Her own name was Lucy; her husband's Luther: that, perhaps, accounted for the first syllable; afterwards, whether her mind lapsed off into combinations of such outshining appellatives as "Clara" and "Marion," or whether Mr. Grapp having played the clarionet, and wooed her sweetly with it in her youth, had anything to do with it, cannot be told; but in those prescriptive days of quiet which followed the domestic advent, the name did somehow grow together in the fancy of Mrs. Luther; and in due time the life-atom which had been born indistinguishable into the natural world, was baptized into the Christian Church as "Luclarion" Grapp. Thenceforth, and no wonder, it took to itself a very especial individuality, and became what this story will partly tell.
Marcus Grapp, who had the start of Luclarion in this "meander,"—as their father called the vale of tears,—by just two years' time, and was y-clipped, by everybody but his mother "Mark,"—in his turn, as they grew old together, cut his sister down to "Luke." Then Luther Grapp called them both "The Apostles." And not far wrong; since if ever the kingdom of heaven does send forth its Apostles—nay, its little Christs—into the work on earth, in these days, it is as little children into loving homes.
The Apostles got up early one autumn morning, when Mark was about six years old, and Luke four. They crept out of their small trundle-bed in their mother's room adjoining the great kitchen, and made their way out softly to the warm wide hearth.
There were new shoes, a pair apiece, brought home from the Mills the night before, set under the little crickets in the corners. These had got into their dreams, somehow, and into the red rooster's first halloo from the end room roof, and into the streak of pale daylight that just stirred and lifted the darkness, and showed doors and windows, but not yet the blue meeting-houses on the yellow wall-paper, by which they always knew when it was really morning; and while Mrs. Grapp was taking that last beguiling nap in which one is conscious that one means to get up presently, and rests so sweetly on one's good intentions, letting the hazy mirage of the day's work that is to be done play along the horizon of dim thoughts with its unrisen activities,—two little flannel night-gowns were cuddled in small heaps by the chimney-side, little bare feet were trying themselves into the new shoes, and lifting themselves up, crippled with two inches of stout string between the heels.
Then the shoes were turned into spans of horses, and chirruped and trotted softly into their cricket-stables; and then—what else was there to do, until the strings were cut, and the flannel night-gowns taken off?
It was so still out here, in the big, busy, day-time room; it was like getting back where the world had not begun; surely one must do something wonderful with the materials all lying round, and such an opportunity as that.
It was old-time then, when kitchens had fire-places; or rather the house was chiefly fire-place, in front of and about which was more or less of kitchen-space. In the deep fire-place lay a huge mound of gray ashes, a Vesuvius, under which red bowels of fire lay hidden. In one corner of the chimney leaned an iron bar, used sometimes in some forgotten, old fashioned way, across dogs or pothooks,—who knows now? At any rate, there it always was.
Mark, ambitious, put all his little strength to it this morning and drew it down, carefully, without much clatter, on the hearth. Then he thought how it would turn red under those ashes, where the big coals were, and how it would shine and sparkle when he pulled it out again, like the red-hot, hissing iron Jack-the-Giant-Killer struck into the one-eyed monster's eye. So he shoved it in; and forgot it there, while he told Luke—very much twisted and dislocated, and misjoined—the leading incidents of the giant story; and then lapsed off, by some queer association, into the Scripture narrative of Joseph and his brethren, who "pulled his red coat off, and put him in a fit, and left him there."
"And then what?" says Luke.
"Then,—O, my iron's done! See here, Luke!"—and taking it prudently with the tongs, he pulled back the rod, till the glowing end, a foot or more of live, palpitating, flamy red, lay out upon the broad open bricks.