After all this, I wonder if you wouldn't just like to look in at Miss Craydocke's room with me, who can give you a pass anywhere within the geography of my story?

She came in here "with the lath and plaster," as Sin Saxon had said. She had gathered little comforts and embellishments about her from summer to summer, until the room had a home-cheeriness, and even a look of luxury, contrasted with the bare dormitories around it. Over the straw matting, that soon grows shabby in a hotel, she had laid a large, nicely-bound square of soft, green carpet, in a little mossy pattern, that covered the middle of the floor, and was held tidily in place by a foot of the bedstead and two forward ones each of the table and washstand. On this little green stood her Shaker rocking-chair and a round white-pine light-stand with her work-basket and a few books. Against the wall hung some white-pine shelves with more books,—quite a little circulating library they were for invalids and read-out people, who came to the mountains, like foolish virgins, with scant supply of the oil of literature for the feeding of their brain-lamps. Besides these, there were engravings and photographs in passe-partout frames, that journeyed with her safely in the bottoms of her trunks. Also, the wall itself had been papered, at her own cost and providing, with a pretty pale-green hanging; and there were striped muslin curtains to the window, over which were caught the sprays of some light, wandering vine that sprung from a low-suspended terra-cotta vase between.

She had everything pretty about her, this old Miss Craydocke. How many people do, that have not a bit of outward prettiness themselves! Not one cubit to the stature, not one hair white or black, can they add or change; and around them grow the lilies in the glory of Solomon, and a frosted leaf or a mossy twig, that they can pick up from under their feet and bring home from the commonest walk, comes in with them, bearing a brightness and a grace that seems sometimes almost like a satire! But in the midst grows silently the century-plant of the soul, absorbing to itself hourly that which feeds the beauty of the lily and the radiance of the leaf,—waiting only for the hundred years of its shrouding to be over!

Miss Craydocke never came in from the woods and rocks without her trophies. Rare, lovely mosses and bits of most delicate ferns, maidenhair and lady-bracken, tiny trails of wintergreen and arbutus, filled a great shallow Indian china dish upon her bureau top, and grew, in their fairy fashion, in the clear, soft water she kept them freshened with.

Shining scraps of mountain minerals—garnets and bright-tinted quartz and beryls, heaped artistically, rather than scientifically, on a base of jasper and malachite and dark basalt and glistening spar and curious fossils; these not gathered by any means in a single summer or in ordinary ramblings, but treasured long, and standing, some of them, for friendly memories—balanced on the one side a like grouping of shells and corals and sea-mosses on the other, upon a broad bracket-mantel put up over a little corner fireplace; for Miss Craydocke's room, joining the main house, took the benefit of one of its old chimneys.

Above or about the pictures lay mossy, gnarled, and twisted branches, gray and green, framing them in a forest arabesque; and great pine cones, pendent from their boughs, crowned and canopied the mirror.

"What do you keep your kindling wood up there for?" Sin Saxon had asked, with a grave, puzzled face, coming in, for pure mischief, on one of her frequent and ingenious errands.

"Why, where should I put a pile of wood or a basket? There's no room for things to lie round here; you have to hang everything up!" was Miss Craydocke's answer, quick as a flash, her eyes twinkling comically with appreciation of the fun.

And Sin Saxon had gone away and told the girls that the old lady knew how to feather her nest better than any of them, and was sharp enough at a peck, too, upon occasion.

She found her again, one morning, sitting in the midst of a pile of homespun, which she was cutting up with great shears into boys' blouses.