No. 2. In this window the glass is in four pictures. In the lower left-hand compartment is Cardinal Evrad de la Marck, Bishop of Liege, supported by St. Lambert; and in the corresponding space to the right is Floris Egmont, Count de Buren, with his wife, attended by St. Christopher and St. Margaret. The picture above is of Maximilian Egmont, Count de Buren, kneeling before an altar, and attended by St. Christopher and St. Barbara. The remaining picture on the left has John, Count de Horn, and his wife Anne, also kneeling before an altar. They are attended by St. John the Evangelist and St. Anne the mother of the Virgin.
No. 3 contains six pictures, which go right across the window—(1) the lowest, has the church of the abbey already mentioned, with an abbess and two nuns, and the Virgin and Child; (2) the Virgin and Child again, with an angel bearing a shield; (3) the Virgin and Child, an abbot and abbess of the Cistercian Order, and the Emperor Lotharius II.; (4) Agnes Mettecoven and her husband kneeling to St. Agnes, with her lamb; (5) St. John the Evangelist and St. Barbara, St. John the Baptist, and St. Margaret, with members of the Mettecoven family; (6) the highest, has Henry de Lechy and his wife, with St. Henry and St. Christina.
No. 4. Christ scourged, Christ crowned with thorns, the Annunciation.
No. 5, the central window. The Ascension, Christ and the two Disciples at Emmaus, the Three Marys (modern glass).
No. 6. The Last Supper, the Entry into Jerusalem, the Betrayal of Christ in the Garden of Gethsemane.
No. 7. The Day of Judgment, the Day of Pentecost, St. Thomas is reproved for his doubt.
No. 8. Pilate delivering Christ to be crucified, Christ bearing his Cross, the Descent from the Cross, the Resurrection.
On the south side of the Lady Chapel, between the buttresses, are three erections, which were no doubt built at the same time as the Lady Chapel itself. They have been known as "the Mortuary Chapels," and also as "the Vestries." They were probably built for the former purpose.
They have recently been restored as a memorial to Bishop Selwyn, who died in 1878. All three chapels have groined roofs, with ribs and bosses, and in the floor some of the old encaustic tiles still remain. The central chapel is the largest, and is lighted by two small windows. It is only entered from the eastern chapel by means of a doorway cut right through the buttress. In this central chapel lies the effigy, in Derbyshire alabaster, of Bishop Selwyn. During his life he had expressed a wish to be buried here, but this was found to be illegal, and he was buried in the close just outside. The effigy is by Mr Nicholls, and the decorations of the walls of the chapel are by Messrs Clayton & Bell. These show the arms of the bishopric of New Zealand, to which the bishop was originally consecrated, and the arms of the dioceses formed out of it, and there are more than usually hideous frescoes showing the labours of the bishop among the Maories and among the pitmen of the English diocese. Here he is not likely to be forgotten; and at Cambridge there is a college known as Selwyn College, founded with a similar idea to that which at Oxford caused Keble College to be erected to the memory of another great modern churchman: there also his memory will remain.
The western chapel has, at its north-western corner, a stair-way leading to three cryptal chambers whose flooring is the solid rock.