We shall first restrict our attention to the primary qualities of classical science, and shall furthermore consider the matter solely from the standpoint of visual perceptions. For instance, let us assume that we are viewing what would commonly be called a cone. When we view this supposedly conical object, we perceive it with various shapes according to the relative position we may occupy: we may see it as a circle, or as a triangle with a base which is either straight or elliptical; and so, by calling the object a cone, we are giving it a name which corresponds to none of its many perceived shapes. The conical shape is thus never perceived directly, but is the resultant of a synthesis of all the private views we may obtain when viewing the object from various directions. Now the question arises: Which of the various shapes should we call the real shape of the object? One of the many shapes it manifests when viewed from successive positions? Or that shape at which we have arrived in an indirect manner as a result of a co-ordination of private views? Of course the answer to this question will depend on the meaning we wish the word “reality” to convey. If by “reality” we wish to refer to what we apprehend directly, it would be absurd to refer to the conical shape as the real shape, since this shape is never apprehended directly, but merely inferred. The trouble, however, with this tentative interpretation of reality would be that we could never attribute any definite shape to an object, for there would be no reason to favour the shape as seen from here rather than the shape as seen from there. On the other hand, if we ascribe to the word “reality” the alternative meaning, i.e., that pertaining to the entity issuing from a synthesis of private views, it becomes possible (so classical science believed) to attribute a definite shape to the object, a shape transcending the relative situation and motion of the percipient. And so, according to classical science, shape was no longer indefinite, no longer a matter of point of view: it became impersonal, and we were enabled to conceive of the object as having a definite shape even in a world devoid of all observers. This was the objective space-and-time world of classical science. It would appear, then, that if we wish to retain the word “reality” in the two different capacities mentioned, we should at least underline the difference in meaning by referring to a “private reality” in the first case and to a “common or objective reality” in the second.

We now come to the so-called secondary qualities—colour and sound. Here, for instance, is what would commonly be called a red light. We apprehend it as red wherever we may be situated, so that, in contrast to the case of apparent shape, it might appear as though we were justified in claiming that the light was really red, i.e., red in an objective world devoid of all observers. But if now, instead of occupying a succession of various positions at rest with respect to the luminous source, we move towards or recede from the light with sufficient speed, it will change colour. Colour, when considered from an impersonal objective standpoint, is thus just as indefinite as apparent shape. Can we at least combine these various colours, as perceived by the various observers, into one common colour, of which our private perceptions would constitute but different perspectives? Needless to say, the task is quite impossible. In other words, there exists in the case of colour no parallel to the objective cone of classical science, no possibility of speaking of objective colour: colour remains private. Here, then, is a first reason for differentiating colour from real objective three-dimensional shape, or, again, secondary from primary qualities.

In the preceding discussion of the primary qualities of classical science, we have considered solely objective shape. But, in a more extended sense, we must class with the primary qualities all those which may be deemed to manifest an impersonal existence. With this more general understanding, we find that the most important of the primary qualities of classical science were given by such concepts as shape, size, duration, mass, force and electric charge.

When we consider the new views that are forced upon us by the theory of relativity, we find that certain refinements are necessary. The special theory of relativity has shown that there was no reason to dispute the status of those qualities thought to be primary by classical science so long as we restricted our investigations to the points of view of observers at rest with respect to the object; but that when observers in relative motion were considered, it became impossible to effect a synthesis of all the apparent shapes so as to obtain one sole impersonal or real spatial shape. Real shape was thus removed from the status of a primary quality, and there was no sense in speaking of the shape of an object in a world devoid of all observers. Similar conclusions applied to size, duration and all the other primary qualities mentioned, with the sole exception of electric charge, which retained its impersonal status. Of course, had the theory of relativity deprived us of the possibility of conceiving of a sufficient number of primary qualities, hence of an objective world, it would have led us to a stone wall. But we know that such is not the case, and that the theory has merely modified the list of the primary qualities of classical science, assigning the same fundamental rôle to others in their stead. These are given by the space-time intervals and, more generally, by space-time configurations and tensors. In other words, the objective universe disclosed by relativity is no longer one of shape and duration, or space and time, but one of space-time.

Yet, regardless of the actual list of qualities that are to be classed as primary, the significance of these qualities remains the same in either science in that they are deemed to represent entities to which an impersonal existence may be conceded, if for none other than methodological reasons.

Sufficient information has been given in this book to enable the reader to understand the similarity which exists between the comparative status of the objective and the private view, on the one hand, and between tensors and tensor components, on the other. Thus, to take an illustration from electromagnetics, we know that what our instruments detect at a given point in a given frame of reference are the electric- and magnetic-field intensities. When the frame is changed, the measured values of these quantities are modified. Hence here we have the analogue of the various apparent shapes of the cone. And just as the apparent shapes of the cone could be attributed to an objective or real three-dimensional cone (in classical science) or to a space-time configuration (in relativity), so now, in the theory of relativity, the electric and magnetic intensities can be regarded as the six variable components of a real space-time tensor, the electromagnetic-field tensor

subsisting in the objective space-time world. When we change frames, the tensor remains unaffected in the objective space-time world, but its six components in the space-and-time frame we happen to occupy are subjected to definite variations when our frame is changed; and for this reason fields that appear purely electrical when we are moving with a certain relative velocity will appear electromagnetic when our relative velocity is modified.

The general classification of objective, absolute or public realities, on the one hand, and of relative or private ones, on the other, might yet appear to present none but a methodological interest and to have no bearing on the problem of the genuinely real. But, assuming for argument’s sake, that the concept of the genuinely real has a meaning, it can scarcely be denied that if we ever hope to discover this genuine reality, it is assuredly more reasonable to seek it in those realities which we have cause to regard as public rather than in those which remain essentially private. For, as we have seen, a private reality, such as colour or apparent shape (or three-dimensional spatial shape in relativity), is indefinite until such time as the conditions of observation are specified; hence it is not self-supporting, but entails the mention of a relationship to something else. On the other hand, the generalised primary qualities transcend this specification of relationships, that are always of a contingent nature. Hence, quite aside from considerations of a methodological order based on convenience, there appears to be every reason to assume that the generalised primary qualities approximate more nearly than the secondary ones to the unattainable ideal of the genuinely real, or the metaphysical reality.

We have now to consider a further type of difficulty which would confront the metaphysician who claims colour to be a reality having an existence per se in a world devoid of observers. In the preceding pages, when discussing the relativity of colour to the percipient, we have dwelt on the relativity of colour to motion, embodied in the Doppler effect. But it is well known that a distinction between primary and secondary qualities had imposed itself long before the Doppler effect was discovered. One of the reasons responsible for this differentiation is to be found in the fact that colour, in many cases, is also relative to position. Berkeley gave an illustration of this type of relativity when he wrote of a cloud which, though it looks crimson from here, is a dark mist when we penetrate its interior. But his illustration was a poor one, for when we enter the cloud we are no longer viewing its surface. It would not be difficult to improve upon Berkeley’s example, but for our present purpose it will not be necessary to dwell further on this type of relativity, so we shall examine another species of relativity, namely, relativity to gauge.