"Old friends?" Sylvie repeated, thoughtfully "Well, it does seem almost old. But I didn't think I knew any of you very well, only a little while ago."

"Until the overturns," said Rodney. "It takes a shaking up, I suppose, sometimes, to set things right. That's what the Shaker people believe has got to be generally. Do you know, the Scotch—Aunt Euphrasia is Scotch—have a way of using the word 'upset' to mean 'set up.' I think that is what you make it mean, Miss Sylvie. I understand the philosophy of it now. I got my first illustration when I tipped you out there at the baker's door."

"You tipped me out into one of the nicest places I ever was in. I've no doubt it was a piece of the preparation. I mean to have Ray Ingraham for my intimate friend."

Rodney Sherrett did not say anything immediately to this. He sat on the low cricket upon which he had placed himself near the door, turning his soft felt hat over and over between his hands. He was not quite ready to perceive as yet, that the baker's daughter was just the person for Sylvie Argenter's intimate friend; and he had a dim suspicion, likewise, that there was something in the girl constitution that prevented the being able to have more than one intimate friend.

He repeated presently his assurance that Amy and Aunt Euphrasia would come over to see them, and took himself off, saying that he knew he must have been horribly in the way all the time.

The next morning, a light covered wagon, driven by Mr. Sherrett's man, Rodgers, came up the Turn. There was nobody at the red-roofed house so early, and he set down in the front porch what he took carefully, one at a time, from the vehicle,—some two dozen lovely greenhouse plants, newly potted from the choicest and most flourishing growth of the season.

When Sylvie and Sabina came round from the ten o'clock street car, they stumbled suddenly upon this beauty that incumbered the entrance. To a branch of glossy green, luxuriant ivy was tied a card,—

"Rodney Sherrett,
With friendly compliments."

Sylvie really sung at her work to-day, placing and replacing till she had grouped the whole in her wire frames in the bay window so as to show every leaf and spray in light and line aright.

"Why, it is prettier than it ever was at the old place; isn't it Sabina? It's full and perfect; and that was always a great barrenness of glass. The street can't stare in now. I think mother will be able to forget that there is even a street at all."