On the way, a dream ran through the head of Bel. She could not help it.

To have this beautiful dress in the house,—perhaps to have to stand up and be tried to, for the fall of its delicate, rosy trail; with the white cloth on the floor, and the bright light all through the room,—why it would be almost like a minute of a ball; and what if the door should be open, and somebody should happen to go by, up-stairs? If she could be so, and be seen so, just one minute, in that blush-colored silk! She should like to look like that, just once, to somebody!

Ah, little Bel! behind all her cosy, practical living—all her busy work and contentedness—all her bright notions of what might be possible, for the better, in things that concerned her class,—she had her little, vague, bewildering flashes of vision, in which she saw impossible things; things that might happen in a book, things that must be so beautiful if they ever did really happen!

A step went up and down the stairs and along the passage by her aunt's room, day by day, that she had learned to notice every time it came. A face had glanced in upon her now and then, when the door stood open for coolness in the warm September weather, when they had been obliged to have a fire to make the tea, or to heat an iron to press out seams in work that they were doing. One or two days of each week, they had taken work home. On those days, they did, perhaps, their own little washing or ironing, besides; sewing between whiles, and taking turns, and continuing at their needles far on into the night. Once Mr. Hewland had come in, to help Aunt Blin with a blind that was swinging by a single hinge, and which she was trying, against a boisterous wind, to reset with the other. After that, he had always spoken to them when he met them. He had opened and shut the street-door for them, standing back, courteously, with his hat in his hand, to let them pass.

Aunt Blin,—dear old simple, kindly-hearted Aunt Blin, who believed cats and birds,—her cat and bird, at least,—might be thrown trustfully into each other's company, if only she impressed it sufficiently upon the quadruped's mind from the beginning, that the bird was "very, very precious,"—thought Mr. Hewland was "such a nice young man."

And so he was. A nice, genial, well-meaning, well-bred gentleman; above anything ignoble, or consciously culpable, or common. His danger lay in his higher tendencies. He had artistic tastes; he was a lover of all grace and natural sweetness; no line of beauty could escape him. More than that, he drew toward all that was most genuine; he cared nothing for the elegant artificialities among which his social position placed him. He had been singularly attracted by this little New Hampshire girl, fresh and pretty as a wild rose, and full of bright, quaint ways and speech, of which he had caught glimpses and fragments in their near neighborhood. Now and then, from her open window up to his had come her gay, sweet laugh; or her raised, gleeful tone, as she said some funny, quick, shrewd thing in her original fashion to her aunt.

Through the month of August, while work was slack, and the Hewland family was away travelling, and other lodgers' rooms were vacated, the Brees had been more at home, and Morris Hewland had been more in his rooms above, than had been usual at most times. The music mistress had taken a vacation, and gone into the country; only old Mr. Sparrow, lame with one weak ankle, hopped up and down; and the spare, odd-faced landlady glided about the passages with her prim profile always in the same pose, reminding one of a badly-made rag-doll, of which the nose, chin, and chest are in one invincible flat line, interrupted feebly by an unsuccessful hint of drawing in at the throat.

Mr. Hewland liked June for his travels; and July and August, when everybody was out of the way, for his quiet summer work.

The Hewlands called him odd, and let him go; he stayed at home sometimes, and he happened in and out, they knew where to find him, and there was "no harm in Morris but his artistic peculiarities."

He had secured in these out-of-the way-lodgings in Leicester Place, one of the best north lights that could be had in the city; he would not take a room among a lot of others in a Studio Building. So he worked up his studies, painted his pictures, let nobody come near him except as he chose to bring them, and when he wanted anything of the world, went out into the world and got it.