mrs. Potter Vallery, Mrs. Hammond reviewed her daughters' programmes. She had grown accustomed to these early arrivals, followed by a determined search for partners, while she shepherded stray young men gently up to her waiting girls. She did it well, and also contrived to achieve a reputation for introducing men to other people's daughters; this was one of her more clever strokes of statesmanship. To-night she felt that her burden might be easier. For some time things had been working up to a climax. Well, if Connie went before Muriel, what matter?

"Let me see, Muriel, was it the first waltz or the fifth that you were going to have with Godfrey Neale? The fifth? That's right. And Connie, let me see, where was it you said that Dr. McKissack promised to meet us?"

"He never exactly said," Connie began.

"He's over there, talking to that girl in green. They've just come in," said Muriel.

"I expect that he's waiting for us; I'll go and tell him that we've come." As Mrs. Hammond crossed the room, she was thinking, "Dickie Weathergay proposed to Daisy at the Tennis Dance . . . Hugh McKissack, Dr. McKissack, my son-in-law. A very old Scotch family. I only hope that Connie keeps her hair tidy for once. A doctor. A professional man." But when the tender smile curved her lips as she approached the young man, it was because she had thought for a moment of her husband.

Dr. McKissack turned with a slight flush to face her greeting. Being not entirely shameless, the memory of many Sunday night suppers oppressed him. But he was a Scotchman, and wanted to marry, and had no private means, and cold saddle of mutton had been welcome.

"Ah, Mrs. Hammond, good, good. And how are ye? Glad you were able to come." Seeing her pretty, waiting face, he felt more nervous than was reasonable. But he was a man of courage. Had he not been, he never could have enjoyed his saddle of mutton. "I want to introduce you to my fiancée. I think that you know Miss Hemmingway."

Mrs. Hammond, who did not know the daughter of a retired grocer, bowed. She even continued to smile. "Of course. I am so pleased to meet you at last. Naturally I remember having seen you at dances and things for years, haven't I? But we've never really managed to meet."

She was even able to search out Mrs. Cartwright, and to remark casually:

"Seen the latest couple? That Hemmingway girl and Dr. McKissack? He's just told me that they are engaged."

Mrs. Cartwright nodded comfortably. "Yes, it's been coming on for a long time, I understand. I'm so glad for her sake, poor girl. People haven't been very nice to her."

"Well, I had never come across her before, but, considering who she is, I thought that she seemed quite a nice sort of girl. Most suitable, I think. I know the doctor a little. Used to entertain him when he first came here."

"Yes. I know how good you always are to the boys," Mrs. Cartwright said without irony. Because she had a charitable mind, Mrs. Hammond found her restful; but when she had left the shelter of her disarming simplicity, and found herself surrounded again by Warings, Parkers and their friends, her courage almost failed her. She had needed it so often lately. The infamy of it! The graceless, wicked ingratitude! All that cold chicken and salmon, and the saddles of mutton. Besides, she had liked the little man. She had thought that he liked her. She could have sworn that he liked her. Connie. Her small, tightly gloved hands locked round her fan. She felt tired and suddenly old; but there could be no respite for her. Already the orchestra was groaning and wailing before the first dance. The girls must have partners. Connie must be told without being upset. It was difficult to tell with Connie. She rather liked to make a scene, like Arthur, but without his faculty for success. Mrs. Hammond drew the soft feathers of her fan across her aching forehead, and went into the ball-room.

Adelaide Rutherford was leading her young men across the floor. Now if only Connie were sensible and had a fairly full programme, she might still carry things off. She certainly looked well to-night, and one of Adelaide's young men from York, while talking to Gertrude Larkinton, seemed continually to be watching Connie's gay blue dress. Supposing that Connie, unconscious of the doctor's perfidy, were keeping dances for him? She must be told, and told quickly. Muriel, who did not mind, would do it best, but Muriel was talking to Rosie Harpur. That was one of Muriel's irritating habits. People might begin to think of them together, as poor Rosie Harpur and poor Muriel Hammond. Failure is so contagious.

"Muriel, dear, just a moment."

"Yes, Mother?"

"Is she—do you know whether she has been keeping any dance for Dr. McKissack?"

"Several, I think."

"You've got to tell her, now, that he's engaged to that Hemmingway girl." Her voice quivered fiercely. "It's disgraceful. Disgraceful."

Muriel's mouth twisted into a small, cold smile. "It's not the first time that it's happened. Are you surprised?" Being used to these reverses, she was hardly interested. The little doctor was just one of the many men who had come to their house, and gone. Then she saw that her mother had been surprised. Pity as usual froze her to stiff shyness, though she wanted then to carry Mrs. Hammond away home and kiss her better, for she had looked for a moment as small and defenceless as a hurt child. But Mrs. Hammond was not a hurt child. She braced herself for battle.

"We must tell Connie." She had seen the young man from York leave Gertrude Larkinton to ask Adelaide some question, looking all the time in the direction of Connie's blue dress. If only Connie could have this little piece of flattery to soothe her directly she had been told about the doctor, like a chocolate after the dose, it might just save the situation. Mrs. Hammond hurried to her daughter.

"Connie, you'll never guess." They must take it lightly. "Such a piece of news, isn't it, Muriel?"

"Oh, I suppose so. Dr. McKissack and that Hemmingway girl are going to be married," remarked Muriel without enthusiasm.

Adelaide was leading the young man across the room. Connie started and looked up.

"How did you hear?" she asked quickly.

"He told me now. She's here. In the green dress."

They waited for a time that seemed to be years long, while the first notes of "The Pink Lady" summoned couples from their seats. Then Connie's shrill laugh rang out.

"So you've only just heard? You know, he told me days ago."

Adelaide was there with her young man.

"Hullo, Addie, how's the world with you?"

"I am very fit, thanks, and I want to introduce you to Mr. Fennington, or rather, he wants to be introduced to you. He's been pestering me all the evening."

Adelaide smiled indulgently. Out of her plenty she could afford to throw an occasional partner to the Hammond girls.

Mrs. Hammond and Muriel withdrew, well pleased.

"No partner for this one, dear? Oh, well, that's that. I wonder why she never told us, though? She'll be all right this evening, I think. That young man meant business. And what about you?"

"Oh, I'm all right. Don't worry about me."

What need to worry about her, about anyone? Muriel sat against the wall, her brooding eyes fixed on the kaleidoscope of colour before her. Two years ago, she would have smiled uncomfortably over her fan, pretending to wait for a non-existent partner. But now she was tired of pretence. The world was like that. There were always some people who danced and some who sat by the wall, watching until the candles guttered in their sockets, until the dancers wearied of encircling arms, until the bleak, grey light peered through the curtained window. Muriel was just one of those. That was all.

Connie passed, dancing with the young man from York, her red head high, her eyes bright. Which was Connie, one of the dancers, or one of those who watched? It was hard to tell about Connie. Nobody might ask her to dance, and yet, and yet, Muriel could not somehow picture Connie sitting by the wall. But to go forward on one's own was against the rules of the game. And never was game more hedged about with rules than this which women played for contentment or despair.

These were silly thoughts. Nobody was asking Muriel to be contented or desperate. She was simply being sentimental because the little Scotch doctor, who was nothing to the Hammonds, had become engaged. Her next partner, Mr. Mullvaney from the Bank of England, had come across the room to claim her.

The dance passed much as other dances. Muriel's partners were scattered but reliable. Connie seemed to be more than usually happy. Everywhere that Mrs. Hammond looked, she seemed to see the bright hair and laughing face of her younger daughter. Then, after supper, the strange thing happened.

Muriel's waltz with Godfrey Neale had come, the waltz that he unfailingly offered her. Godfrey liked regularity and tradition. They had waltzed sedately, and now sat on a plush-covered sofa in the corridor, silent as usual, for they had little enough to say to one another. Even the excitement of thinking that she really was dancing with Godfrey Neale had left Muriel. He had been too long the goal of Marshington maidenhood.

She wished that the passage were not so draughty, and that she did not feel so dumb.

Suddenly from behind a screen along the passage, rang out a clear, shrill laugh. A resounding kiss shattered the silence more boldly than a cannon shot. There followed the sound of a slap—bare flesh on flesh. A voice called, broken with laughter, "Oh, you naughty boy!"

Muriel and Godfrey sat up. Such things simply did not happen in Marshington ball-rooms.

Muriel always remembered the stiffening of Godfrey's figure. He hated so emphatically all that sort of thing. And yet, she herself shuddered with fear. For she thought that she had recognized the voice.

In another moment the orchestra would play. The next dance would begin. Probably the couple might emerge from behind the screen. It couldn't have been Connie. She was sometimes rather silly, but she would never do a thing like that. All the same, it was not safe to wait until she was sure.

Muriel never knew whether she ran away because she did not want Godfrey Neale to know, or because she did not want to know herself. She always tried to hide unpleasant truths for as long as possible.

"Isn't there rather a draught here?" she asked. "Shall we be strolling back?"

They went, and Muriel thrust misgivings from her mind.

As she undressed that night, her mother came to her.

"I think that Connie's all right now, don't you?"

The misgivings returned. Had Connie cared?

"Oh, quite all right, I think, mother."

What business had Muriel with misgivings? Mrs. Hammond was pitifully tired and needed to be reassured.

"Well, good night, then, dear. We needn't have worried, need we? Really, I'm very glad that it has turned out like this. He is rather a commonplace young man."

"Oh, I never thought that there was anything in it."

The memory of Connie's face before she had laughed returned to Muriel. Yet she could not have cared for him, not Connie, for that little man.

"Well, then, it all went off very nicely."

"Very. Good night."

The door closed. Her mother's soft slippers padded away down the passage, and Muriel went to bed. But through the early morning darkness her thoughts strayed in drowsy confusion, and she saw again the glittering ball-room, and heard that horrible laugh from behind the screen, and saw, though she had forgotten them during the curious evening, the mocking eyes of a girl in the rain-dark street.