"I put in 'The Charge of the Uhlans,'" I said, "and it played 'God
Save the King.'"
Unfortunately he was a very patriotic man, and he believed it. So that is how the story is now going about. But you who read this know the real truth of the matter.
A QUESTION OF LIGHT
As soon as Celia had got a cheque-book of her own (and I had explained the mysteries of "—— & Co." to her), she looked round for a safe investment of her balance, which amounted to several pounds. My offers, first of an old stocking and afterwards of mines, mortgages and aerated breads, were rejected at once.
"I'll leave a little in the bank in case of accidents," she said, "and the rest must go somewhere absolutely safe and earn me five per cent. Otherwise they shan't have it."
We did what we could for her; we offered the money to archdeacons and other men of pronounced probity; and finally we invested it in the Blanktown Electric Light Company. Blanktown is not its real name, of course; but I do not like to let out any information which may be of value to Celia's enemies—the wicked ones who are trying to snatch her little fortune from her. The world, we feel, is a dangerous place for a young woman with money.
"Can't I possibly lose it now?" she asked.
"Only in two ways," I said. "Blanktown might disappear in the night, or the inhabitants might give up using electric light."
It seemed safe enough. At the same time we watched the newspapers anxiously for details of the latest inventions; and anybody who happened to mention when dining with us that he was experimenting with a new and powerful illuminant was handed his hat at once.
You have Blanktown, then, as the depository of Celia's fortune. Now it comes on the scene in another guise. I made the announcement with some pride at breakfast yesterday.