4.

Nevertheless, in spite of the ever fresh surprises which Paris had in store for him and of their undoubted attraction for his mind, the King soon began to feel a certain lassitude:

"Paris," he said to me, "is a wonderful, but tiring city. The houses are too high and there are too many carriages. How is it that you still allow horse-carriages? If I were the master here, I would abolish them and allow nothing but motors."

When he had visited the public buildings and done the sights and been to Fontainebleau and Versailles and Compiègne and had the mechanism of the phonographs and cinematographs explained to him he began to bore himself. He then thought of his dancing-girls, whom he had left behind at Marseilles, and sent for them to Paris on the pretext of exhibiting them at a garden-party given by the president of the republic at the Élysée. One fine morning, they all landed at the Gare de Lyon, a little bewildered, a little flurried, in the charge of the grim Princess Soumphady, who was dressed in a violet sampot, with a stream of diamonds round her neck. They arrived looking like so many lost sheep, accompanied by their six readers, their eight singers, their four dressers, their two comedians and their six musicians.

The dancers' advent created quite a sensation in the district of the Avenue Malakoff. They were quartered opposite the royal "palace," in a building at the back of a courtyard, and, when at last good King Sisowath saw them from his balcony, a broad smile of happiness lit up his yellow face.

They rehearsed their ballets every morning in a large room that did duty as a theatre. I was allowed to look on, as a special favour, and I was thus able to watch pretty closely those curious and amazingly artistic little creatures and their dances.

Their ballets always began with a musical prelude performed upon brass and bamboo instruments. Then, while some of the women struck up a religious chant and others clapped their hands in measured time, the dancers left the group one by one, shooting out and meeting in the ring; and a regular fanciful, childish drama was suggested by their movements, their gestures and their attitudes, which contrasted strangely with the sacerdotal repose of their features. They looked, at one time, like large, living flowers; at another, like automatic dolls.

The dances provided an odd medley of Moorish and Spanish steps. Sometimes, the stomach would sway to and fro, as though one were watching a dance of Egyptian almes; at other times, the legs quivered and the dancer stamped her feet, raised her arms, jerked her hips as though she meant to give us some Andalusian jota or habanera. And in those faces, which seemed inanimate beneath their fixed smiles, nothing allowed the inner feelings of the soul to penetrate: yet what suggestive mimicry was there, what harmonious poses and what marvellous costumes!

The Cambodian ballet-girls, when dancing in public, wear clothes that are simply fairy-like. They have bodices of silk stitched with gold and adorned with precious stones. These bodices are very heavy and are fitted upon them and sewn before each performance, so they form as it were a new skin and reveal with a clearness that is nothing short of impressive the slightest undulations of the body.

The dressers take two or three hours to clothe the dancers, after which they paint the girls' faces and deck them out with bracelets, necklaces and rings of priceless value. Sometimes also the dancers' fingers are slipped into long, bent, golden claws, which describe harmonious curves in space.

Lastly, the head-dress consists of either the traditional pnom—a sort of pointed hat, all of gold and fastened on by clutches that grip the head—or a wreath of enormous flowers, or else of a pale-tinted silk handkerchief rolled low over the temples.

KING SISOWATH'S DANCERS BEFORE THE PRESIDENT AT THE ÉLYSÉE PALACE

The dancers and their dances achieved, as may be imagined, no small success, first at the Elysée and afterwards in the Bois de Boulogne, where a gala performance was given, in the open-air theatre of the Pré Catelan, by the light of the electric lamps. Between whiles, they took drives through Paris, which gave rise to all sorts of astonished and enthusiastic manifestations on their part, much to the delight of their guides; for they had the mental attitude of little girls and, when, after a week, they had to go back to Marseilles, where they formed the principal attraction at the Colonial Exhibition, their despair was something immense. It was as much as we could do to console them by presenting them all with mechanical rabbits and unbreakable dolls.

And the King, once more, was bored. He was so thoroughly bored that, a few days after the departure of his ballet-girls, he resolved to go and spend a couple of days at Nancy, in order to see a dozen or two young Cambodians who had been attending the local industrial school for the last twelve-month. The organising of this visit was very troublesome, for the King had acquired a taste for military display and insisted upon being received at Nancy with full honours, such as he had been used to in Paris. Worse still, the trip very nearly ended in disaster, entirely through Sisowath's own fault.

The inhabitants of Nancy, amused and delighted by the show of Oriental luxury that met their eyes, gave the King an enthusiastic ovation far in excess of his expectations. His gratitude was such that, on the evening of his arrival, he took it into his head to manifest his delight by flinging handfuls of silver through the windows of the Prefecture to the crowd that stood cheering him on the Place Stanislas! The reader can picture the effect of this beneficent shower. Suddenly, loud cries and shouts were heard and a regular battle was fought in front of the Prefecture, for one and all wished to profit by the royal largesse.

I at once rushed up to the King and begged him to stop this dangerous game. But Sisowath, who was madly diverted by the sight, positively refused to yield to my entreaties. He even asked to have a thousand-franc note changed for gold.

Seeing that persuasion was of no avail, I took a quick and bold resolve. I had him removed from the window by force, undeterred by the insults with which he overwhelmed me in the Cambodian tongue.

But I had not yet come to the end of my emotions: a serio-comic incident followed apace. Sisowath, suddenly evading the watchfulness of my inspectors, who dared not detain him like a common malefactor, escaped, darted down the stairs, four steps at a time, opened a window on the ground floor and, with hoarse cries, began to fling into the square all the louis d'or which he had in his possession. The moment he heard us coming, quick as lightning he was off and flew to another window. For a quarter of an hour, a mad steeple-chase was kept up through all the rooms of the Prefecture, amid the roars of the excited crowd in the streets.

Fortunately, the King soon grew tired and accepted his defeat. As for me, I naturally looked upon my disgrace as assured. But Sisowath, thank goodness, was not vindictive. The next morning, he gave me his hand and, bursting into loud laughter, contented himself with saying:

"Very funny!"