For the real stress of her new life was bearing upon her heavily. The first poetry, the first fresh touches with which she had made pleasant signs about their altered condition, were passed into established use, and dulled into wornness and commonness. The difficulties—the grapples—came thick and forceful about her. At the same time, her reliances seemed slipping away from her.
She had hardly known, any more than her mother, how much the countenance and friendliness of the Sherrett family had done in upholding her. It was a link with the old things—the very best of the old things,—that stood as a continual assurance that they themselves were not altered—lowered in any way—by their alterings. This came to Sylvie with an interior confirmation, as it did to Mrs. Argenter exteriorly. So long as Miss Kirkbright and the Sherretts indorsed anything, it could not harm them much, or fence them out altogether from what they had been. Amy Sherrett and Miss Kirkbright thought well of the Ingrahams, and maintained all their dealings with them in a friendly—even intimate—fashion. If Sylvie chose to sit with them of an afternoon, it was no more than Miss Euphrasia did. Also, the old Miss Goodwyns, who lived up the Turn behind the maples, were privileged to offer Miss Kirkbright a cup of tea when she went in there, as she would often for an hour's talk over knitting work and books that had been lent and read. Sylvie might well enough do the same, or go to them for hints and helps in her window-gardening and little ingenuities of housekeeping. Mrs. Argenter deluded herself agreeably with the notion that the relations in each case were identical. But what with the Sherretts and Miss Kirkbright were mere kindly incidents of living, apart somewhat from the crowd of daily demand and absorption, were to Sylvie the essential resource and relaxation of a living that could find little other.
Sylvie let her mother's reading pass, not knowing how far Mrs. Argenter was able actually to believe in it herself, but clearly and thankfully recognizing, on her own part the reality,—that she had these friends and resources to brighten what would else be, after all, pretty hard to endure.
The Knoxwells and the Kents and old Mrs. Sunderline were hardly neighbors, as she had meant to neighbor with them. The Knoxwells and the Kents were a little jealous and suspicious of her overtures, as she had said, and would not quite let her in. Besides, she did not draw toward Marion Kent, who came to church with French gilt bracelets on, and a violently trimmed polonaise, as she did toward Dot and Ray.
Old Mrs. Sunderline was as nice and cosy as could be but she never went out herself, and her whole family consisted of herself, her sister,—Aunt Lora, the tailoress,—and her son, the young carpenter, whom Sylvie could not help discerning was much noted and discussed among the womenkind, old and young, as a village—what shall I say, since I cannot call my honest, manly Frank Sunderline a village beau? A village desirable he was, at any rate. Of course, Sylvie Argenter could not go very much to his home, to make a voluntary intimacy. And all these, if she and they had cared mutually ever so much, would hare been under Mrs. Argenter's proscription as mere common work-and-trade people whom nobody knew beyond their vocations. There was this essential difference between the baker's daughters whom the Sherrett family noticed exceptionally and the blacksmith's and carpenter's households, the woman who "took in fine washing," and her forward, dressy, ambitious girl. Though the baker's daughters and the good Miss Goodwyns themselves knew all these in their turn, quite well, and belonged among them. The social "laying on of hands" does not hold out, like the apostolic benediction, all the way down.
I began these last long paragraphs with saying, that neither Sylvie nor her mother had known how far their comfort and acquiescence in their new life had depended on the "backing up" of the Sherretts. This they found out when the Sherretts went away that autumn. Amy was married in October and sailed for England; Rodney was at Cambridge, and when the country house at Roxeter was closed, Miss Euphrasia took rooms in Boston for the winter, where her winter work all lay, and Mr. Sherrett, who was a Representative to Congress, went to Washington for the session. There were no more calls; no more pleasant spending of occasional days at the Sherrett Place; no more ridings round and droppings in of Rodney at the village. All that seemed suddenly broken up and done with, almost hopelessly. Sylvie could not see how it was ever to begin again. Next year Rodney was to graduate, and his father was to take him abroad. These plans had come out in the talks over Amy's marriage and her leaving home.
Sylvie was left to her village; she could only go in to the Miss Goodwyns and down to the bakery; and now that her condescensions were unlinked from those of Miss Kirkbright, and just dropped into next-door matter of course, Mrs. Argenter fretted. Marion Kent would come calling, too, and talk about Mrs. Browning, and borrow patterns, and ask Sylvie "how she hitched up her Marguerite."
[In case this story should ever be read after the fashion I allude to shall have disappeared from the catalogues of Butterick and Demorest, to be never more mentioned or remembered, I will explain that it is a style of upper dress most eminently un-daisy-like in expression and effect, and reminding of no field simplicities whatsoever, unless possibly of a hay-load; being so very much pitch-forked up into heaps behind.]
Not that Sylvie dressed herself with a pitchfork; she had been growing more sensible than that for a long time, to say nothing of her quiet mourning; though for that matter, I have seen bombazine and crape so voluminously bundled and massed as to remind one of the slang phrase "piling on the agony." But Marion Kent came to Sylvie for the first idea of her light loops and touches: then she developed it, as her sort do, tremendously; she did grandly by the yard, what Sylvie Argenter did modestly by the quarter; she had a soul beyond mere nips and pinches. But this was small vexation, to be caricatured by Miss Kent. Sylvie's real troubles came closer and harder.
Sabina Bowen went away.