By J.G. FRAZER. Fellow of Trinity College, Cambridge.
On a bright day in late autumn a good many years ago I had ascended the hill of Panopeus in Phocis to examine the ancient Greek fortifications which crest its brow. It was the first of November, but the weather was very hot; and when my work among the ruins was done, I was glad to rest under the shade of a clump of fine holly-oaks, to inhale the sweet refreshing perfume of the wild thyme which scented all the air, and to enjoy the distant prospects, rich in natural beauty, rich too in memories of the legendary and historic past. To the south the finely-cut peak of Helicon peered over the low intervening hills. In the west loomed the mighty mass of Parnassus, its middle slopes darkened by pine-woods like shadows of clouds brooding on the mountain-side; while at its skirts nestled the ivy-mantled walls of Daulis overhanging the deep glen, whose romantic beauty accords so well with the loves and sorrows of Procne and Philomela, which Greek tradition associated with the spot. Northwards, across the broad plain to which the hill of Panopeus descends, steep and bare, the eye rested on the gap in the hills through which the Cephissus winds his tortuous way to flow under grey willows, at the foot of barren stony hills, till his turbid waters lose themselves, no longer in the vast reedy swamps of the now vanished Copaic Lake, but in the darkness of a cavern in the limestone rock. Eastward, clinging to the slopes of the bleak range of which the hill of Panopeus forms part, were the ruins of Chaeronea, the birthplace of Plutarch; and out there in the plain was fought the disastrous battle which laid Greece at the feet of Macedonia. There, too, in a later age East and West met in deadly conflict, when the Roman armies under Sulla defeated the Asiatic hosts of Mithridates. Such was the landscape spread out before me on one of those farewell autumn days of almost pathetic splendour, when the departing summer seems to linger fondly, as if loth to resign to winter the enchanted mountains of Greece. Next day the scene had changed: summer was gone. A grey November mist hung low on the hills which only yesterday had shone resplendent in the sun, and under its melancholy curtain the dead flat of the Chaeronean plain, a wide treeless expanse shut in by desolate slopes, wore an aspect of chilly sadness befitting the battlefield where a nation's freedom was lost.
But crowded as the prospect from Panopeus is with memories of the past, the place itself, now so still and deserted, was once the scene of an event even more ancient and memorable, if Greek story-tellers can be trusted. For here, they say, the sage Prometheus created our first parents by fashioning them, like a potter, out of clay. (Pausanias X. 4.4. Compare Apollodorus, "Bibliotheca", I. 7. 1; Ovid, "Metamorph." I. 82 sq.; Juvenal, "Sat". XIV. 35. According to another version of the tale, this creation of mankind took place not at Panopeus, but at Iconium in Lycaonia. After the original race of mankind had been destroyed in the great flood of Deucalion, the Greek Noah, Zeus commanded Prometheus and Athena to create men afresh by moulding images out of clay, breathing the winds into them, and making them live. See "Etymologicum Magnum", s.v. "'Ikonion", pages 470 sq. It is said that Prometheus fashioned the animals as well as men, giving to each kind of beast its proper nature. See Philemon, quoted by Stobaeus, "Florilegium" II. 27. The creation of man by Prometheus is figured on ancient works of art. See J. Toutain, "Etudes de Mythologie et d'Histoire des Religions Antiques" (Paris, 1909), page 190. According to Hesiod ("Works and Days", 60 sqq.) it was Hephaestus who at the bidding of Zeus moulded the first woman out of moist earth.) The very spot where he did so can still be seen. It is a forlorn little glen or rather hollow behind the hill of Panopeus, below the ruined but still stately walls and towers which crown the grey rocks of the summit. The glen, when I visited it that hot day after the long drought of summer, was quite dry; no water trickled down its bushy sides, but in the bottom I found a reddish crumbling earth, a relic perhaps of the clay out of which the potter Prometheus moulded the Greek Adam and Eve. In a volume dedicated to the honour of one who has done more than any other in modern times to shape the ideas of mankind as to their origin it may not be out of place to recall this crude Greek notion of the creation of the human race, and to compare or contrast it with other rudimentary speculations of primitive peoples on the same subject, if only for the sake of marking the interval which divides the childhood from the maturity of science.
The simple notion that the first man and woman were modelled out of clay by a god or other superhuman being is found in the traditions of many peoples. This is the Hebrew belief recorded in Genesis: "The Lord God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul." (Genesis ii.7.) To the Hebrews this derivation of our species suggested itself all the more naturally because in their language the word for "ground" (adamah) is in form the feminine of the word for man (adam). (S.R. Driver and W.H.Bennett, in their commentaries on Genesis ii. 7.) From various allusions in Babylonian literature it would seem that the Babylonians also conceived man to have been moulded out of clay. (H. Zimmern, in E. Schrader's "Die Keilinschriften und das Alte Testament" 3 (Berlin, 1902), page 506.) According to Berosus, the Babylonian priest whose account of creation has been preserved in a Greek version, the god Bel cut off his own head, and the other gods caught the flowing blood, mixed it with earth, and fashioned men out of the bloody paste; and that, they said, is why men are so wise, because their mortal clay is tempered with divine blood. (Eusebius, "Chronicon", ed. A. Schoene, Vol. I. (Berlin, 1875), col. 16.) In Egyptian mythology Khnoumou, the Father of the gods, is said to have moulded men out of clay. (G. Maspero, "Histoire Ancienne des Peuples de l'Orient Classique", I. (Paris, 1895), page 128.) We cannot doubt that such crude conceptions of the origin of our race were handed down to the civilised peoples of antiquity by their savage or barbarous forefathers. Certainly stories of the same sort are known to be current among savages and barbarians.
Thus the Australian blacks in the neighbourhood of Melbourne said that Pund-jel, the creator, cut three large sheets of bark with his big knife. On one of these he placed some clay and worked it up with his knife into a proper consistence. He then laid a portion of the clay on one of the other pieces of bark and shaped it into a human form; first he made the feet, then the legs, then the trunk, the arms, and the head. Thus he made a clay man on each of the two pieces of bark; and being well pleased with them he danced round them for joy. Next he took stringy bark from the Eucalyptus tree, made hair of it, and stuck it on the heads of his clay men. Then he looked at them again, was pleased with his work, and again danced round them for joy. He then lay down on them, blew his breath hard into their mouths, their noses, and their navels; and presently they stirred, spoke, and rose up as full-grown men. (R. Brough Smyth, "The Aborigines of Victoria" (Melbourne, 1878), I. 424. This and many of the following legends of creation have been already cited by me in a note on Pausanias X. 4. 4 ("Pausanias's Description of Greece, translated with a Commentary" (London, 1898), Vol V. pages 220 sq.).) The Maoris of New Zealand say that Tiki made man after his own image. He took red clay, kneaded it, like the Babylonian Bel, with his own blood, fashioned it in human form, and gave the image breath. As he had made man in his own likeness he called him Tiki-ahua or Tiki's likeness. (R. Taylor "Te Ika A Maui, or New Zealand and its Inhabitants", Second Edition (London, 1870), page 117. Compare E. Shortland, "Maori Religion and Mythology" (London, 1882), pages 21 sq.) A very generally received tradition in Tahiti was that the first human pair was made by Taaroa, the chief god. They say that after he had formed the world he created man out of red earth, which was also the food of mankind until bread-fruit was produced. Further, some say that one day Taaroa called for the man by name, and when he came he made him fall asleep. As he slept, the creator took out one of his bones (ivi) and made a woman of it, whom he gave to the man to be his wife, and the pair became the progenitors of mankind. This narrative was taken down from the lips of the natives in the early years of the mission to Tahiti. The missionary who records it observes: "This always appeared to me a mere recital of the Mosaic account of creation, which they had heard from some European, and I never placed any reliance on it, although they have repeatedly told me it was a tradition among them before any foreigner arrived. Some have also stated that the woman's name was Ivi, which would be by them pronounced as if written "Eve". "Ivi" is an aboriginal word, and not only signifies a bone, but also a widow, and a victim slain in war. Notwithstanding the assertion of the natives, I am disposed to think that "Ivi", or Eve, is the only aboriginal part of the story, as far as it respects the mother of the human race. (W. Ellis, "Polynesian Researches", Second Edition (London, 1832), I. 110 sq. "Ivi" or "iwi" is the regular word for "bone" in the various Polynesian languages. See E. Tregear, "The Maori-Polynesian Comparative Dictionary" (Wellington, New Zealand, 1891), page 109.) However, the same tradition has been recorded in other parts of Polynesia besides Tahiti. Thus the natives of Fakaofo or Bowditch Island say that the first man was produced out of a stone. After a time he bethought him of making a woman. So he gathered earth and moulded the figure of a woman out of it, and having done so he took a rib out of his left side and thrust it into the earthen figure, which thereupon started up a live woman. He called her Ivi (Eevee) or "rib" and took her to wife, and the whole human race sprang from this pair. (G. Turner, "Samoa" (London, 1884), pages 267 sq.) The Maoris also are reported to believe that the first woman was made out of the first man's ribs. (J.L. Nicholas, "Narrative of a Voyage to New Zealand" (London, 1817), I. 59, who writes "and to add still more to this strange coincidence, the general term for bone is 'Hevee'.") This wide diffusion of the story in Polynesia raises a doubt whether it is merely, as Ellis thought, a repetition of the Biblical narrative learned from Europeans. In Nui, or Netherland Island, it was the god Aulialia who made earthen models of a man and woman, raised them up, and made them live. He called the man Tepapa and the woman Tetata. (G. Turner, "Samoa", pages 300 sq.)
In the Pelew Islands they say that a brother and sister made men out of clay kneaded with the blood of various animals, and that the characters of these first men and of their descendants were determined by the characters of the animals whose blood had been kneaded with the primordial clay; for instance, men who have rat's blood in them are thieves, men who have serpent's blood in them are sneaks, and men who have cock's blood in them are brave. (J. Kubary, "Die Religion der Pelauer", in A. Bastian's "Allerlei aus Volks- und Menschenkunde" (Berlin, 1888), I. 3, 56.) According to a Melanesian legend, told in Mota, one of the Banks Islands, the hero Qat moulded men of clay, the red clay from the marshy river-side at Vanua Lava. At first he made men and pigs just alike, but his brothers remonstrated with him, so he beat down the pigs to go on all fours and made men walk upright. Qat fashioned the first woman out of supple twigs, and when she smiled he knew she was a living woman. (R.H. Codrington, "The Melanesians" (Oxford, 1891), page 158.) A somewhat different version of the Melanesian story is told at Lakona, in Santa Maria. There they say that Qat and another spirit ("vui") called Marawa both made men. Qat made them out of the wood of dracaena-trees. Six days he worked at them, carving their limbs and fitting them together. Then he allowed them six days to come to life. Three days he hid them away, and three days more he worked to make them live. He set them up and danced to them and beat his drum, and little by little they stirred, till at last they could stand all by themselves. Then Qat divided them into pairs and called each pair husband and wife. Marawa also made men out of a tree, but it was a different tree, the tavisoviso. He likewise worked at them six days, beat his drum, and made them live, just as Qat did. But when he saw them move, he dug a pit and buried them in it for six days, and then, when he scraped away the earth to see what they were doing, he found them all rotten and stinking. That was the origin of death. (R.H. Codrington op. cit., pages 157 sq.)
The inhabitants of Noo-Hoo-roa, in the Kei Islands say that their ancestors were fashioned out of clay by the supreme god, Dooadlera, who breathed life into the clay figures. (C.M. Pleyte, "Ethnographische Beschrijving der Kei-Eilanden", "Tijdschrift van het Nederlandsch Aardrijkskundig Genootschap", Tweede Serie X. (1893), page 564.) The aborigines of Minahassa, in the north of Celebes, say that two beings called Wailan Wangko and Wangi were alone on an island, on which grew a cocoa-nut tree. Said Wailan Wangko to Wangi, "Remain on earth while I climb up the tree." Said Wangi to Wailan Wangko, "Good." But then a thought occurred to Wangi and he climbed up the tree to ask Wailan Wangko why he, Wangi, should remain down there all alone. Said Wailan Wangko to Wangi, "Return and take earth and make two images, a man and a woman." Wangi did so, and both images were men who could move but could not speak. So Wangi climbed up the tree to ask Wailan Wangko, "How now? The two images are made, but they cannot speak." Said Wailan Wangko to Wangi, "Take this ginger and go and blow it on the skulls and the ears of these two images, that they may be able to speak; call the man Adam and the woman Ewa." (N. Graafland "De Minahassa" (Rotterdam, 1869), I. pages 96 sq.) In this narrative the names of the man and woman betray European influence, but the rest of the story may be aboriginal. The Dyaks of Sakarran in British Borneo say that the first man was made by two large birds. At first they tried to make men out of trees, but in vain. Then they hewed them out of rocks, but the figures could not speak. Then they moulded a man out of damp earth and infused into his veins the red gum of the kumpang-tree. After that they called to him and he answered; they cut him and blood flowed from his wounds. (Horsburgh, quoted by H. Ling Roth, "The Natives of Sarawak and of British North Borneo" (London, 1896), I. pages 299 sq. Compare The Lord Bishop of Labuan, "On the Wild Tribes of the North-West Coast of Borneo," "Transactions of the Ethnological Society of London", New Series, II. (1863), page 27.)
The Kumis of South-Eastern India related to Captain Lewin, the Deputy Commissioner of Hill Tracts, the following tradition of the creation of man. "God made the world and the trees and the creeping things first, and after that he set to work to make one man and one woman, forming their bodies of clay; but each night, on the completion of his work, there came a great snake, which, while God was sleeping, devoured the two images. This happened twice or thrice, and God was at his wit's end, for he had to work all day, and could not finish the pair in less than twelve hours; besides, if he did not sleep, he would be no good," said Captain Lewin's informant. "If he were not obliged to sleep, there would be no death, nor would mankind be afflicted with illness. It is when he rests that the snake carries us off to this day. Well, he was at his wit's end, so at last he got up early one morning and first made a dog and put life into it, and that night, when he had finished the images, he set the dog to watch them, and when the snake came, the dog barked and frightened it away. This is the reason at this day that when a man is dying the dogs begin to howl; but I suppose God sleeps heavily now-a-days, or the snake is bolder, for men die all the same." (Capt. T.H. Lewin, "Wild Races of South-Eastern India" (London, 1870), pages 224-26.) The Khasis of Assam tell a similar tale. (A. Bastian, "Volkerstamme am Brahmaputra und verwandtschaftliche Nachbarn" (Berlin, 1883), page 8; Major P.R.T. Gurdon, "The Khasis" (London, 1907), page 106.)
The Ewe-speaking tribes of Togo-land, in West Africa, think that God still makes men out of clay. When a little of the water with which he moistens the clay remains over, he pours it on the ground and out of that he makes the bad and disobedient people. When he wishes to make a good man he makes him out of good clay; but when he wishes to make a bad man, he employs only bad clay for the purpose. In the beginning God fashioned a man and set him on the earth; after that he fashioned a woman. The two looked at each other and began to laugh, whereupon God sent them into the world. (J. Spieth, "Die Ewe-Stamme, Material zur Kunde des Ewe-Volkes in Deutsch-Togo" (Berlin, 1906), pages 828, 840.) The Innuit or Esquimaux of Point Barrow, in Alaska, tell of a time when there was no man in the land, till a spirit named "a se lu", who resided at Point Barrow, made a clay man, set him up on the shore to dry, breathed into him and gave him life. ("Report of the International Expedition to Point Barrow" (Washington, 1885), page 47.) Other Esquimaux of Alaska relate how the Raven made the first woman out of clay to be a companion to the first man; he fastened water-grass to the back of the head to be hair, flapped his wings over the clay figure, and it arose, a beautiful young woman. (E.W. Nelson, "The Eskimo about Bering Strait", "Eighteenth Annual Report of the Bureau of American Ethnology", Part I. (Washington, 1899), page 454.) The Acagchemem Indians of California said that a powerful being called Chinigchinich created man out of clay which he found on the banks of a lake; male and female created he them, and the Indians of the present day are their descendants. (Friar Geronimo Boscana, "Chinigchinich", appended to (A. Robinson's) "Life in California" (New York, 1846), page 247.) A priest of the Natchez Indians in Louisiana told Du Pratz "that God had kneaded some clay, such as that which potters use and had made it into a little man; and that after examining it, and finding it well formed, he blew up his work, and forthwith that little man had life, grew, acted, walked, and found himself a man perfectly well shaped." As to the mode in which the first woman was created, the priest had no information, but thought she was probably made in the same way as the first man; so Du Pratz corrected his imperfect notions by reference to Scripture. (M. Le Page Du Pratz, "The History of Louisiana" (London, 1774), page 330.) The Michoacans of Mexico said that the great god Tucapacha first made man and woman out of clay, but that when the couple went to bathe in a river they absorbed so much water that the clay of which they were composed all fell to pieces. Then the creator went to work again and moulded them afresh out of ashes, and after that he essayed a third time and made them of metal. This last attempt succeeded. The metal man and woman bathed in the river without falling to pieces, and by their union they became the progenitors of mankind. (A. de Herrera, "General History of the vast Continent and Islands of America", translated into English by Capt. J. Stevens (London, 1725, 1726), III. 254; Brasseur de Bourbourg, "Histoire des Nations Civilisees du Mexique et de l'Amerique-Centrale" (Paris, 1857—1859), III. 80 sq; compare id. I. 54 sq.)
According to a legend of the Peruvian Indians, which was told to a Spanish priest in Cuzco about half a century after the conquest, it was in Tiahuanaco that man was first created, or at least was created afresh after the deluge. "There (in Tiahuanaco)," so runs the legend, "the Creator began to raise up the people and nations that are in that region, making one of each nation of clay, and painting the dresses that each one was to wear; those that were to wear their hair, with hair, and those that were to be shorn, with hair cut. And to each nation was given the language, that was to be spoken, and the songs to be sung, and the seeds and food that they were to sow. When the Creator had finished painting and making the said nations and figures of clay, he gave life and soul to each one, as well men as women, and ordered that they should pass under the earth. Thence each nation came up in the places to which he ordered them to go." (E.J. Payne, "History of the New World called America", I. (Oxford, 1892), page 462.)