The priory church was a noble but irregular structure, of great size for those days. The cunning architect from the Continent, who had designed it, had far surpassed the builders of ordinary churches in the grandeur of his conception. The lofty roof, the long choir beyond the transept, gave the idea of magnitude most forcibly, and added dignity to the design. In the south transept was a chapel dedicated especially to St. Cuthbert, where the aged Offa reposed, and the mother of Ella. There they had removed the body to await the last solemn rites. Six large wax tapers burned around it, and watchers were there day and night—mourners who had loved him well, and felt that in him they had lost a dear friend.
The wife, the son, or the daughter, were ever there, but seldom alone. For when the monks in the choir were not saying the canonical hours, or the low mass was not being said at one of the side altars, still the voice of intercession arose, with its burden:
“Eternal rest give unto him, O Lord,
And let perpetual light shine upon him.”
At length the morning came, the second only after death. The neighbouring thanes whom the troubled times did not detain at home, the churls of the estate, the thralls, crowded the precincts of the minster, as the solemn bell tolled the deep funeral knell. At length the monks poured into the church, while the solemn “Domino refugium” arose from their lips—the same grand words which for these thousand years past have told of the eternity of God and the destiny of the creature; speaking as deeply to the heart then as in these days of civilisation.
The mourners entered, Alfred supporting his widowed mother, who had summoned all her fortitude to render the last sad offices to her dear lord; her daughter, a few distant relations—there were none nearer of kin. The bier, with its precious burden, was placed in the centre before the high altar. Six monks, bearing torches, knelt around it. A pall, beautifully embroidered, covered the coffin, a wreath of flowers surmounting a cross was placed upon it.
The solemn requiem mass commenced, and the great Sacrifice once offered upon Calvary was pleaded for the soul of the deceased thane. When the last prayer had been said, the coffin was sprinkled with hallowed water, and perfumed with sweet incense, after which it was removed to its last resting place. The grave was already prepared. Again the earthly cavern was sprinkled with the hallowed water, emblematical of the blood of sprinkling which speaketh better things than that of Abel, and the body—the sacred dust for which Christ had died, in which God had dwelt as in a temple—was lowered, to be sown in corruption, that hereafter it might be raised in incorruption and joy unspeakable.
All crowded to take the last sad look. Alfred felt his dear mother’s arm tremble as she leant on him, yet gazed firmly into that last resting place, while the solemn strain arose:
“Ego sum resurrectio et vita. Qui credit in Me, etiam si mortuus fuerit vivet; et omnis qui vivit, et credit in Me, non morietur in æternum.” [xxx]
CHAPTER XX.
“AND THE DOOR WAS SHUT.”
The reader is, we trust, somewhat impatient to learn what had really been the fate of the unhappy Elfric of Æscendune—whether he had indeed been cut off with the work of repentance incomplete, or whether he yet survived to realise the calamity which had fallen upon his household.