It was such a thing as had never rolled up, or branched out, though, in Westover before. The Marchbankses did not know what to make of it. People got in who had never belonged. There they were, though, in the stately old Pennington house, that was never thrown open for nothing; and when they were once there you really could not tell the difference; unless, indeed, it were that the old, middle wood was the deadest, just as it is in the trees; and that the life was in the new sap and the green rind.
Lucilla Waters invented charades; and Helen Josselyn acted them, as charades had never been acted on West Hill until now. When it came to the Hobarts' "Next Thursday" they gave us "Dissolving Views,"—every successive queer fashion that had come up resplendent and gone down grotesque in these last thirty years. Mrs. Hobart had no end of old relics,—bandbaskets packed full of venerable bonnets, that in their close gradation of change seemed like one individual Indur passing through a metempsychosis of millinery; nests of old hats that were odder than the bonnets; swallow-tailed coats; broad-skirted blue ones with brass buttons; baby waists and basquines; leg-of-mutton sleeves, balloons, and military; collars inch-wide and collars ell-wide with ruffles rayonnantes; gathers and gores, tunnel-skirts, and barrel-skirts and paniers. She made monstrous paper dickeys, and high black stocks, and great bundling neckcloths; the very pocket-handkerchiefs were as ridiculous as anything, from the waiter-napkin size of good stout cambric to a quarter-dollar bit of a middle with a cataract of "chandelier" lace about it. She could tell everybody how to do their hair, from "flat curls" and "scallops" down or up to frizzes and chignons; and after we had all filed in slowly, one by one, and filled up the room, I don't think there ever could have been a funnier evening!
We had musical nights, and readings. We had a "Mutual Friend" Thursday; that was Mrs. Ingleside's. Rosamond was the Boofer Lady; Barbara was Lavvy the Irrepressible; and Miss Pennington herself was Mrs. Wilfer; Mr. and Mrs. Hobart were the Boffins; and Doctor Ingleside, with a wooden leg strapped on, dropped into poetry in the light of a friend; Maria Hendee came in twisting up her back hair, as Pleasant Riderhood,—Maria Hendee's back hair was splendid; Leslie looked very sweet and quiet as Lizzie Hexam, and she brought with her for her secondary that night the very, real little doll's dressmaker herself,—Maddy Freeman, who has carved brackets, and painted lovely book-racks and easels and vases and portfolios for almost everybody's parlors, and yet never gets into them herself.
Leslie would not have asked her to be Jennie Wren, because she really has a lame foot; but when they told her about it, she said right off, "O, how I wish I could be that!" She has not only the lame foot, but the wonderful "golden bower" of sunshiny hair too; and she knows the doll's dressmaker by heart; she says she expects to find her some time, if ever she goes to England—or to heaven. Truly she was up to the "tricks and the manners" of the occasion; nobody entered into it with more self-abandonment than she; she was so completely Jennie Wren that no one—at the moment—thought of her in any other character, or remembered their rules of behaving according to the square of the distance. She "took patterns" of Mrs. Lewis Marchbanks's trimmings to her very face; she readied up behind Mrs. Linceford, and measured the festoon of her panier. There was no reason why she should be afraid or abashed; Maddy Freeman is a little lady, only she is poor, and a genius. She stepped right out of Dickens's story, not into it, as the rest of us did; neither did she even seem to step consciously into the grand Pennington house; all she did as to that was to go "up here," or "over there," and "be dead," as fresh, new-world delights attracted her. Lizzie Hexam went too; they belonged together; and T'other Governor would insist on following after them, and being comfortably dead also, though Society was behind him, and the Veneerings and the Podsnaps looking on. Mrs. Ingleside did not provide any Podsnaps or Veneerings; she said they would be there.
Now Eugene Wrayburn was Doctor John Hautayne; for this was only our fourth evening. Nobody had anything to say about parts, except the person whose "next" it was; people had simply to take what they were helped to.
We began to be a little suspicious of Doctor Hautayne; to wonder about his "what next." Leslie behaved as if she had always known him; I believe it seemed to her as if she always had; some lives meet in a way like that.
It did not end with parties, Miss Pennington's exogenous experiment. She did not mean it should. A great deal that was glad and comfortable came of it to many persons. Miss Elizabeth asked Maddy Freeman to "come up and be dead" whenever she felt like it; she goes there every week now, to copy pictures, and get rare little bits for her designs out of the Penningtons' great portfolios of engravings and drawings of ancient ornamentations; and half the time they keep her to luncheon or to tea. Lucilla Waters knows them now as well as we do; and she is taking German lessons with Pen Pennington.
It really seems as if the "nexts" would grow on so that at last it would only be our old "set" that would be in any danger of getting left out. "Society is like a coral island after all," says Leslie Goldthwaite. "It isn't a rock of the Old Silurian."