BIBLIOGRAPHY
Arsène Alexandre:
Préface du catalogue de l’exposition des œuvres de Camille Pissarro. Paris, April 1891.
Claude Monet, L’Éclair. Paris, 26 May 1895.
· An article with portrait.
Préface du catalogue de l’exposition des œuvres de Renoir. Paris, May 1893.
Préface du catalogue des Tableaux Modernes, collection de M. Jules Strauss, MM. Paul Chevallier et Bernheim jeune. Paris.
· A magnificently illustrated record of a collection belonging to wealthy connoisseurs; much sought after by collectors.
Histoire populaire de la peinture, École Française. H. Laurens, Paris.
· A concise history of French art, with 250 illustrations, by the art critic of the Figaro.
Le “Balzac” de Rodin. H. Floury, Paris.
· A witty defence of Rodin’s statue, together with a scathing attack upon public taste generally.
Préface du catalogue de l’exposition des œuvres d’Armand Guillaumin. Durand-Ruel, Paris.
· A sympathetic essay upon the artist’s career.
Préface du catalogue de l’exposition des œuvres de Zandomeneghi. Paris, 1893.
A. M.:
Les artistes à l’atelier—Camille Pissarro et A. Renoir. “L’Art dans les Deux Mondes.” Paris, 6th and 31st Jan. 1891.
“Art Journal”:
Some remarks upon Impressionism; with.
G. Albert Aurier:
Le Néo-Impressionisme (Camille Pissarro). Mercure de France, Paris, 1895.
Le Syncholisme en peinture (Paul Gauguin). Mercure de France, Paris, March 1891.
L’Impressionisme (Monet et Renoir). Mercure de France, Paris, 1893.
Francis Bate:
The Naturalistic School of Painting. The Artist, London, 1887.
Edmond Bazire:
Manet. Paris, 1884.
Emile Bernard:
Les hommes d’aujourd’hui—Paul Cézanne, avec dessin de Pissarro. Vannier, Paris.
F. A. Bridgmann:
L’anarchie dans l’art, Impressionisme—Symbolisme. L. H. May, Paris.
W. C. Brownell:
French art, Realistic painting. Scribner’s Magazine, Nov. 1892.
· A lengthy illustrated article written with knowledge, although some of the conclusions arrived at by the author cannot be admitted.
French art. London, 1892. · The collected articles first published in Scribner’s, but without the illustrations.
Gustave Cahen:
Eugène Boudin, sa vie et son œuvre (Preface by Arsène Alexandre). H. Floury, Paris, 1900.
· Fully illustrated, with dry point by Paul Helleu. It contains special references to the early days of Impressionism.
Préface du catalogue des Tableaux Modernes. Collection de Monsieur L. B. Chevallier et Bernheim jeune, Paris. · Numerous photogravures of Impressionist works, particularly of those by Boudin.
M. Chevreul:
The principles of harmony and contrast of colours, and their application to the arts. Tr. C. Martel. Longmans, London, 1854.
· This book, the standard work upon the subject, should be in the hands of every person who desires to study Impressionism thoroughly. This is the best English translation.
A. H. Church:
The Laws of Contrast of Colour. Tr. J. Spanton. London, 1858.
Colour, an Elementary Manual for Students. Cassells, London, 1901.
Chemistry of Paints and Painting. London, 1890.
· These excellent books deal with all the problems of light and colour.
G. Clémenceau:
Exposition des Cathédrales de Rouen. La Justice, May 20, 1895.
· An important article by a writer of ability.
E. Delacroix:
Mon Journal, 1823-63 (notes par Flat et Riot). Paris, 1893. Three volumes.
Denoinville:
Sensations d’art. Girard, Paris.
· A collection of short essays dealing with such subjects as Corot, Eugène Carrière, the Simplists, l’Art nouveau, &c.
Wynford Dewhurst:
Claude Monet, Impressionist; Pall Mall Magazine, London, June 1900.
A great French Landscapist. Artist, London, October 1900.
· These articles are notable for their reproductions of Monet’s works.
Impressionist Painting; its Genesis and Development. Studio, London, June and September, 1903.
Duranty:
La nouvelle peinture. Paris, 1876.
· A rare and interesting brochure.
Théodore Duret:
Histoire d’Édouard Manet. H. Floury, Paris, 1902.
· The official biography of Manet, by his life-long friend and executor, with many illustrations, and a complete catalogue of works.
Les Peintures Impressionistes. Paris, 1878.
· A short treatise on Impressionism, explanatory and defensive, with biographical notes of Monet, Sisley, Pissarro, Renoir, Morisot.
L’art Japonais. Quantin, Paris.
Critique d’avant garde. Charpentier, Paris, 1885.
Degas. The Art Journal, London, 1894.
· A critical illustrated article.
Félicien Fagus:
Petite gazette d’art Cézanne. Revue Blanche, Paris, December 1899.
Petite gazette d’art, Camille Pissarro. Revue Blanche. Paris, April 1899.
Felix Fénélon:
Les Impressionistes en 1886. Paris, 1886.
André Fontainas:
Art Moderne, Zandomeneghi. Mercure de France, April 1898.
Art Moderne, Camille Pissarro. Mercure de France, July 1898, May 1899.
Art Moderne, Exposition Cézanne. Mercure de France, June 1898.
Art Moderne, Renoir. Mercure de France, July 1898, May 1899.
André Fontainas:
Art Moderne, Claude Monet. Mercure de France, July 1898, May 1899.
Pascal Forthuny:
Catalogue des Tableaux Modernes. Preface by Roger Marx. Durand-Ruel, Paris.
· Richly illustrated.
Pascal Forthuny:
Catalogue de Tableaux. Préface by H. Fourquier. Bernheim et Chevallier, Paris.
· A handsome volume illustrated by many engravings and photographs.
W. H. Fuller:
Claude Monet and his Paintings. Evening Sun, New York, January 26, 1899.
Gustave Geffroy:
Sisley, Préface pour la Vente. May 1, 1899.
Notice de l’Exposition d’Œuvres de Camille Pissarro. Paris, February 1890.
La Vie artistique. E. Dentu, Paris, 1892-1900.
· These volumes of art criticism cover the whole field of Impressionism, and include a lengthy history of the movement. To the student and historian of modern French art they are invaluable.
and Arsène Alexandre. Corot and Millet, Winter Number of the Studio, London, 1902.
(Préface). Catalogue de Tableaux, collection de M. E. Blot. Paris, Bernheim jeune.
· Contains essays upon Carrière, Cézanne, Fantin-Latour, Guillaumin, Jongkind, Monet, Morisot, Pissarro, Renoir, Toulouse-Lautrec, Degas.
Maurice Guillemot:
Claude Monet. Revue Illustrée, Paris, March 1898.
J. K. Huysmans:
Certains. Paris, 1896. L’Art Moderne. Paris, 1883.
Franz Jourdain:
Renoir et Renouard. Les Décorés, 1895.
Claude Monet. Les Décorés, 1895.
Hommes du Jour, Renoir. L’Éclair, Paris, May 1899.
Hommes du Jour, Pissarro. L’Éclair, Paris, June 1898.
Miss R. G. Kingsley:
A History of French Art. Longmans, London, 1899.
Georges Lecomte:
L’Art Impressionniste. Paris, 1892.
· Contains 36 etchings of Impressionist pictures in the collection of M. Durand Ruel.
Georges Lecomte:
Camille Pissarro, Préface pour l’Exposition. Paris, February 1892.
Pissarro, Les Hommes d’Aujourd’hui, No. 366. Paris.
Pissarro. “Revue populaire des Beaux-Arts.” Paris, June 1898.
Alfred Sisley. “Revue populaire des Beaux-Arts.” February 1899.
Alfred Sisley. “L’Art dans les Deux Mondes.” Paris, February 1891.
D. S. MacColl:
Nineteenth Century Art. Maclehose, Glasgow, 1903.
The Albemarle Review, London, Sept. 1892.
Fortnightly Review, London, June 1894.
The Artist, London, March and July 1896.
Impressionism. “Encyclopædia Britannica” Supplement, 1903.
Mr. Whistler’s Paintings in Oil. Art Journal, London, March 1893.
Camille Mauclair:
The French Impressionists. Duckworth, London, 1903.
The Néo-Impressionists. Artist, London, May 1902.
The Great French Painters. Duckworth, London, 1903.
Charles Maurice:
Rodin. Floury, Paris, 1900.
André Mellerio:
L’Art Moderne, Exposition de Paul Cézanne. La Revue Artistique, February 1896.
Mary Cassatt, Préface de l’Exposition de 1897.
L’Exposition de 1900, L’Impressionisme. H.
Floury, Paris, 1900.
· Contains short essays upon pictures exhibited at the Exhibition, with particular reference to Impressionist works, together with a useful bibliography.
Le Mouvement Idéaliste en Peinture. H. Floury, Paris.
· A biographical sketch of the artists who associated themselves with this movement, 1885-95; Puvis de Chavannes, Gustave Moreau, Odilon Redon, Paul Cézanne, Vincent van Gogh, Toulouse-Lautrec, &c.
F. H. Meissner:
A German Revolutionary—Max Liebermann. Art Journal, London, August 1893.
André Michel:
Notes sur l’Art Moderne. Colin, Paris, 1896.
· Essays on Corot, Millet, Delacroix, Monet, Puvis de Chavannes.
O. Mirbeau:
Claude Monet. “L’Art dans les Deux Mondes.” Paris, March 1891.
Camille Pissarro. “L’Art dans les Deux Mondes.” Paris, January 1891. Le Figaro, Paris, February 1, 1892.
O. Mirbeau:
Together with Bouyer, Tailhade, Maus Mellerio, Dan, Mauclair, Geffroy, Marx, Mourey. J. F. Raffaëlli. Paris.
· A collection of illustrated appreciations of the artists.
Matthias Morhardt:
Eugène Carrière. Magazine of Art, London, August 1898.
George Moore:
Modern Painting. Scott, London, 1898.
· Impressions and Opinions. Nutt, London, 1890. These two books contain interesting essays upon Whistler, Manet, Corot, &c.
Richard Muther:
The History of Modern Painting (3 volumes). Henry, London, 1896.
Thadée Natanson:
Claude Monet et Paul Cézanne. La Revue Blanche, Paris 1900.
De M. Renoir et de la Beauté. La Revue Blanche, Paris, 1900.
Max Osborn:
Claude Monet. Das Magazin für Literatur, Dec. 1896.
Miles L. Roger:
Les Artistes Célèbres. Corot, Paris.
Catalogue de Tableaux, Collection du Docteur D. Chevallier et Petit, Paris.
· Many illustrations, chiefly from works by Boudin.
Catalogue de Tableaux, Succession of Mme. Veuve Chocquet. Petit et Mannheim, Paris.
Sisley, Préface pour l’Exposition 1897. Catalogue de Tableaux, Collection of Louis Schœngrun. Chevallier et Petit, Paris.
· Many fine illustrations from the works of Lépine, Lebourg, Thaulow, Bonvin, Lhermitte, &c.
Ogden Rood:
Colour; International Scientific Series, 1879-81.
John Ruskin:
Modern Painters, Vol. II. Allen.
Gabriel Séailles:
L’Impressionisme (Almanach du Bibliophile pour l’Année 1898). Pelletan, Paris.
Paul Signac:
D’Eugène Delacroix au Néo-Impressionisme. Edition de La Revue Blanche, Paris, 1899.
· Explains how the Impressionist idea and technical method is almost entirely derived from Turner and Constable.
Thiebalt Sisson:
Sur l’Impressionisme. Le Temps, Paris, April 1899.
R. A. M. Stevenson:
The Art of Velazquez. Bell, London, 1895.
Hugo von Tschudi:
Manet. Cassirer, Berlin 1902.
· A short illustrated essay upon Manet’s art by the Director of the National Gallery of Berlin.
C. Waern:
Notes on French Impressionism. Atlantic Monthly, April 1892.
Frederick Wedmore:
The Impressionists. Fortnightly Review, London, January 1883.
T. de Wyzeva:
Renoir. “L’Art dans les Deux Mondes.” Paris, December 1890.
Y. R. B.:
Miss Cassatt. “L’Art dans les Deux Mondes.” November 1890.
Émile Zola:
Mes Haines. Paris.
· Essays on Manet, Cézanne, the Salons and the Impressionists.
