Anodyne Necklaces.
Anodyne necklaces were perhaps the most extensively advertised of the quack remedies of the eighteenth century. The introduction of them is generally attributed to one of the Chamberlen family, well known in medical history as the inventors of the modern midwifery forceps.
In a collection of quack advertisements in the British Museum, all published in the last half of the seventeenth century, there is a handbill issued by Major John Coke, “a licensed physician and one of his Majesty’s Chymists” advertising miraculous necklaces for children breeding teeth “preventing (by God’s assistance) feavers, convulsions, ruptures, chincough, ricketts, and such attendant distempers.” These are 5s. each. A number of titled people whose children have used these necklaces are named. A correspondent of Notes and Queries (Mr. J. Elliot Hodgkin, 6th Ser., Vol. IX.) quotes a reference to anodyne necklaces from a pamphlet published in 1717 dedicated to Dr. Chamberlen and the Royal Society, evidently an advertisement which it may not be too uncharitable to suppose was written by Chamberlen himself. But another correspondent of the same journal (6th Ser., Vol. X.) quotes from Smith’s “Book for a Rainy Day” another reference to the necklaces in which they are alluded to as Mr. Burchell’s, and are said to be “so strongly recommended by two eminent physicians, Dr. Tanner, the inventor, and Dr. Chamberlain,” to whom he had communicated the prescription. The necklaces were composed of artificially prepared beads, small like barleycorns, and they were sold at 5s. each. The beads were often made of peony wood, a substance which Oribasius (fourth and fifth centuries) recommended to be hung round the neck for the cure of epilepsy. They were especially recommended for children cutting teeth, and for pregnant women. No doubt they served like any other hard substance to help in the former trouble to open the gums, but the idea suggested was that they gave out a certain vapour or effluvium which reduced the feverish condition.
“May I die by an anodyne necklace,” is an expression used by one of the characters in “The Vicar of Wakefield” (Ch. XX.). In a comment on this allusion by the eminent authority on the eighteenth century, Mr. Austin Dobson, it was explained that hanging was there euphemistically referred to. Mr. Dobson’s mistake was pointed out in Notes and Queries, and he acknowledged it.
The Collier de Morand was a neckband sold for goitre. It was made of carded cotton on which was sprinkled a powder consisting of equal parts of sal ammoniac, common salt, and burnt sponge. Paracelsus recommended that coral should be worn round the necks of children to preserve them from the effects of sorcery.
Daffy’s Elixir.
The Rev. Thomas Daffy, who invented the Elixir Salutis with which his name has been associated for about 250 years, was rector of Redmile in Leicestershire from 1660 to 1680. He had been appointed rector of Harby in the same county in Cromwell’s time, but the Countess of Rutland, who presumably “sat under” him, was a lady of evangelical ideas, and the Rev. Thomas was apparently of a “high” tendency, for according to Nichols’s “History of Leicestershire,” “he was removed from that better living to this worse one to satisfy the spleen of the Countess of Rutland, a puritanical lady who had conceived a feeling against him for being a man of other principles.” Just when he invented his elixir does not appear, but it is to be hoped that the profits from it made up for the sacrifice he had to make in consequence of his “other principles.” It is clear from the references to the medicine which are found in general literature and from the fact that it was imitated in the Pharmacopœia (under the formula for Tinctura Sennæ Co.) that it acquired considerable popularity. The following advertisement from the Post Boy of January 1, 1707, tells most of what is known about the elixir:—
Daffye’s famous Elixir Salutis, prepared by Catherine Daffye, daughter of Mr. Thomas Daffye, late rector of Redmile in the vale of Belvoir, who imparted it to his kinsman, Mr. Anthony Daffye, who published the same to the benefit of the community and to his own advantage. The original receipt is now in my possession left to me by my father. My own brother, Mr. Daniel Daffye, apothecary in Nottingham, made this Elixir from the said receipt and sold it there during his life. Those who know it will believe what I declare; and those who do not may be convinced that I am no counterfeit by the colour, taste, smell, and operation of my Elixir. To be had at the Hand and Pen, Maiden Lane, Covent Garden.
Catherine Daffy was not a clever advertiser, for her announcement seems calculated to assist Anthony Daffy’s preparation as much as her own, and it is likely that this was not her intention. Such little evidence as exists goes to show that it was Anthony’s and not Catherine’s Elixir that maintained the fame which had been won.
Daffy’s Elixir is still made by Sutton & Co., of 76 Chiswell Street, the successors to Dicey & Co., of Bow Church Yard, who were themselves successors to Benjamin Okell, who was carrying on the business in 1727, but when or from whom, or for what consideration the property was transferred to them from the Daffy family, is not known. The old-fashioned handbills wrapped round the bottles state that the Elixir was “much recommended to the public by Dr. King, Physician to King Charles II, and the late learned and ingenious Dr. Radcliffe.” Unhappily, however, “a low set of mercenary vendors” have been making imitations of this “noble and generous Elixir,” using “foul and ordinary spirits instead of clean and pure brandy, and base and damaged drugs,” of which none could be guilty “but such as never feel for any but themselves.”