'Tis strange that in a land so strong,
So strong and bold in mighty youth,
We have no poet's voice of truth
To sing for us a wondrous song.
Our chiefest singer yet has sung
In wild, sweet notes a passing strain,
All carelessly and sadly flung
To that dull world he thought so vain.
'I care for nothing, good nor bad,
My hopes are gone, my pleasures fled,
I am but sifting sand,' he said:
What wonder Gordon's songs were sad!
And yet, not always sad and hard;
In cheerful mood and light of heart
He told the tale of Britomarte,
And wrote the Rhyme of Joyous Guard.
And some have said that Nature's face
To us is always sad; but these
Have never felt the smiling grace
Of waving grass and forest trees
On sunlit plains as wide as seas.
'A land where dull Despair is king
O'er scentless flower and songless bird!'
But we have heard the bell-birds ring
Their silver bells at eventide,
Like fairies on the mountain side,
The sweetest note man ever heard.
The wild thrush lifts a note of mirth;
The bronzewing pigeons call and coo
Beside their nests the long day through;
The magpie warbles clear and strong
A joyous, glad, thanksgiving song,
For all God's mercies upon earth.
And many voices such as these
Are joyful sounds for those to tell,
Who know the Bush and love it well,
With all its hidden mysteries.
We cannot love the restless sea,
That rolls and tosses to and fro
Like some fierce creature in its glee;
For human weal or human woe
It has no touch of sympathy.
For us the bush is never sad:
Its myriad voices whisper low,
In tones the bushmen only know,
Its sympathy and welcome glad.
For us the roving breezes bring
From many a blossom-tufted tree —
Where wild bees murmur dreamily —
The honey-laden breath of Spring.
. . . . .
We have no tales of other days,
No bygone history to tell;
Our tales are told where camp-fires blaze
At midnight, when the solemn hush
Of that vast wonderland, the Bush,
Hath laid on every heart its spell.
Although we have no songs of strife,
Of bloodshed reddening the land,
We yet may find achievements grand
Within the bushman's quiet life.
Lift ye your faces to the sky
Ye far blue mountains of the West,
Who lie so peacefully at rest
Enshrouded in a haze of blue;
'Tis hard to feel that years went by
Before the pioneers broke through
Your rocky heights and walls of stone,
And made your secrets all their own.
For years the fertile Western plains
Were hid behind your sullen walls,
Your cliffs and crags and waterfalls
All weatherworn with tropic rains.
Between the mountains and the sea,
Like Israelites with staff in hand,
The people waited restlessly:
They looked towards the mountains old
And saw the sunsets come and go
With gorgeous golden afterglow,
That made the West a fairyland,
And marvelled what that West might be
Of which such wondrous tales were told.
For tales were told of inland seas
Like sullen oceans, salt and dead,
And sandy deserts, white and wan,
Where never trod the foot of man,
Nor bird went winging overhead,
Nor ever stirred a gracious breeze
To wake the silence with its breath —
A land of loneliness and death.
At length the hardy pioneers
By rock and crag found out the way,
And woke with voices of to-day,
A silence kept for years and years.
Upon the Western slope they stood
And saw — a wide expanse of plain
As far as eye could stretch or see
Go rolling westward endlessly.
The native grasses, tall as grain,
Were waved and rippled in the breeze;
From boughs of blossom-laden trees
The parrots answered back again.
They saw the land that it was good,
A land of fatness all untrod,
And gave their silent thanks to God.
The way is won! The way is won!
And straightway from the barren coast
There came a westward-marching host,
That aye and ever onward prest
With eager faces to the West,
Along the pathway of the sun.
The mountains saw them marching by:
They faced the all-consuming drought,
They would not rest in settled land:
But, taking each his life in hand,
Their faces ever westward bent
Beyond the farthest settlement,
Responding to the challenge cry
Of 'better country further out.'
And lo a miracle! the land
But yesterday was all unknown,
The wild man's boomerang was thrown
Where now great busy cities stand.
It was not much, you say, that these
Should win their way where none withstood;
In sooth there was not much of blood
No war was fought between the seas.
It was not much! but we who know
The strange capricious land they trod —
At times a stricken, parching sod,
At times with raging floods beset —
Through which they found their lonely way,
Are quite content that you should say
It was not much, while we can feel
That nothing in the ages old,
In song or story written yet
On Grecian urn or Roman arch,
Though it should ring with clash of steel,
Could braver histories unfold
Than this bush story, yet untold —
The story of their westward march.
. . . . .
But times are changed, and changes rung
From old to new — the olden days,
The old bush life and all its ways
Are passing from us all unsung.
The freedom, and the hopeful sense
Of toil that brought due recompense,
Of room for all, has passed away,
And lies forgotten with the dead.
Within our streets men cry for bread
In cities built but yesterday.
About us stretches wealth of land,
A boundless wealth of virgin soil
As yet unfruitful and untilled!
Our willing workmen, strong and skilled
Within our cities idle stand,
And cry aloud for leave to toil.
The stunted children come and go
In squalid lanes and alleys black;
We follow but the beaten track
Of other nations, and we grow
In wealth for some — for many, woe.
And it may be that we who live
In this new land apart, beyond
The hard old world grown fierce and fond
And bound by precedent and bond,
May read the riddle right and give
New hope to those who dimly see
That all things may be yet for good,
And teach the world at length to be
One vast united brotherhood.
. . . . .
So may it be, and he who sings
In accents hopeful, clear, and strong,
The glories which that future brings
Shall sing, indeed, a wond'rous song.
Anthony Considine
Out in the wastes of the West countrie,
Out where the white stars shine,
Grim and silent as such men be,
Rideth a man with a history —
Anthony Considine.
For the ways of men they are manifold
As their differing views in life;
For some are sold for the lust of gold
And some for the lust of strife:
But this man counted the world well lost
For the love of his neighbour's wife.
They fled together, as those must flee
Whom all men hold in blame;
Each to the other must all things be
Who cross the gulf of iniquity
And live in the land of shame.
But a light-o'-love, if she sins with one,
She sinneth with ninety-nine:
The rule holds good since the world begun —
Since ever the streams began to run
And the stars began to shine.
The rule holds true, and he found it true —
Anthony Considine.
A nobler spirit had turned in scorn
From a love that was stained with mire;
A weaker being might mourn and mourn
For the loss of his Heart's Desire:
But the anger of Anthony Considine
Blazed up like a flaming fire.
And she, with her new love, presently
Came past with her eyes ashine;
And God so willed it, and God knows why,
She turned and laughed as they passed him by —
Anthony Considine.
Her laughter stung as a whip might sting;
And mad with his wounded pride
He turned and sprang with a panther's spring
And struck at his rival's side:
And only the woman, shuddering,
Could tell how the dead man died!
She dared not speak — and the mystery
Is buried in auld lang syne,
But out on the wastes of the West countrie,
Grim and silent as such men be,
Rideth a man with a history —
Anthony Considine.
Song of the Artesian Water
Now the stock have started dying, for the Lord has sent a drought;
But we're sick of prayers and Providence — we're going to do without;
With the derricks up above us and the solid earth below,
We are waiting at the lever for the word to let her go.
Sinking down, deeper down,
Oh, we'll sink it deeper down:
As the drill is plugging downward at a thousand feet of level,
If the Lord won't send us water, oh, we'll get it from the devil;
Yes, we'll get it from the devil deeper down.
Now, our engine's built in Glasgow by a very canny Scot,
And he marked it twenty horse-power, but he don't know what is what:
When Canadian Bill is firing with the sun-dried gidgee logs,
She can equal thirty horses and a score or so of dogs.
Sinking down, deeper down,
Oh, we're going deeper down:
If we fail to get the water then it's ruin to the squatter,
For the drought is on the station and the weather's growing hotter,
But we're bound to get the water deeper down.
But the shaft has started caving and the sinking's very slow,
And the yellow rods are bending in the water down below,
And the tubes are always jamming and they can't be made to shift
Till we nearly burst the engine with a forty horse-power lift.
Sinking down, deeper down,
Oh, we're going deeper down
Though the shaft is always caving, and the tubes are always jamming,
Yet we'll fight our way to water while the stubborn drill is ramming —
While the stubborn drill is ramming deeper down.
But there's no artesian water, though we've passed three thousand feet,
And the contract price is growing and the boss is nearly beat.
But it must be down beneath us, and it's down we've got to go,
Though she's bumping on the solid rock four thousand feet below.
Sinking down, deeper down,
Oh, we're going deeper down:
And it's time they heard us knocking on the roof of Satan's dwellin';
But we'll get artesian water if we cave the roof of hell in —
Oh! we'll get artesian water deeper down.
But it's hark! the whistle's blowing with a wild, exultant blast,
And the boys are madly cheering, for they've struck the flow at last,
And it's rushing up the tubing from four thousand feet below
Till it spouts above the casing in a million-gallon flow.
And it's down, deeper down —
Oh, it comes from deeper down;
It is flowing, ever flowing, in a free, unstinted measure
From the silent hidden places where the old earth hides her treasure —
Where the old earth hides her treasure deeper down.
And it's clear away the timber, and it's let the water run:
How it glimmers in the shadow, how it flashes in the sun!
By the silent belts of timber, by the miles of blazing plain
It is bringing hope and comfort to the thirsty land again.
Flowing down, further down;
It is flowing further down
To the tortured thirsty cattle, bringing gladness in its going;
Through the droughty days of summer it is flowing, ever flowing —
It is flowing, ever flowing, further down.
A Disqualified Jockey's Story
You see, the thing was this way — there was me,
That rode Panoppoly, the Splendor mare,
And Ikey Chambers on the Iron Dook,
And Smith, the half-caste rider, on Regret,
And that long bloke from Wagga — him what rode
Veronikew, the Snowy River horse.
Well, none of them had chances — not a chance
Among the lot, unless the rest fell dead
Or wasn't trying — for a blind man's dog
Could see Enchantress was a certain cop,
And all the books was layin' six to four.
They brought her out to show our lot the road,
Or so they said; but, then, Gord's truth! you know,
You can't believe 'em, though they took an oath
On forty Bibles that they'd tell the truth.
But anyhow, an amateur was up
On this Enchantress, and so Ike and me,
We thought that we might frighten him a bit
By asking if he minded riding rough —
'Oh, not at all,' says he, 'oh, not at all!
I learnt at Robbo Park, and if it comes
To bumping I'm your Moses! Strike me blue!'
Says he, 'I'll bump you over either rail,
The inside rail or outside — which you choose
Is good enough for me' — which settled Ike;
For he was shaky since he near got killed
From being sent a buster on the rail,
When some chap bumped his horse and fetched him down
At Stony Bridge, so Ikey thought it best
To leave this bloke alone, and I agreed.
So all the books was layin' six to four
Against the favourite, and the amateur
Was walking this Enchantress up and down,
And me and Smithy backed him; for we thought
We might as well get something for ourselves,
Because we knew our horses couldn't win.
But Ikey wouldn't back him for a bob;
Because he said he reckoned he was stiff,
And all the books was layin' six to four.
Well, anyhow, before the start, the news
Got round that this here amateur was stiff,
And our good stuff was blued, and all the books
Was in it, and the prices lengthened out,
And every book was bustin' of his throat,
And layin' five to one the favourite.
So there was we that couldn't win ourselves,
And this here amateur that wouldn't try,
And all the books was layin' five to one.
So Smithy says to me, 'You take a hold
Of that there moke of yours, and round the turn
Come up behind Enchantress with the whip
And let her have it; that long bloke and me
Will wait ahead, and when she comes to us
We'll pass her on and belt her down the straight,
And Ikey'll flog her home, because his boss
Is judge and steward and the Lord knows what,
And so he won't be touched — and, as for us,
We'll swear we only hit her by mistake!'
And all the books was layin' five to one.
Well, off we went, and comin' to the turn
I saw the amateur was holding back
And poking into every hole he could
To get her blocked, and so I pulled behind
And drew the whip and dropped it on the mare —
I let her have it twice, and then she shot
Ahead of me, and Smithy opened out
And let her up beside him on the rails,
And kept her there a-beltin' her like smoke
Until she struggled past him pullin' hard
And came to Ike; but Ikey drew his whip
And hit her on the nose and sent her back
And won the race himself — for, after all,
It seems he had a fiver on the Dook
And never told us — so our stuff was lost.
And then they had us up for ridin' foul,
And warned us off the tracks for twelve months each,
To get our livin' any way we could;
But Ikey wasn't touched, because his boss
Was judge and steward and the Lord knows what.
But Mister — if you'll lend us half-a-crown,
I know three certain winners at the Park —
Three certain cops as no one knows but me;
And — thank you, Mister, come an' have a beer
(I always like a beer about this time) . . .
Well, so long, Mister, till we meet again.