Everything comes to its luck some day;
I've got chickens! What will folks say?"
Bel Bree made that rhyme. It came into her head suddenly one morning, sitting in her little bedroom window that looked right over the grass yard into the open barn-door, where the hens stalked in and out; and one, with three chickens, was at that minute airing herself and her family that had just come out of their shells into the world, and walked about already as if the great big world was only there, just as they had of course expected it to be. The hen was the most astonished. She was just old enough to begin to be able to be astonished. Her whole mind expressed itself in that proud cluck, and pert, excited carriage. She had done a wonderful thing, and she didn't know how she had done it. Bel "read it like coarse print,"—as her step-mother was wont to say of her own perspicacities,—and put it into jingle, as she had a trick of doing with things.
Bel Bree lived in New Hampshire; fifteen miles from a railway; in the curious region where the old times and the new touch each other and mix up; where the women use towels, and table-cloths, and bed-spreads, of their mothers' own hand-weaving, and hem their new ones with sewing-machines brought by travelling agents to their doors; where the men mow and rake their fields with modern inventions, but only get their newspapers once a week; where the "help" are neighbors' girls, who wear overskirts and high hats, and sit at the table with the family; where there are rag carpets and "painted chamber-sets;" where they feed calves and young turkeys, and string apples to dry in the summer, and make wonderful patchwork quilts, and wax flowers, and worsted work, perhaps, in the long winters; where they go to church and to sewing societies from miles about, over tremendous hills and pitches, with happy-go-lucky wagons and harnesses that never come to grief; where they have few schools and intermitted teaching, yet turn out, somehow, young men who work their way into professions, and girls who take the world by instinct, and understand a great deal perfectly well that is beyond their practical reach; where the old Puritan stiffness keeps them straight, but gets leavened in some marvelous way with the broader and more generous thought of the time, and wears a geniality that it is half unconscious of; the region where, if you are lucky enough to get into it to know it, you find yourself, as Miss Euphrasia said, encouraged and put in heart again about the world. Things are so genuine; when they make a step forward, they are really there.
But Bel Bree was not very happy in her home, though she sat at the window and made rhymes in half merry fashion; though she loved the hills, and the lights, and the shadows, the sweet-blossoming springs and the jeweled autumns, the sunsets, and the great rains, that set all the wild little waterfalls prancing and calling to each other among the ravines.
Bel had two lives; one that she lived in these things, and one within the literal and prosaic limit of the farmhouse, where her father, as farmers must, had married a smart second wife to "look after matters."
Not that Mrs. Bree ever looked after anything: nothing ever got ahead of her; she "whewed round;" when she was "whewing," she neither wanted Bel to hinder nor help; the child was left to herself; to her idleness and her dreams; then she neglected something that she might and ought to have done, and then there was reproach, and hard speech; partly deserved, but running over into that wherein she should not have been blamed,—the precinct of her step-mother's own busy and self-arrogated functions. She was taunted and censured for incapacity in that to which she was not admitted; "her mother made ten cheeses a week, and flung them in her face," she said. On the other hand, Mrs. Bree said "Bel hadn't got a mite of snap to her." One might say that, perhaps, of an electric battery, if the wrong poles were opposed. Mrs. Bree had not found out where the "snap" lay in Bel's character. She never would find out.
Bel longed, as human creatures who are discontent always do, to get away. The world was big; there must be better things somewhere.
There was a pathos of weariness, and an inspiration of hope, in her little rhyme about the hen.
Bel was named for her Aunt Belinda. Miss Belinda Bree came up for a week, sometimes, in the summer, to the farm. All the rest of the year she worked hard in the city. She put a good face upon it in her talk among her old neighbors. She spoke of the grand streets, the parades, Duke's balls,—for which she made dresses,—and jubilees, of which she heard afar off,—as if she were part and parcel of all Boston enterprise and magnificence. It was a great thing, truly, to live in the Hub. Honestly, she had not got over it since she came there, a raw country girl, and began her apprenticeship to its wonders and to her own trade. She could not turn a water faucet, nor light her gas, nor count the strokes of the electric fire alarm, without feeling the grandeur of having Cochituate turned on to wash her hands,—of making her one little spark of the grand illumination under which the Three Hills shone every night,—of dwelling within ear-shot and protection of the quietly imposing system of wires and bells that worked by lightning against a fierce element of daily danger. She was proud of policemen; she was thrilled at the sound of steam-engines thundering along the pavements; she felt as if she had a hand in it. When they fired guns upon the Common, she could only listen and look out of windows; the little boys ran and shouted for her in the streets; that is what the little boys are for. Somebody must do the running and the shouting to relieve the instincts of older and busier people, who must pretend as if they didn't care.