I
Hodder, in spite of a pressing invitation to remain for supper, had left them together. He turned his face westward, in the opposite direction from the parish house, still under the spell of that moment of communion which had lasted—he knew not how long, a moment of silent revelation to them both. She, too, was storm-tossed! She, too, who had fared forth so gallantly into life, had conquered only to be beaten down—to lose her way.
This discovery strained the very fibres of his being. So close he had been to her—so close that each had felt, simultaneously, complete comprehension of the other, comprehension that defied words, overbore disagreements. He knew that she had felt it. He walked on at first in a bewildered ecstasy, careless of aught else save that in a moment they two had reached out in the darkness and touched hands. Never had his experience known such communion, never had a woman meant what this woman meant, and yet he could not define that meaning. What need of religion, of faith in an unseen order when this existed? To have this woman in the midst of chaos would be enough!
Faith in an unseen order! As he walked, his mind returned to the argument by which he had sought to combat her doubts—and his own. Whence had the argument come? It was new to him—he had never formulated it before—that pity and longing and striving were a justification and a proof. Had she herself inspired, by some unknown psychological law, this first attempt of his to reform the universe, this theory which he had rather spoken than thought? Or had it been the knowledge of her own longing, and his desire to assuage it? As twilight fell, as his spirits ebbed, he could not apply it now—it meant nothing to him, evaded him, there was in it no solace. To regain his footing once more, to climb again without this woman whom he needed, and might not have! Better to fall, to be engulfed. . . The vision of her, tall and straight, with the roses on her breast, tortured him.
Thus ecstasy ebbed to despondency. He looked around him in the fading day, to find himself opposite the closed gates of the Botanical Gardens, in the southwestern portion of the city . . . . An hour later he had made his way back to Dalton Street with its sputtering blue lights and gliding figures, and paused for a moment on the far sidewalk to gaze at Mr. Bentley's gleaming windows. Should he go in? Had that personality suddenly lost its power over him? How strange that now he could see nothing glowing, nothing inspiring within that house,—only a kindly old man reading a newspaper!
He walked on, slowly, to feel stealing on him that desperate longing for adventure which he had known so well in his younger days. And he did not resist. The terror with which it had once inspired him was gone, or lingered only in the form of a delicious sense of uncertainty and anticipation. Anything might happen to him—anything would be grateful; the thought of his study in the parish house was unbearable; the Dalton Street which had mocked and repelled him suddenly became alluring with its champaigns of light and inviting stretches of darkness. In the block ahead, rising out of the night like a tower blazing with a hundred beacons, Hodder saw a hotel, heard the faint yet eager throbbing of music, beheld silhouetted figures flitting from automobiles and carriages across the white glare of the pavement,—figures of men and women.
He hastened his steps, the music grew louder and louder in his ears, he gained the ornamental posts crowned by their incandescent globes, made his way through the loiterers, descended the stone steps of the restaurant, and stood staring into it as at a blurred picture. The band crashed a popular two-step above the mingled voices and laughter. He sat down at a vacant table near the door, and presently became aware that a waiter had been for some time at his elbow.
"What will you have, sir?"
Then he remembered that he had not eaten, discovered that he was hungry, and ordered some sandwiches and beer. Still staring, the figures began to differentiate themselves, although they all appeared, somehow, in perpetual motion; hurrying, though seated. It was like gazing at a quivering cinematograph. Here and there ribbons of smoke curled upward, adding volume to the blue cloud that hung over the tables, which in turn was dissipated in spots by the industrious electric fans. Everywhere he looked he met the glances of women; even at the table next him, they were not so absorbed in their escorts as to be able to resist flinging him covert stares between the shrieks of laughter in which they intermittently indulged. The cumulative effect of all these faces was intoxicating, and for a long time he was unable to examine closely any one group. What he saw was a composite woman with flushed cheeks and soliciting eyes, becomingly gowned and hatted—to the masculine judgment. On the walls, heavily frescoed in the German style, he read, in Gothic letters:
"Wer liebt nicht Wein, Weib, and Gesang,
Er bleibt ein Narr sein Leben lang."
The waiter brought the sandwiches and beer, yet he did not eat. In the middle distance certain figures began insistently to stand out,—figures of women sitting alone wherever he looked he met a provoking gaze. One woman, a little farther away than the rest, seemed determinedly bent on getting a nod of recognition, and it was gradually borne in upon Hodder's consciousness that her features were familiar. In avoiding her eyes he studied the men at the next table,—or rather one of them, who loudly ordered the waiters about, who told brief anecdotes that were uproariously applauded; whose pudgy, bejewelled fingers were continually feeling for the bottle in the ice beside his chair, or nudging his companions with easy familiarity; whose little eyes, set in a heavy face, lighted now and again with a certain expression . . . . .
Suddenly Hodder pushed back his chair and got to his feet, overcome by a choking sensation like that of being, asphyxiated by foul gases. He must get out at once, or faint. What he had seen in the man's eyes had aroused in him sheer terror, for it was the image of something in his own soul which had summarily gained supremacy and led him hither, unresisting, to its own abiding-place. In vain he groped to reconstruct the process by which that other spirit—which he would fain have believed his true spirit—had been drugged and deadened in its very flight.
He was aware, as he still stood uncertainly beside the table, of the white-aproned waiter looking at him, and of some one else!—the woman whose eyes had been fastened on him so persistently. She was close beside him, speaking to him.
"Seems to me we've met before."
He looked at her, at first uncomprehendingly, then with a dawning realization of her identity. Even her name came to him, unexpectedly, —Kate Marcy,—the woman in the flat!
"Ain't you going to invite me to have some supper?" she whispered eagerly, furtively, as one accustomed to be rebuffed, yet bold in spite of it. "They'll throw me out if they think I'm accosting you."
How was it that, a moment ago, she had appeared to him mysterious, inviting? At this range he could only see the paint on her cheeks, the shadows under her burning eyes, the shabby finery of her gown. Her wonderful bronze hair only made the contrast more pitiful. He acted automatically, drawing out for her the chair opposite his own, and sat down again.
"Say, but I'm hungry!" she exclaimed, pulling off her gloves. She smiled at him, wanly, yet with a brazen coquettishness become habit.
"Hungry!" he repeated idly.
"I guess you'd be, if you'd only had a fried egg and a cup of coffee to-day, and nothing last night."
He pushed over to her, hastily, with a kind of horror, the plate of sandwiches. She began eating them ravenously; but presently paused, and thrust them back toward him. He shook his head.
"What's the matter with you?" she demanded.
"Nothing," he replied.
"You ordered them, didn't you? Ain't you eating anything?"
"I'm not hungry," he said.
She continued eating awhile without comment. And he watched her as one fascinated, oblivious to his surroundings, in a turmoil of thought and emotion.
"I'm dry," she announced meaningly.
He hesitated a moment, and then gave her the bottle of beer. She made a wry face as she poured it out.
"Have they run out of champagne?" she inquired.
This time he did not hesitate. The women of his acquaintance, at the dinner parties he attended, drank champagne. Why should he refuse it to this woman? A long-nosed, mediaeval-looking waiter was hovering about, one of those bizarre, battered creatures who have long exhausted the surprises of life, presiding over this amazing situation with all the sang froid of a family butler. Hodder told him to bring champagne.
"What kind, sir?" he asked, holding out a card.
"The best you have."
The woman stared at him in wonder.
"You're what an English Johnny I know would call a little bit of all right!" she declared with enthusiastic approval.
"Since you are hungry," he went on, "suppose you have something more substantial than sandwiches. What would you like?"
She did not answer at once. Amazement grew in her eyes, amazement and a kind of fear.
"Quit joshing!" she implored him, and he found it difficult to cope with her style of conversation. For a while she gazed helplessly at the bill of fare.
"I guess you'll think it's funny," she said hesitatingly, "but I feel just like a good beefsteak and potatoes. Bring a thick one, Walter."
The waiter sauntered off.
"Why should I think it strange?" Hodder asked.
"Well, if you knew how many evenings I've sat up there in my room and thought what I'd order if I ever again got hold of some rich guy who'd loosen up. There ain't any use trying to put up a bluff with you. Nothing was too good for me once, caviar, pate de foie gras" (her pronunciation is not to be imitated), "chicken casserole, peach Melba, filet of beef with mushrooms,—I've had 'em all, and I used to sit up and say I'd hand out an order like that. You never do what you think you're going to do in this life."
The truth of this remark struck him with a force she did not suspect; stung him, as it were, into a sense of reality.
"And now," she added pathetically, "all t want is a beefsteak! Don't that beat you?"
She appeared so genuinely surprised at this somewhat contemptible trick fate had played her that Hodder smiled in spite of himself.
"I didn't recognize you at first in that get-up," she observed, looking at his blue serge suit. "So you've dropped the preacher business, have you? You're wise, all right."
"Why do you say that?" he asked.
"Didn't I tell you when you came 'round that time that you weren't like the rest of 'em? You're too human."
Once more the word, and on her lips, startled him.
"Some of the best men I have ever known, the broadest and most understanding men, have been clergymen," he found himself protesting.
"Well, they haven't dropped in on me. The only one I ever saw that measured up to something like that was you, and now you've chucked it."
Had he, as she expressed the matter, "chucked it"? Her remark brought him reluctantly, fearfully, remorselessly—agitated and unprepared as he was—face to face with his future.
"You were too good for the job," she declared. "What is there in it? There ain't nobody converted these days that I can see, and what's the use of gettin' up and preach into a lot of sapheads that don't know what religion is? Sure they don't."
"Do you?" he asked.
"You've called my bluff." She laughed. "Say, do YOU?" If there was anything in it you'd have kept on preachin' to that bunch and made some of 'em believe they was headed for hell; you'd have made one of 'em that owns the flat house I live in, who gets fancy rents out of us poor girls, give it up. That's a nice kind of business for a church member, ain't it?"
"Owns the house in which you live!"
"Sure." She smiled at him compassionately, pitying his innocence and ignorance. "Now I come to think of it, I guess he don't go to your church,—it's the big Baptist church on the boulevard. But what's the difference?"
"None," said Hodder, despondently.
She regarded him curiously.
"You remember when you dropped in that night, when the kid was sick?"
He nodded.
"Well, now you ain't in the business any more, I may as well tell you you kind of got in on me. I was sorry for you—honest, I was. I couldn't believe at first you was on the level, but it didn't take me long to see that they had gold-bricked you, too. I saw you weren't wise to what they were."
"You thought—" he began and paused dumfounded.
"Why not?" she retorted. "It looked easy to me,—your line. How was I to know at first that they had you fooled? How was I to know you wasn't in the game?"
"The game?"
"Say, what else is it but a game? You must be on now, ain't you? Why. do they put up to keep the churches going? There ain't any coupons coming out of 'em.
"Maybe some of these millionaires think they can play all the horses and win,—get into heaven and sell gold bricks on the side. But I guess most of 'em don't think about heaven. They just use the church for a front, and take in strangers in the back alley,—downtown."
Hodder was silent, overwhelmed by the brutal aptness of her figures. Nor did he take the trouble of a defence, of pointing out that hers was not the whole truth. What really mattered—he saw—was what she and those like her thought. Such minds were not to be disabused by argument; and indeed he had little inclination for it then.
"There's nothing in it."
By this expression he gathered she meant life. And some hidden impulse bade him smile at her.
"There is this," he answered.
She opened her mouth, closed it and stared at him, struck by his expression, striving uneasily to fathom hidden depths in his remark.
"I don't get on to you," she said lamely. "I didn't that other time.
I never ran across anybody like you."
He tried to smile again.
"You mustn't mind me," he answered.
They fell into an oasis of silence, surrounded by mad music and laughter. Then came the long-nosed waiter carrying the beefsteak aloft, followed by a lad with a bucket of ice, from which protruded the green and gold neck of a bottle. The plates were put down, the beefsteak carved, the champagne opened and poured out with a flourish. The woman raised her glass.
"Here's how!" she said, with an attempt at gayety. And she drank to him. "It's funny how I ran across you again, ain't it?" She threw back her head and laughed.
He raised his glass, tasted the wine, and put it down again. A sheet of fire swept through him.
"What's the matter with it? Is it corked?" she demanded. "It goes to the right spot with me."
"It seems very good," he said, trying to smile, and turning to the food on his plate. The very idea of eating revolted him—and yet he made the attempt: he had a feeling, ill defined, that consequences of vital importance depended upon this attempt, on his natural acceptance of the situation. And, while he strove to reduce the contents of his plate, he racked his brain for some subject of conversation. The flamboyant walls of the room pressed in on every side; comment of that which lay within their limits was impossible,—but he could not, somehow, get beyond them. Was there in the whole range of life one easy topic which they might share in common? Yet a bond existed between this woman and himself—a bond of which he now became aware, and which seemed strangely to grow stronger as the minutes passed and no words were spoken. Why was it that she, too, to whom speech came so easily, had fallen dumb? He began to long for some remark, however disconcerting. The tension increased.
She put down her knife and fork. Tears sprang into her eyes,—tears of anger, he thought.
"Say, it's no use trying to put up a bluff with me," she cried.
"Why do you say that?" he asked.
"You know what I mean, all right. What did you come in here for, anyway?"
"I don't know—I couldn't tell you," he answered.
The very honesty of his words seemed, for an instant, to disconcert her; and she produced a torn lace handkerchief, which she thrust in her eyes.
"Why can't you leave me alone?" she demanded. "I'm all right."
If he did not at once reply, it was because of some inner change which had taken place in himself; and he seemed to see things, suddenly, in their true proportions. He no longer feared a scene and its consequences. By virtue of something he had cast off or taken on, he was aware of a newly acquired mastery of the situation, and by a hidden and unconscious process he had managed to get at the real woman behind the paint: had beaten down, as it were without a siege, her defences. And he was incomparably awed by the sight of her quivering, frightened self.
Her weeping grew more violent. He saw the people at the next table turn and stare, heard the men laughing harshly. For the spectacle was evidently not an uncommon one here. She pushed away her unfinished glass, gathered up her velvet bag and rose abruptly.
"I guess I ain't hungry after all," she said, and started toward the door. He turned to the waiter, who regarded him unmoved, and asked for a check.
"I'll get it," he said.
Hodder drew out a ten dollar bill, and told him to keep the change. The waiter looked at him. Some impulse moved him to remark, as he picked up the rector's hat:
"Don't let her put it over you, sir."
Hodder scarcely heard him. He hurried up the steps and gained the pavement, and somewhere in the black shadows beyond the arc-lights he saw her disappearing down the street. Careless of all comment he hastened on, overtook her, and they walked rapidly side by side. Now and again he heard a sob, but she said nothing. Thus they came to the house where the Garvins had lived, and passed it, and stopped in front of the dimly lighted vestibule of the flats next door. In drawing the key from her bag she dropped it: he picked it up and put it in the lock himself. She led the way without comment up the darkened stairs, and on the landing produced another key, opened the door of her rooms, fumbled for the electric button, and suddenly the place was flooded with light. He glanced in, and recoiled.